Carlos Alberto García Moreno was born on October 23, 1951. It is one of the… Read Full Bio ↴Carlos Alberto García Moreno was born on October 23, 1951. It is one of the key figures of contemporary music Argentina. His recording debut came in 1972, when he participated in the first record of Raul Porchetto, titled "Rock Christ."
While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
Estaba en Llamas Cuando Me Acosté
Charly Garcia Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
"La noticia apareció en un periódico sensacionalista
Decía simplemente que se había producido un incendio.
Después de llegar los bomberos, la policía, la prensa
Rescatar al hombre, apagar el fuego,
Le hicieron la pregunta obvia:
Cómo se inició el incendio?
No sé
Estaba en llamas cuando me acosté"
Estaba en llamas cuando me acosté
Ni siquiera puedo entender
Lo que hago a veces, nena
Pero sé que tu podrías
Entenderme a mi
Estaba en llamas
"Había dos obreros,
Uno se queja de la comida
Quién te hace la comida?
Yo"
Sé que es poco pero podrías entender
Que vine aquí en una misión
Quiero curar, pero mis manos
Solo tocan amor.
"Después de apagar el incendio
Y rescatar al hombre
Le hicieron la pregunta obvia"
Estaba en llamas cuando me acosté con vos
En mi ser
Estaba en llamas
Llamas
Llamas
"La gente que tiene sus camas en llamas
Se acuesta con gente que también
Tienen sus camas en llamas"
"Pero si nos quisiéramos un poco más
No jugaríamos tanto"
Yo no sabía pero me acosté
Yo no sabía
Estaba en llamas cuando me acosté
"Ya lo dijo Dios
A los primeros habitantes de este planeta:
No coman de esa fruta,
Les traerá problemas"
"Querida, el resto,
Ya lo sabemos,
De esto se trata.
Say No More"
SAY NO MORE!
SAY NO MORE!
No digas nada
Estaba en llamas
Estaba en llamas cuando me acosté
"Volviendo al tema del hombre
De la cama en llamas,
Tenía algún problema?
Estaba loco?
Borracho tal vez?
No lo sabemos"
Estaba en llamas cuando me acosté
Decía simplemente que se había producido un incendio.
Después de llegar los bomberos, la policía, la prensa
Rescatar al hombre, apagar el fuego,
Le hicieron la pregunta obvia:
Cómo se inició el incendio?
No sé
Estaba en llamas cuando me acosté"
Estaba en llamas cuando me acosté
Ni siquiera puedo entender
Lo que hago a veces, nena
Pero sé que tu podrías
Entenderme a mi
Estaba en llamas
"Había dos obreros,
Uno se queja de la comida
Quién te hace la comida?
Yo"
Sé que es poco pero podrías entender
Que vine aquí en una misión
Quiero curar, pero mis manos
Solo tocan amor.
"Después de apagar el incendio
Y rescatar al hombre
Le hicieron la pregunta obvia"
Estaba en llamas cuando me acosté con vos
En mi ser
Estaba en llamas
Llamas
Llamas
"La gente que tiene sus camas en llamas
Se acuesta con gente que también
Tienen sus camas en llamas"
"Pero si nos quisiéramos un poco más
No jugaríamos tanto"
Yo no sabía pero me acosté
Yo no sabía
Estaba en llamas cuando me acosté
"Ya lo dijo Dios
A los primeros habitantes de este planeta:
No coman de esa fruta,
Les traerá problemas"
"Querida, el resto,
Ya lo sabemos,
De esto se trata.
Say No More"
SAY NO MORE!
SAY NO MORE!
No digas nada
Estaba en llamas
Estaba en llamas cuando me acosté
"Volviendo al tema del hombre
De la cama en llamas,
Tenía algún problema?
Estaba loco?
Borracho tal vez?
No lo sabemos"
Estaba en llamas cuando me acosté
The lyrics of Charly Garcia's song "Estaba en Llamas Cuando Me Acosté" tell the story of a man who wakes up to the news that his bed was set on fire. The man is questioned by the authorities about how the fire was started, but he has no answer. The lyrics suggest that the man may have started the fire intentionally or unintentionally, but he can't remember what happened. The phrase "estaba en llamas cuando me acosté" (it was on fire when I went to bed) is repeated throughout the song, emphasizing the man's confused and uncertain state of mind.
The lyrics also touch on themes of personal responsibility and relationships. The man acknowledges that he sometimes does things he can't explain, but he hopes that the woman he is addressing in the song can understand him. The song suggests that people who have "beds on fire" often end up sleeping with other people who are also struggling.
Overall, "Estaba en Llamas Cuando Me Acosté" is a complex and ambiguous song that invites multiple interpretations. It speaks to the difficulty of understanding one's own motivations and actions, as well as the messiness of human relationships.
Line by Line Meaning
La noticia apareció en un periódico sensacionalista
Una noticia sensacionalista apareció en el periódico
Decía simplemente que se había producido un incendio.
