While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
Necesito Tu Amor
Charly Garcia Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Voy a insistir
Voy a pelear
Voy a seguir
Yo necesito tu amor
Tu amor me salva y me sirve
Yo necesito tu amor
Yo tengo el vicio de dejarme llevar
Y poner mi cabeza en Marte
Tengo prejuicios que no puedo sacar
Tengo un cuerpo que quiere amarte
Yo vi tu amor
Yo vi tu amor
Dentro del mal
Cerca del fin
Cerca de vos
Dentro de mí
Yo necesito tu amor
Tu amor me salva y me sirve
Yo necesito tu amor
Cada día un poco más
No tengo nadie que yo quiera escuchar
Ni pasiones para abrigarme
No tengo máscara
No tengo disfraz
Ni señales para guiarme
Al menos hoy
Al menos hoy
In Charly García's song "Necesito Tu Amor," the singer is expressing his need for love and affection. He is determined to change himself and fight for what he wants. He acknowledges his flaws, but also recognizes that love can save him and give him purpose. He has a tendency to let himself be swept away and get lost in his thoughts, but he wants to break free from this and focus on the present moment. He has experienced love before, and it has given him hope even in difficult times. The need for love is urgent and growing each day, as he feels alone and without direction.
The lyrics are poignant and relatable, highlighting the universal need for human connection and intimacy. The repetition of the line "Yo necesito tu amor" (I need your love) reflects the singer's desperation and how central this need is to his life. The use of contrasting imagery, such as "dentro del mal" (inside the bad) and "cerca de vos" (close to you), creates a sense of conflict and tension. The reference to masks and disguises suggests a desire for authenticity and transparency, as the singer longs for someone who can accept him for who he is. Overall, the song is a powerful expression of vulnerability and the search for love and meaning in life.
Line by Line Meaning
Voy a cambiar
I am going to change who I am.
Voy a insistir
I am going to persist in my pursuit.
Voy a pelear
I am going to fight for what I want.
Voy a seguir
I am going to keep going, no matter what.
Yo necesito tu amor
I need your love to survive.
Tu amor me salva y me sirve
Your love saves and fulfills me.
Cada día un poco más
Each day, I need your love a little bit more.
Yo tengo el vicio de dejarme llevar
I have the tendency to lose myself.
Y poner mi cabeza en Marte
And let my thoughts wander aimlessly.
Tengo prejuicios que no puedo sacar
I have biases I can't seem to shake.
Tengo un cuerpo que quiere amarte
My body longs to love you.
Yo vi tu amor
I saw your love.
Dentro del mal
Amidst the darkness.
Cerca del fin
Close to the end.
Cerca de vos
Close to you.
Dentro de mí
Within me.
No tengo nadie que yo quiera escuchar
I have no one I want to listen to.
Ni pasiones para abrigarme
No passions to keep me warm.
No tengo máscara
I have no mask.
No tengo disfraz
I have no disguise.
Ni señales para guiarme
No signs to guide me.
Al menos hoy
At least for today.
Lyrics © Universal Music Publishing Group
Written by: Charly Garcia
Lyrics Licensed & Provided by LyricFind
Juan
on Los Dinosaurios
Neighborhood friends can be kidnapped at any time.
Popular singers can be kidnapped.
Famous people can be kidnapped.
The person we love deeply can be kidnapped.
People on television can be kidnapped on air.
People on the streets can be kidnapped in the street.
But the army is going to disappear.
I'm not at ease, my love.
It's Saturday night.
A friend is in jail. (It is likely to be tortured or disappear, they can link me to him, I can be next).
Oh my love.
The world is disappearing.
If troublesome people were killed, tortured and raped.
Oh, my love, I wish I had not caused trouble.
When everything is terrible
It is better not to have emotional attachments
Imagine the militaries in prison.
Juan
on Los Dinosaurios
Charly García's "los dinosaurios" is a song about Argentina's bloodiest military dictatorship. The song expresses the suffering and fear for the more than 40,000 disappeared. Anyone, for any reason, could be kidnapped. Most of them were never found.
Juan
on Los Dinosaurios
Airborne things, such as planes or balloons, can disappear without a trace.
"those on the air" refers to people who are in the media giving "live" news.