While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
Cancion Para Mi Muerte
Charly Garcia Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Y fui libre de verdad
Guardaba todos mis sueños
En cajitas de cristal
Poco a poco fui creciendo
Y mis lagrimas de amor
Se fueron desvaneciendo
Te encontrare una mañana
Dentro de mi habitación
Y prepararas la cama
Es larga la carretera
Cuando uno mira atrás
Vas cruzando las fronteras
Sin darte cuenta quizás
Tomate del pasa manos
Porque antes de llegar
Se aferraron mil ancianos
Pero se fueron igual
Te encontrare una mañana
Dentro de mi habitación
Y prepararas la cama
Para dos
Quisiera saber tu nombre
Tu lugar, tu dirección
Y si te han puesto teléfono
También tu numeración
Te suplico que me avises
Si me vienes a buscar
No es porque te tenga miedo
Es que me quiero matar
Te encontrare una mañana
Dentro de mi habitación
Y prepararas la cama
Para dos
The lyrics to Charly García's song "Cancion Para Mi Muerte" (Song for My Death) describe the singer's past experiences and how he has grown and matured over time. The opening lines suggest that there was a time in his life that was beautiful, and he was truly free. He cherished his dreams and kept them safe in little crystal boxes. But as he grew older, his tears of love began to fade away like bubbles in the wind.
The second verse describes a long journey that the singer has taken, crossing borders without even realizing it. He advises the listener to brace themselves by holding onto the handrails because before reaching their destination, they will encounter obstacles. The singer expresses his desire to find the person he is searching for and knows he will eventually find her in his room. He even says that "you" will prepare the bed for two.
In the final verse, the singer openly asks for information about the person he is searching for, including their name, location, and phone number. He pleads with them to let him know when they plan to come for him, not out of fear, but so he can prepare himself. The song ends with the repeated refrain that the singer will find this person one day and that they will prepare a bed for two.
Line by Line Meaning
Hubo un tiempo que fue hermoso
There was a time that was beautiful
Y fui libre de verdad
And I was truly free
Guardaba todos mis sueños
I kept all my dreams
En cajitas de cristal
In little glass boxes
Poco a poco fui creciendo y mis lagrimas de amor, se fueron
Little by little I grew up and my tears of love, they disappeared
Desvaneciendo como pompas de jabón
Fading away like soap bubbles
Te encontrare una mañana dentro de mi habitación
I will find you one morning inside my room
Y prepararas la cama para dos
And you will prepare the bed for two
Es larga la carretera
The road is long
Cuando uno mira atrás
When one looks back
Vas cruzando las franteras
You cross the borders
Sin darte cuenta quizás
Without realizing it maybe
Tomate del pasa manos
Hold on to the handrail
Porque antes de llegar
Because before arriving
Se aferraron mil ancianos, pero se fueron igual
A thousand elders clung on, but they still left
Quisiera saber tu nombre
I would like to know your name
Tu lugar
Your place
Tu dirección
Your address
Y te acosto teléfono
And your phone number
También tu numeración
Also your number
Te suplico que me avises si me vienes a buscar
I beg you to let me know if you come to look for me
No es porque te tenga miedo
It's not because I'm afraid of you
Solo me quiero arreglar
I just want to get myself together
Te encontrare una mañana dentro de mi habitación
I will find you one morning inside my room
Y prepararas la cama para dos
And you will prepare the bed for two
Te encontrare una mañana dentro de mi habitación
I will find you one morning inside my room
Y prepararas la cama para dos
And you will prepare the bed for two
Lyrics © Peermusic Publishing
Written by: Carlos Alberto Garcia
Lyrics Licensed & Provided by LyricFind
@luisenrique946
Cancion para mi muerte
Hubo un tiempo que fui hermoso
y fui libre de verdad
guardaba todos mis sueños
en castillos de cristal
Poco a poco fui creciendo
y mis fabulas de amor
se fueron desvaneciendo
como pompas de jabon
Te encontrare una mañana
dentro de mi habitacion
y prepararas la cama, para dos.
Es larga la carretera
cuando uno mira atras
vas cruzando las fonteras
sin darte cuenta quizas
Tomate del pasamanos
porque antes de llegar
se aferraron mil ancianos
pero se fueron igual
Te encontrare una mañana...
Quisiera saber tu nombre
tu lugar tu direccion,
y si te han puesto telefono
tambien tu numeracion
Te suplico que me avises
si me vienes a buscar
no es porque te tenga miedo
solo me quiero arreglar
Soy peruano🇵🇪 y amo a charly garcia❤
@elbuscapolo571
Fui camarógrafo en este inolvidable show... ¡Gracias Charly!
@alvarogallardo1169
Vos conoces a un camarógrafo qué le llaman polizón
@elbuscapolo571
@Alvaro Gallardo No recuerdo, yo ya me retiré... pero fui "polizón" en algún que otro espectáculo... je!
@claragomez9787
Bueno buen
@mariaaliciagonzalezmestre525
Que experiencia inolvidable? Una suerte inmensa
@benjagar2023_-
👏🏻👏🏻
@Ramirojpg
Guitarristas, tomen nota a este video.
No siempre se necesita solos que tengan que ser super virtuosos o super rapidos, sino vean a este tipo que dedicó toda su vida al piano y sin embargo, con una sola nota en la viola, le pone un feeling increible en momentos adecuados para el tema que te pone la piel de gallina. Si Charly le daba mas a la guitarra, ¿Que clase de guitarrista nos ibamos a encontrar, no?
@fiaschampion3379
Completamente de acuerdo, a mi los solos largos y virtuosos nunca me llegaron. Por otra parte usar la viola para crear una atmosfera y evocar un sentimiento me parece algo increible. El Flaco lo logra en temas como Cantata y Cerati en Crema de Estrellas.
@miguelmenendez8335
Simplemente un genio .
@sandrocoronado9780
Si😅