While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
El Show De Los Muertos
Charly Garcia Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Quién quiere que se los muestre?
Unos sin cara, otros de pie
Todos muertos para siempre
Elija usted en cuál de todas ellas
Se puso a pensar
Tengo los llantos todos aquí
Cuál es la mueca que él le dirá
La de su inspector, la mía
Elija usted en cuál de éstas muertes
Se puso a llorar
Yo crecí con sonrisas de casa
Cielos claros y verde el jardín
Y qué estoy haciendo
Acá en esta calle con hambre
Cuántas veces tendré que morir
Para ser siempre yo?
Y no es el que duerme tranquilo
Y el que me asesina sin saber
Y ríe en su casa
Con el cuerpo limpio de muerte
En su espalda
Bailen las viudas
Vuelen los negros del infinito
Caigan las manzanas aquí
Que las otras se han
Algo anda mal señor
Qué es eso rojo en su pantalón?
In the song "El Show De Los Muertos" by Charly Garcia, he speaks of death and the dead. In the first stanza, he says that he has all the dead here, and he questions who wants to see them. He speaks of faceless dead people, some standing, and all dead forever. He then goes on to ask the listener which of these deaths they have been thinking about. This line can be interpreted to mean that death is inevitable and that we cannot escape it. It can also be interpreted to mean that death may come in many forms and affect different people in diverse ways.
In the second stanza, Charly Garcia speaks of tears and the cold, miserable feeling that it brings along. He speaks of the different contortions that he and his inspector have while crying, and he asks the listener which person's expression they have been contemplating. He then asks which of the death scenes the listener has been crying about. This stanza can be seen to address the many faces of grief and how each person's grief can manifest differently.
The last stanza speaks of the confusion that can come with growing up, and the many decisions one may have to make in life. Charly Garcia questions what he is doing on the street, hungry, when he grew up with clear skies and green gardens. He also questions how many times he has to die to truly be himself. The last few lines speak of death, murderers, and the color red. These lines can be interpreted to say that while some people may live without ever understanding or truly knowing that they have caused harm, others have to bear the weight of death and the knowledge that they have caused harm or have been a victim of it.
Line by Line Meaning
Tengo los muertos todos aquí
I have all the dead here
Quién quiere que se los muestre?
Who wants me to show them?
Unos sin cara, otros de pie
Some without a face, others standing
Todos muertos para siempre
All dead forever
Elija usted en cuál de todas ellas
Choose in which one of them
Se puso a pensar
Did you start thinking?
Tengo los llantos todos aquí
I have all the cries here
Cómo una llovizna fría
Like a cold drizzle
Cuál es la mueca que él le dirá
What face will he show?
La de su inspector, la mía
The one of his inspector, mine
Elija usted en cuál de éstas muertes
Choose in which of these deaths
Se puso a llorar
Did you start crying?
Yo crecí con sonrisas de casa
I grew up with home smiles
Cielos claros y verde el jardín
Clear skies and green garden
Y qué estoy haciendo
And what am I doing
Acá en esta calle con hambre
Here on this street starving
Cuántas veces tendré que morir
How many times do I have to die
Para ser siempre yo?
To always be me?
Y no es el que duerme tranquilo
And it's not the one who sleeps peacefully
Y el que me asesina sin saber
And the one who kills me without knowing
Y ríe en su casa
And laughs in his house
Con el cuerpo limpio de muerte
With a clean body from death
En su espalda
On his back
Bailen las viudas
Let the widows dance
Vuelen los negros del infinito
Fly the blacks of infinity
Caigan las manzanas aquí
Let the apples fall here
Que las otras se han
Because the others are gone
Algo anda mal señor
Something is wrong, sir
Qué es eso rojo en su pantalón?
What is that red on your pants?
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
Emerson Baker
Con el disco pequeñas anécdotas me di cuenta que charly es de otro planeta
Marcelo Claudio Peralta
ssssssssssssi
Adrian Akd Tuñez
Gran cancion!!, y soprendentemente una buena version, charly la canto bastante bien, a pesar de que no eran sus mejores años.
Patricio Garcia
Genio total!!! Este dia estuve ahi. No sabia si saltar y gritar o escucharlo con atencion. El Nº1 x siempre. GRACIAS GENIO
Germán Railaf
Ese show lo trajo ese año a neuquen , con la advertencia al comprar las entradas que si se iba no devolvían nada...Tres horas y media de show , único y una banda excelente
wonderlovecharly
el mejor tema de instituciones
grande garcía
te amo
siempre
Maria Laura Gutierrez
Elija usted en cuál de éstas muertes se puso a llorar.
Yo crecí con sonrisas de casa
cielos claros y verde el jardín.
Y qué estoy haciendo
acá en esta calle con hambre.
AaronArt1
La versión en vivo es muchísimo mejor. Temazo!!!
Diego Espinoza
Gran tema de Pequeñas Anécdotas...
benjamin ovalle
Charly es nuestro salvador, como no amar y respetar a este ángel