While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
Dos Cero Uno
Charly Garcia Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Y se vendió a Fiorucci
El se cansó de andar haciendo apuestas
Y se puso a estudiar
Un día se cortará el pelo
No creo que pueda dejar de fumar
Anda volado
Hace un poco de base
No se alquiló ni un guardaespaldas negro
No era Lennon ni Rucci
Se preguntó por qué sus hijos nunca lo invitaban al bar
Un día volverá a las fuentes
No creo que pueda dejar de protestar
Anda preocupado
Perdió algo de fama
Pero no le va mal
Tranzas
In Charly García's song Dos Cero Uno, the lyrics refer to a musician who has grown tired of creating protest songs and has instead sold out to the commercialism of the industry. He abandoned taking risks and instead began to study the craft. The lines, "El se cansó de hacer canciones de protesta y se vendió a Fiorucci" translates to "He got tired of making protest songs and sold out to Fiorucci."
The next section of the song talks about how the musician is anxious to change his appearance and lifestyle, but is unsure if he can quit smoking. The line "Un día se cortará el pelo, no creo que pueda dejar de fumar" translates to "One day he will cut his hair, I don't think he can quit smoking." The musician appears to be disenchanted with his current state but is still getting by in the industry.
The song then mentions how the musician did not hire a black bodyguard and is not as famous as Lennon or Rucci. Additionally, he mentions that he wonders why his children never invite him to the bar. Finally, the song notes how the musician is worried about his fame but is still doing well.
Overall, the song seems to highlight the compromises that many musicians have to make in order to maintain a successful career within the music industry. It also touches on the themes of selling out, losing oneself in the process, and trying to find one's way back to their original passion.
Line by Line Meaning
El se cansó de hacer canciones de protesta
He got tired of writing protest songs
Y se vendió a Fiorucci
And he sold himself to Fiorucci
El se cansó de andar haciendo apuestas
He got tired of taking risks
Y se puso a estudiar
And he started studying
Un día se cortará el pelo
One day he will cut his hair
No creo que pueda dejar de fumar
But I don't think he can quit smoking
Anda volado
He's a little high
Hace un poco de base
He's doing a bit of base
Pero no le va mal
But he's doing okay
No se alquiló ni un guardaespaldas negro
He didn't hire any black bodyguards
No era Lennon ni Rucci
He wasn't Lennon or Rucci
Se preguntó por qué sus hijos nunca lo invitaban al bar
He wondered why his children never invited him to the bar
Un día volverá a las fuentes
One day he will go back to his roots
No creo que pueda dejar de protestar
But I don't think he can stop protesting
Anda preocupado
He's worried
Perdió algo de fama
He lost some fame
Pero no le va mal
But he's doing okay
Tranzas
Deals
Lyrics © Universal Music Publishing Group
Written by: CHARLY GARCIA
Lyrics Licensed & Provided by LyricFind
algimoca
Él se cansó de hacer canciones de protesta y se vendió a Fiorucci
Él se cansó de andar haciendo apuestas y se puso a estudiar
Un día se cortará el pelo, no creo que pueda dejar de fumar
Anda volado, hace un poco de base, pero no le va mal
No se alquiló ni un guardaespaldas negro, no era Lennon ni Rucci (ni Rucci)
Se preguntó por qué sus hijos nunca lo invitaban al bar
Un día volverá a las fuentes, no creo que pueda dejar de protestar
Anda ocupado, perdió algo de fama, pero no le va mal
Transas
Transas
Transas
Transas
terricola
la versión en vivo de este tema me parte la cabeza
FerchoDelgaRams 2907
Igual a mi, está horrible
terricola
@FerchoDelgaRams 2907 igual lo decía en el buen sentido
Ignaciolecc
@FerchoDelgaRams 2907 que decís JAJAJJA CUALQUIERAAAA
Carlos Soria
Eres el más grande, García. Qué vivas mil años más. Aunque ya eres eterno a través de tu música
KOK INGRA
5 de Mayo de 1984, mi primer recital con 14 años y abrió así ♥️
LucaIP
Dice 1983,ademas está el recital completo y este no es el primer tema jajaja
Brandon Ariel Melluso Braun
@LucaIP pero esta diciendo que el 5 de Mayo de 1984 fue a su primer recital y que Charly abrio con este tema, nunca dijo que este recital era de esa fecha xD
eLokillo
Larga vida charly. Mañana me prendo uno en tu nombre mientras miro el vivo de tu cumple. Tendria muchas ganas de estar ahi pero bueno no se me dio. Gracias por todo lo que nos compartiste.
Edu Hirschfeld
Tremendo tema! Vine pensando que el directo me decepcionaría. Charly eres el más grande te amo ¡CANDOMBE!