While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
No Llores Por Mi Argentina
Charly Garcia Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Por qué perdiste tanto tiempo?
Indecisa al hablar
Tan dura como Humpfrey Bogart
Entre lujurias y represión
Bailaste los discos de moda
Y era tu diversión
No llores por las heridas
Que no paran de sangrar
No llores por mí, Argentina
Te quiero cada días más
Estás enferma de frustración
Y en tu locurano hay acuerdo
Una hiena al reir
Pero al almuerzo con los cerdos
Si las estrellas de cabaret
Se rien de tus movimientos
No es preciso mentir
Lo negro que hay en tus pensamientos
No llores por las heridas
Que no paran de sangrar no llores por mí
Argentina te quiero cada días más
Alguien se quiere ir alguien quiere volver
Alguien que está atrapado en el
Medio de un recuerdo esto yo ya lo ví
Esto ya lo escuché ella no quiere ser amiga
De un chico de este pueblo
In Charly García's song "No Llores Por Mi Argentina" (Don't Cry for Me Argentina), he talks about a woman who is frustrated, indecisive, and harsh. He asks her why she wasted so much time and danced to the trendy disco music, mocking the illusionists. The woman is also sick with frustration, and she's not in agreement with her own madness. She laughs like a hyena, but eats with the pigs. The stars in the cabaret laugh at her movements; there's no need to lie about the darkness in her thoughts. Charly Garcia advises her not to cry for the wounds that never stop bleeding; instead, he wants her to know that he loves her more every day.
Line by Line Meaning
Tu amor te espera, no esperes más
Your love is waiting for you, don't wait any longer.
Por qué perdiste tanto tiempo?
Why have you wasted so much time?
Indecisa al hablar
Indecisive when speaking.
Tan dura como Humpfrey Bogart
As tough as Humphrey Bogart.
Entre lujurias y represión
Amidst lust and repression.
Bailaste los discos de moda
You danced to the trendy music.
Y era tu diversión
And it was your entertainment.
Burlarte de los ilusionistas
Mocking the illusionists.
No llores por las heridas
Don't cry for the wounds.
Que no paran de sangrar
That never stop bleeding.
No llores por mí, Argentina
Don't cry for me, Argentina.
Te quiero cada días más
I love you more every day.
Estás enferma de frustración
You are sick with frustration.
Y en tu locura no hay acuerdo
And in your madness there is no agreement.
Una hiena al reir
A hyena when laughing.
Pero al almuerzo con los cerdos
But at lunch with the pigs.
Si las estrellas de cabaret
If the cabaret stars.
Se rien de tus movimientos
Laugh at your movements.
No es preciso mentir
It's not necessary to lie.
Lo negro que hay en tus pensamientos
The darkness in your thoughts.
Alguien se quiere ir alguien quiere volver
Someone wants to leave, someone wants to come back.
Alguien que está atrapado en el
Someone who is trapped in it.
Medio de un recuerdo esto yo ya lo ví
In the midst of a memory I've already seen this.
Esto ya lo escuché ella no quiere ser amiga
I've heard this before, she doesn't want to be friends.
De un chico de este pueblo
With a boy from this town.
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
@AEARArg
¡¡¡Argentina Campeón del Mundo 2022!!!
Tu amor te espera
No esperes más
En qué perdiste tanto tiempo?
(...)
No llores por las heridas
Que no paran de sangrar
No llores por mí, argentina
Te quiero cada días más!!!
@camillerose8323
Tu amor te espera
No esperes más
En qué perdiste tanto tiempo?
Indecisa al hablar
Tan dura como humpfrey bogart
Entre lujurias y represión
Bailaste los discos de moda
Y era tu diversión
Burlarte de los ilusionistas
No llores por las heridas
Que no paran de sangrar
No llores por mí, argentina
Te quiero cada días más
Estás enferma de frustración
Y en tu locurano hay acuerdo
Una hiena al reir
Pero al almuerzo con los cerdos
Si las estrellas de cabaret
Se rien de tus movimientos
No es preciso mentir lo negro que hay en tus pensamientos
No llores por las heridas
Que no paran de sangrar
No llores por mí, argentina
Te quiero cada días más
Alguien se quiere ir
Alguien quiere volver
Alguien que está atrapado en el medio de un recuerdo
Esto yo ya lo ví
Esto ya lo escuché
Ella no quiere ser amiga de un chico de este pueblo
@ukelelito
En 1982 los chicos de 12 años como yo no entendíamos mucho que sucedía. Habíamos vivido el miedo y la angustia de una guerra y poco a poco se respiraban vientos de cambio con aroma a democracia ,una palabra que escuchabamos todo el tiempo y no sabíamos bien de qué se trataba .Volvían los exiliados , se hablaba de urnas , votaciones , y más nuevas palabras comenzaban a formar parte de nuestro vocabulario. La música nacional sonaba por todos lados . El 10 de diciembre del 83 , la Argentina era una fiesta. Esta canción que nos llegaba desde la tele , la radio , un LP o un cassette , formaba parte de la banda sonora de los chicos y jóvenes de aquellos años.
@gustavoalejandrojosescavuz4706
En 1982 yo tenia 16 años y esta canción era la banda sonora de esa epoca. Y me acuerdo de la graduación de mi Colegtio de ese entonces con uno de los graduados de la epoca subido a mis hombros cantando esta canción a voz en cuallo. Que buen y lindo recuerdo!!!
@thegame6141
Y ahora entendés algo?
@mariarosacampora7154
Fue una época dura,salíamos de la oscuridad,pero con vientos de esperanza,yo tenía 10 años más que vos pero feliz de ir a votar,fue un día de sol y queríamos ser felices....esta canción de Charly nos hacía sentir que queríamos algo mejor para nuestro país....
El día que asumió Alfonsín todos estábamos contentos.Después crecimos y las cosas cambiaron bastante,pero la alegría de aquel día no me la olvido más.
@Oriana583
Los ingleses la modificaron y en su viaje de regreso al reino unido la cantaban en el camberra, no intentes conmigo argentino....lo leí del libro de un paracaída británico vgm
@carlosdamiani1410
aprende
@miguelportal82
"estás enferma de frustración y en tu locura no hay acuerdos" gran descripción de lo que aveces pasa por nuestra cabeza en argentina
@angelacosta9512
se lo llama "esquizofrenia"
@ruthvalle7145
Argentina es un reflejo de los argentinos
@thegame6141
@@ruthvalle7145 y no pueden ser uruguayos?