While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
La Vanguardia Es Así
Charly Garcia Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
"Inconciente colectivo"
"¿De parte?"
Cuando me mires a los ojos
Y mi mirada esté en otro lugar
No te acerques a mi
Porque sé que yo te voy a lastimar.
The first line "Estamos por invadir Corrientes" can be interpreted in multiple ways. Corrientes is a province in Argentina, but in this context, the word can also be used as a synonym for currents or trends. Therefore, Charly García may be alluding to the invasion of a new cultural trend or idea that is spreading throughout society. The line may also suggest a sense of anticipation and excitement for the future.
The phrase "Inconciente colectivo" translates to "collective unconscious," a term coined by psychologist Carl Jung, referring to the shared psychological traits and experiences of a society or culture. Charly García may be highlighting how our collective experiences and beliefs shape our actions and decisions as a group.
The line "¿De parte?" in Spanish can mean "On behalf of?" or "Whose side are you on?" This line could be interpreted as Charly García questioning someone's motives or loyalties in a particular situation.
The final verse presents a contradictory sentiment. It suggests that the singer is aware that they may hurt the person they are looking at, even if they are not intentionally doing so. It highlights the complexity of human emotions and relationships, where our actions may have unintended consequences.
Line by Line Meaning
Estamos por invadir corrientes
We are about to invade the currents (of society or culture)
Inconciente colectivo
Collective unconscious
¿De parte?
On whose behalf?
Cuando me mires a los ojos
When you look me in the eyes
Y mi mirada esté en otro lugar
And my gaze is elsewhere
No te acerques a mi
Don't come close to me
Porque sé que yo te voy a lastimar
Because I know I will hurt you
Lyrics © Universal Music Publishing Group
Written by: CHARLY GARCIA
Lyrics Licensed & Provided by LyricFind
Miguel Angel
5:05 Tango en segunda
6:49 El amor espera
11:35 Cerca de la revolución
16:23 Rock and roll yo
20:44 Anhedonia
24:50 No importa
30:04 Nos siguen pegando abajo (Pecado mortal)
33:34 Viernes 3 A.M
37:53 Desarma y sangra
41:13 Los dinosaurios
44:54 No toquen
47:50 Confesiones de invierno
Agustín Salazar Campos
60x60 - "La vanguardia es así" [Parte I]
Teatro Gran Rex, Buenos Aires, Argentina
Año: 2011
(Editado por EMI Music, 2012)
01. Tango en segunda (Charly García) 5:16
02. El amor espera (Charly García) 6:49
03. Cerca de la revolución (Charly García) 11:35
04. Rock and roll yo (Charly García) 16:23
05. Anhedonia (Charly García) 20:44
06. No importa (Charly García) 24:50
07. Nos siguen pegando abajo (Pecado mortal) (Charly García) 30:04
08. Viernes 3 AM (Charly García) 33:34
09. Desarma y sangra (Charly García) 37:53
10. Los dinosaurios (Charly García) 41:13
11. No toquen (Charly García) 44:54
12. Confesiones de invierno (Charly García) 47:53
Miguel Angel
5:05 Tango en segunda
6:49 El amor espera
11:35 Cerca de la revolución
16:23 Rock and roll yo
20:44 Anhedonia
24:50 No importa
30:04 Nos siguen pegando abajo (Pecado mortal)
33:34 Viernes 3 A.M
37:53 Desarma y sangra
41:13 Los dinosaurios
44:54 No toquen
47:50 Confesiones de invierno
Diego Gomez
P
Ricardo Racca
+Miguel Angel Gracias, Ya lo corregire!!!
Agustín Salazar Campos
Entre octubre y diciembre de 2011, Charly García, celebrando su cumpleaños número 60, presentó tres conciertos ("La Vanguardia es así", "Detrás de las Paredes" y "El Ángel Vigía") en el Teatro Gran Rex, en las tres noches no repitió ningún tema, presentó 60 canciones las cuales forman una pequeña parte de su extensa trayectoria la cual abarca 40 años, repaso algunas canciones de las bandas en las cuales participó como Sui Generis, Serú Girán, y también de su etapa como solista. Charly se presentó con su nueva banda, The Prostitution (Cristine Brebes, Julián Gándara, Carlos García López, Carlos González, Kiuge Hayashida, Rosario Ortega, Fernando Samalea, Toño Silva, Alejandro Terán y Fabián Von Quintiero) y con invitados de lujo tales como Pedro Aznar, Juanse, Nito Mestre, Fito Páez, Graciela Borges y Juan Alberto Badía. Estos tres conciertos han sido reunidos en esta caja recopilatoria de lujo, con el título de 60x60 el cual reúnen 3 DVD con más de 3 horas de concierto, 3 CD de audio, un libro de 44 páginas, un póster gigante y un dibujo original de Charly. Los conciertos fueron registrados en sistema High Definition con doce cámaras, grabados y mezclados por Pichón Dal Pont (ganador de 3 Premios Grammy) y masterizados por Ted Jensen en Sterling Sound, Nueva York, con Joe Blaney como ingeniero consultor.
(Editado por EMI Music, 2012)
Agustín Daulte
Gracias
Ernesto Suasnabae
Como estas Agustin,yo tambien soy un fan del musico mas grande que dio nuestro pais eo Señor CHARLOY GARCIA,y si me permitis hacerte una correccion nuestro Amado Charloy Garcia ya tiene 50años en la musica desde que grabo su primer disco con Sui Generis en 1972,un abrazo.
Sebastian Diaz
La obra musical de Charly es impresionante, es un huracán de magia terrible. La música y poesía de las canciones que hizo son una expresión artística fascinante.
Riki Rososzka
Uffffffffffffffffffffffffffffffff !! interminable MARAVILLA ! Estuve ahi 👐
nahuel cabral
Desde que escuché los dinosaurios cuando tenía 12 años lo ame a Charly hoy tengo 30 y me sigue emocionando escucharlo nunca te mueras charly
Rodrigo
La verdad voy a estar agradecido toda la vida a Charly... El día q lo vi tocar me emocione muchísimo,nunca creí q iba a tener la oportunidad ,y un día se me dio... Inolvidable verlo subir al escenario,yo solo entre la gente mirándolo con mucha emoción!!! Gracias Charly!!!