While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
Casa Vacia
Charly Garcia Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
De una ilusión
Vivo en una causa perdida
Vivo a través
De una canción
Así es todos los días
Hay dolor
Todavía
Hoy, hoy
Vivo en una casa
Vivo en una casa
Vivo en una casa vacía
Si quieres
Tocar toca
De eso depende la vida
Si quieres
Amar ama
Ese es tu derecho de vida
Oh, yo todavía
Oh, mi amor
Vivo en una casa
Vivo en una casa
Vivo en una casa vacía
(La vanguardia es así)
Si quieres
Chupar chupa
Queda un lugar todavía
Si quieres
Chupar chupa
Salaré mi amor
Comeré tu amor
Daré vueltas toda la vida
Hoy
Hoy
Vivo en una casa
Vivo en una casa
Vivo en una casa
(No, thanks)
Si quieres
Ganar gana
Nadie puede perder la vida
Si quieres
Mirar mira
Esto tiene muchas salidas
Hoy
Todavía
Hoy
Vivo en una casa
Vivo en una casa
Vivo en una casa
(La entrada es gratis,
La salida vemos)
Dónde se
Van a esconder
Pueden desaparecer
Casa vacía
Casa vacía
The opening lines of Charly Garcia's song Casa Vacia, “Vivo a través de una ilusión, vivo en una causa perdida”, suggests the singer is living in a fantasy world or a dream-like state, where everything appears to be perfect, but it is not. The lyrics emphasize how the singer copes with his loneliness by turning to music, which he sees as a source of constant solace. The line “Vivo a través de una canción” depicts how music is keeping the singer alive, and it is the only thing that gives him hope.
The song has a powerful message about hope, love, and self-preservation. The line "Si quieres tocar, toca" suggests that life is full of choices, and everyone has the right to make the best of their experiences. It also suggests that the things we do in life are important and we need to make the most of them before it is too late. The line "Si quieres amar, ama" highlights the importance of love and being open to it. Garcia's repeating of the chorus “Vivo en una casa vacía” suggests the emptiness the singer feels in his life, and how nothing can fill that void.
Line by Line Meaning
Vivo a través
Mi existencia está guiada por una ilusión
De una ilusión
Que no es real y está fuera de mi alcance
Vivo en una causa perdida
Estoy viviendo en una situación sin esperanza de éxito
Vivo a través
Mi vida es como una canción
De una canción
Que se repite todos los días
Así es todos los días
Este es mi estado constante
Hay amor
Existe un sentimiento de amor
Hay dolor
Pero también existe un sentimiento de dolor
Todavía
A pesar de todo
Hoy, hoy
En este momento
Vivo en una casa vacía
Mi vida se siente vacía y sin sentido
Si quieres
Si decides
Tocar toca
Tú eres el que decide hacer algo significativo con tu vida
De eso depende la vida
Tu vida dependerá de tus propias acciones
Amar ama
Si decides amar, es tu derecho y tu responsabilidad
Ese es tu derecho de vida
Es tu derecho perseguir tus propias pasiones y amores en la vida
Oh, yo todavía
Aún sigo
Oh, mi amor
A pesar de todo, todavía hay amor en mi vida
Si quieres chupar chupa
Si decides disfrutar de tus placeres, hazlo
Queda un lugar todavía
Siempre hay espacio para más
Salaré mi amor
Celebraré mi vida y mi amor
Comeré tu amor
Aceptaré el amor que me dan los demás
Daré vueltas toda la vida
Seguiré adelante, pase lo que pase
Hoy
En este momento
Vivo en una casa vacía
Aunque estoy vivo, mi vida se siente vacía
No, thanks
Prefiero no hacer algo que me haga sentir aún más vacío
Si quieres ganar gana
Si decides perseguir el éxito, hazlo
Nadie puede perder la vida
El fracaso no es una cuestión de vida o muerte
Si quieres mirar mira
Si decides buscar respuestas, hazlo
Esto tiene muchas salidas
Hay muchas maneras de seguir adelante
La entrada es gratis,
Puedes entrar sin gastar nada
La salida vemos
Pero no sabemos lo que sucederá cuando intentemos salir
Dónde se van a esconder
No sabemos dónde se esconderán las soluciones
Pueden desaparecer
Pero es posible que nunca las encontremos
Casa vacía
A pesar de todo, mi vida se siente vacía
Casa vacía
A pesar de todo, mi vida se siente vacía
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC
Written by: CARLOS ALBERTO GARCIA, CLAUDIO RAFAEL GARCIA, MANUEL EMILIO BELGRANO, MARIANO JAVIER FERNANDEZ SOTO, MATIAS MENDEZ, NICOLAS EMANUEL MARTIN MEDINA, RICARDO ANDRES GRIFFERO
Lyrics Licensed & Provided by LyricFind
Gastón Lizarraga
Vivo a través
De una ilusión
Vivo en una causa perdida
Vivo a través
De una canción
Así es todos los días
Hay amor
Hay dolor
Todavía
Hoy, hoy
Vivo en una casa
Vivo en una casa
Vivo en una casa vacía
Si quieres
Tocar toca
De eso depende la vida
Si quieres
Amar ama
Ese es tu derecho de vida
Oh, yo todavía
Oh, mi amor
Vivo en una casa
Vivo en una casa
Vivo en una casa vacía
Si quieres
Chupar chupa
Queda un lugar todavía
Si quieres
Chupar chupa
Salaré mi amor
Comeré tu amor
Daré vueltas toda la vida
Hoy
Hoy
Vivo en una casa
Vivo en una casa
Vivo en una casa
Si quieres
Ganar gana
Nadie puede perder la vida
Si quieres
Mirar mira
Esto tiene muchas salidas
Hoy
Todavía
Hoy
Vivo en una casa
Vivo en una casa
Vivo en una casa
(La entrada es gratis,
La salida vemos)
Dónde se
Van a esconder
Pueden desaparecer
Casa vacía
Casa vacía
DDR
Cuando te pones a escuchar este álbum al completo te das cuenta de lo genial que es
Gonzalo Rey
Esos acordes suspendidos del inicio en el contexto de la cancion son una cosa increible!
Federico Puebla
Oh... cta música escuchaste?
Rey Sabú Channel
Primeros dias de Diciembre de 1996, voy a comprarlo a mi " disquería amiga " y el dueño me dice: " Sos el primero que lo compra". Y me prueba: " Lo estuve pasando ayer y nadie se dió cuenta que es Charly García ! "... ( era cierto, SAY NO MORE, había nacido, dentro de una casa vacía 😉 )
PATRIAFUERTE
El último minuto es maravilloso. Es donde el auténtico vacío dimensional de la casa se mete en la obra.
Mauro Gonzalez
Este es uno de los temas más desconocidos de Charly y sin embargo es genial
Andres Flores
Nunca voy a dejar de escuchar sus canciones!! Es el mas grande que hay!! Grande Charly!
Edgardo Leon Cifuentes
Andres Flores este tema esta bueno no puedo creer que tenga menos de 400 visitas
Facundo Marín
Lo subieron hace una semana, es un temazo del disco Say No More.
Celso Dalla
La vanguardia es así!💫