While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
Fantasy
Charly Garcia Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Tengo al lado un monitor
Y no se quién está aquí.
Alguien me llama por el maldito amor
Y no sé quién está aquí.
No conozco a nadie
Y todos saben de mí
Porque siempre estoy en Fantasy.
Cuando estoy sólo
Ya no se por quien vivir
Porque nunca estás aquí.
Ya mis pies congelados
Llegan hasta mí
Porque nunca estás aquí
No sabes de nada
Y todos hablan de ti
Pero es así
Porque siempre estás en Fantasy.
Fantasy es un lugar
Del que nadie puede regresar
Del que nadie puede regresar.
Fantasy es ilusión
Porque nunca hay nadie alrededor
Porque nunca hay nadie alrededor.
No conozco a nadie
Quisiera verte a ti
Pero es así
Porque siempre estás.
Fantasy es un lugar
Del que nadie puede regresar
Del que nadie puede regresar.
Fantasy es ilusión
Porque nunca hay nadie alrededor
Porque nunca hay nadie alrededor.
No conozco a nadie
Quisiera verte a ti
Pero es así
Porque siempre estás.
The lyrics in Charly García's "Fantasy" express a sense of detachment from reality and a longing for connection. The singer feels disconnected from those around him, constantly surrounded by monitors but not knowing who is present. He is called by a "damned love" but does not know who is calling. Despite being known by everyone, he does not know anyone. His life is consumed by the titular Fantasy, a place from which no one can return, and where there is never anyone around.
The singer's loneliness is palpable, especially when he is alone and doesn't know who to live for. His feet feel frozen, which can be interpreted as a metaphor for feeling stuck or paralyzed. The song speaks to the universal experience of feeling disconnected and longing for someone or something to ground us in reality. The repeated refrain of "Fantasy is a place from which no one can return" reinforces the idea that once someone loses themselves in a world of illusion, it becomes difficult to find their way back to reality.
The song has been interpreted in different ways, but it is widely understood to be about García's struggles with addiction and the toll it took on his life. It can also be seen as a commentary on the dangers of living in a world saturated with technology and how it can exacerbate feelings of isolation.
Line by Line Meaning
Siempre que salgo
Whenever I go out
Tengo al lado un monitor
I have a monitor by my side
Y no se quién está aquí.
And I don't know who is here
Alguien me llama por el maldito amor
Someone calls me by the cursed love
Y no sé quién está aquí.
And I don't know who is here
No conozco a nadie
I don't know anyone
Y todos saben de mí
And everyone knows about me
Pero es así
But it's like that
Porque siempre estoy en Fantasy.
Because I'm always in fantasy
Cuando estoy sólo
When I'm alone
Ya no se por quien vivir
I don't know who to live for anymore
Porque nunca estás aquí.
Because you're never here
Ya mis pies congelados
My feet are frozen
Llegan hasta mí
They reach me
Porque nunca estás aquí
Because you're never here
No sabes de nada
You don't know anything
Y todos hablan de ti
And everyone talks about you
Pero es así
But it's like that
Porque siempre estás en Fantasy.
Because you're always in fantasy
Fantasy es un lugar
Fantasy is a place
Del que nadie puede regresar
That no one can return from
Del que nadie puede regresar.
That no one can return from
Fantasy es ilusión
Fantasy is an illusion
Porque nunca hay nadie alrededor
Because there's never anyone around
Porque nunca hay nadie alrededor.
Because there's never anyone around
No conozco a nadie
I don't know anyone
Quisiera verte a ti
I want to see you
Pero es así
But it's like that
Porque siempre estás.
Because you're always there.
Fantasy es un lugar
Fantasy is a place
Del que nadie puede regresar
That no one can return from
Del que nadie puede regresar.
That no one can return from
Fantasy es ilusión
Fantasy is an illusion
Porque nunca hay nadie alrededor
Because there's never anyone around
Porque nunca hay nadie alrededor.
Because there's never anyone around
No conozco a nadie
I don't know anyone
Quisiera verte a ti
I want to see you
Pero es así
But it's like that
Porque siempre estás.
Because you're always there.
Lyrics © DistroKid, Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Songtrust Ave
Written by: CARLOS EFREN REYES ROSADO, ELIEZER GARCIA, EDUARDO LOPEZ, JESUS MANUEL BENITEZ HIRALDO, RAFAEL JIMENEZ, NOAH K. ASSAD, JOSE CARLOS CRUZ, FREDDY MONTALVO
Lyrics Licensed & Provided by LyricFind
@lucavalentin8515
Siempre que salgo tengo al lado un monitor
y no se quién está aquí
Alguien me llama por el maldito amor
y no sé quién está aquí
No conozco a nadie
y todos saben de mí
pero es así
porque siempre estoy en Fantasy
Cuando estoy sólo ya no se por quien vivir
porque nunca estás aquí
Ya mis pies congelados llegan hasta mí
porque nunca estás aquí
No sabes de nada
y todos hablan de ti
pero es así
porque siempre estás en Fantasy
Fantasy es un lugar
del que nadie puede regresar
del que nadie puede regresar
Fantasy es ilusión
porque nunca hay nadie alrededor
porque nunca hay nadie alrededor
No conozco a nadie
quisiera verte a ti
pero es así
porque siempre estás
Fantasy es un lugar
del que nadie puede regresar
del que nadie puede regresar
Fantasy es ilusión
porque nunca hay nadie alrededor
porque nunca hay nadie alrededor
No conozco a nadie
quisiera verte a ti
pero es así
porque siempre estás
@juanpablofrapiccini6492
Fantasy es un lugar del que nadie puede regresar....una lucha eterna con mi mente adicta. Pero le voy a ganar!!! Te amo charly.
@shuskaus5338
espero hayas ganado la pelea amigaso
@juanhidalgo4571
Nunca le ganas a la adiccion, se aprende a convivir con ella
@Entreelexcesoylaausencia
Hace 10 yendo para los 11 meses que no me drogo, después de 7 años de excesos, se puede amigo, con un ayudin ( Clonazepam regularmente ). No seas salame no pierdas más el tiempo, quema etapas, crece amigo.
@alejandroandia4840
Clonazepam es shit. Solo.no te caigas en drogas duras. Porque duran lo q duras dura.
@nico271293
Uno de los temas mas lindos del maestro. SNM
@nicomartin7409
Concuerdo, junto con "dime quien me lo robo" son muy buenos temas
@has7846
que voz loco, que ritmo unico y eterno charly
@Lucho_91
tremendo agudo tenia charly ahi no? que barbaridad, me encanta como se destaca cada instrumento en cada parte de la canción.
@franlp
@@Lucho_91 tremendo vocalista era!!!