La noticia simplemente decía que había ocurrido un incendio
Después de llegar los bomberos, la policía, la prensa
Después de la llegada de los bomberos, la policía y la prensa
Rescatar al hombre, apagar el fuego,
Rescatar al hombre y apagar el fuego
Le hicieron la pregunta obvia:
Le hicieron la pregunta evidente
Cómo se inició el incendio?
Cómo comenzó el incendio?
No sé
No sé
Estaba en llamas cuando me acosté
Estaba en llamas cuando me acosté
Lyrics © Universal Music Publishing Group
Written by: CHARLY GARCIA
Lyrics Licensed & Provided by LyricFind
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Antonella Velazquez
La noticia apareció en un periódico sensacionalista
decía simplemente que se había producido un incendio
Después de llegar los bomberos, la policía, la prensa
rescatar al hombre, apagar el fuego,
le hicieron la pregunta obvia: ¿Cómo se inició el incendio?
No sé...Estaba en llamas cuando me acosté"
Estaba en llamas cuando me acosté
Ni siquiera puedo entender
lo que hago a veces, nena
pero sé que tu podrías
entemderme a mi
Estaba en llamas...
"Había dos obreros,
Uno se queja de la comida
¿Quién te hace la comida?
Yo"
Sé que es poco pero podrías entender
que vine aquí en una misión
quiero curar, pero mis manos
solo tocan amor.
"Después de apagar el incendio
y rescatar al hombre
le hicieron la pregunta obvia"
Estaba en llamas cuando me acosté con vos
en mi ser...
Estaba en llamas
llamas
llamas "La gente que tiene sus camas en llamas
se acuesta con gente que también
tienen sus camas en llamas"
"Pero si nos quisiéramos un poco mas
no jugaríamos tanto"
Yo no sabía pero me acosté
Yo no sabía...
Estaba en llamas cuando me acosté
"Ya lo dijo Dios a los primeros habitantes de este planeta:
No coman de esa fruta, les traerá problemas"
"Querida, el resto, ya lo sabemos,
de esto se trata...Say No More"
SAY NO MORE!
SAY NO MORE!
No digas nada
estaba en llamas
Estaba en llamas cuando me acosté
"Volviendo al tema del hombre de la cama en llamas,
¿Tenía algún problema?¿Estaba loco?¿Borracho tal vez?
No lo sabemos"
Estaba en llamas cuando me acosté .
Nico SNM
Nuestros cerebros no están capacitados para entender a un extraterrestre como Charly, sólo para disfrutarlo. Sublime.
manipusocial trap737
Mas arriba dice que lo saco de parte de un libro,que bueno que lo expreso a su manera en canciones
Martin Dema
Humano, demasiado humano (para el resto de los humanos, poco humanos).
Antonella Velazquez
La noticia apareció en un periódico sensacionalista
decía simplemente que se había producido un incendio
Después de llegar los bomberos, la policía, la prensa
rescatar al hombre, apagar el fuego,
le hicieron la pregunta obvia: ¿Cómo se inició el incendio?
No sé...Estaba en llamas cuando me acosté"
Estaba en llamas cuando me acosté
Ni siquiera puedo entender
lo que hago a veces, nena
pero sé que tu podrías
entemderme a mi
Estaba en llamas...
"Había dos obreros,
Uno se queja de la comida
¿Quién te hace la comida?
Yo"
Sé que es poco pero podrías entender
que vine aquí en una misión
quiero curar, pero mis manos
solo tocan amor.
"Después de apagar el incendio
y rescatar al hombre
le hicieron la pregunta obvia"
Estaba en llamas cuando me acosté con vos
en mi ser...
Estaba en llamas
llamas
llamas "La gente que tiene sus camas en llamas
se acuesta con gente que también
tienen sus camas en llamas"
"Pero si nos quisiéramos un poco mas
no jugaríamos tanto"
Yo no sabía pero me acosté
Yo no sabía...
Estaba en llamas cuando me acosté
"Ya lo dijo Dios a los primeros habitantes de este planeta:
No coman de esa fruta, les traerá problemas"
"Querida, el resto, ya lo sabemos,
de esto se trata...Say No More"
SAY NO MORE!
SAY NO MORE!
No digas nada
estaba en llamas
Estaba en llamas cuando me acosté
"Volviendo al tema del hombre de la cama en llamas,
¿Tenía algún problema?¿Estaba loco?¿Borracho tal vez?
No lo sabemos"
Estaba en llamas cuando me acosté .
Profe Mar Morales
Gracias
Lucas Ribotta
Say no more
Estaba en Llamas
Esta canción es el equivalente a una película de Kubrick y Woody Allen juntos, quiero curar pero mis manos solo tocan amor! Mi nombre artístico es en honor y honra de esta obra que supera todos los limites!
Andres Flores
Genio!! El mas grande de todos!! No nos dejes nunca Charly!!
Candela Alvarez
PARECE QUE HOY EN EL DÍA DEL AMOR, NOS PUBLICÓ ESTE GRAN REGALO . ÚNICO GRANDE CHARLY, MAESTRO DE CÁTEDRA !
Say n Omore
Descansa en paz Maria Gabriela Epumer, el universo se lleva los mejores..