While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
No Me Veras En El Subte
Charly Garcia Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
No me verás
No me verás en el subte
No me verás
No me verás
No me verás en el subte
No me verás
No me verás
La llave que yo tengo puede abrir
Tan sólo el corazón
De los extraños
Las almas que no tienen dónde ir
Se vuelven a reunir
En subterráneo
Me tengo que esconder
Me tengo que esconder
Jamás me encontrarás de nuevo aquí
Se que hubo una traición
Hubo un engaño
Me tengo que esconder
Me tengo que esconder
Yo recuerdo tu piel
Yo recuerdo tu voz
Como las estaciones
Yo te ví reir
Ya no llores
No me verás
No me hablarás
No me verás
No me verás
The lyrics to Charly Garcia's song "No Me Veras En El Subte" speak of a person who is hiding from someone or something, possibly because of a betrayal or deception. The repeated refrain of "No me verás en el subte" (You won't see me in the subway) further emphasizes the idea of the singer hiding and avoiding being seen.
The verse "La llave que yo tengo puede abrir/Tan sólo el corazón/De los extraños" (The key I have can only open the heart of strangers) suggests that the singer is guarded emotionally and only opens up to those who are not close to him/her. The reference to strangers gathering in the subway suggests that the singer may find comfort in being around people who are not connected to him/her personally.
The lines "Me tengo que esconder/Jamás me encontrarás de nuevo aquí" (I have to hide/You'll never find me here again) further emphasize the idea of the singer hiding and avoiding being found. The reference to a betrayal or deception in the lines "Se que hubo una traición/Hubo un engaño" (I know there was a betrayal/There was deception) suggests that the singer is hiding from someone who has hurt them in some way.
Overall, the lyrics to "No Me Veras En El Subte" speak of a person who is in a state of emotional and physical hiding, possibly as a response to being hurt or betrayed.
Line by Line Meaning
No me verá
You won't see me
No me verás
You won't see me
No me verás en el subte
You won't see me in the subway
No me verás
You won't see me
No me verás
You won't see me
No me verás en el subte
You won't see me in the subway
No me verás
You won't see me
No me verás
You won't see me
La llave que yo tengo puede abrir
The key that I hold can only unlock
Tan sólo el corazón
Only the heart
De los extraños
Of strangers
Las almas que no tienen dónde ir
The souls that have nowhere to go
Se vuelven a reunir
Come together
En subterráneo
Underground
Me tengo que esconder
I have to hide
Me tengo que esconder
I have to hide
Jamás me encontrarás de nuevo aquí
You will never find me here again
Se que hubo una traición
I know there was a betrayal
Hubo un engaño
There was deception
Me tengo que esconder
I have to hide
Me tengo que esconder
I have to hide
Yo recuerdo tu piel
I remember your skin
Yo recuerdo tu voz
I remember your voice
Como las estaciones
Like the stations
Yo te ví reir
I saw you laugh
Ya no llores
Don't cry anymore
No me verás
You won't see me
No me hablarás
You won't talk to me
No me verás
You won't see me
No me verás
You won't see me
Lyrics © Universal Music Publishing Group
Written by: CHARLY GARCIA
Lyrics Licensed & Provided by LyricFind
Williams cremación
No me verá
No me verás
No me verás en el subte
No me verás
No me verás
No me verás en el subte
No me verás
No me verás
La llave que yo tengo puede abrir
Tan sólo el corazón
De los extraños
Las almas que no tienen dónde ir
Se vuelven a reunir
En subterráneo
Me tengo que esconder
Me tengo que esconder
Jamás me encontrarás de nuevo aquí
Se que hubo una traición
Hubo un engaño
Me tengo que esconder
Me tengo que esconder
Yo recuerdo tu piel
Yo recuerdo tu voz
Como las estaciones
Yo te ví reir
Ya no llores
No me verás
No me hablarás
No me verás
No me verás
No doubt, my friend!
¿Qué otro músico te perfora el alma al nivel de esta agresiva sensibilidad con la que compone Charly? Ninguno.
No doubt, my friend!
@Majo Ramos Aguante el coronel, el Flaco y el gran García Márquez!
Majo Ramos
Amo tu foto y ese nombre de usuario. Grande el coronel Aureliano y grande Spinetta.
Williams cremación
No me verá
No me verás
No me verás en el subte
No me verás
No me verás
No me verás en el subte
No me verás
No me verás
La llave que yo tengo puede abrir
Tan sólo el corazón
De los extraños
Las almas que no tienen dónde ir
Se vuelven a reunir
En subterráneo
Me tengo que esconder
Me tengo que esconder
Jamás me encontrarás de nuevo aquí
Se que hubo una traición
Hubo un engaño
Me tengo que esconder
Me tengo que esconder
Yo recuerdo tu piel
Yo recuerdo tu voz
Como las estaciones
Yo te ví reir
Ya no llores
No me verás
No me hablarás
No me verás
No me verás
época vacía
Qué tipo más increíble, te voy a agradecer de por vida lo que nos diste.
hugo Casoli
gran disco del maestro de todos los tiempos...
Luis Romero
Ese "yo recuerdo tu piel..." mierda entra con todo y te parte el alma, genio de genios.
PINK FLOYD Pablo Flaming
La mejor canción de charly y una de las mejores del rock argentino. Grande maestro y muchas gracias.
Matias Sanchez
Esto es un viaje intergaláctico. Gracias Maestro!!!!!!
Christian Gastañaduy
Temon d temones! Aguante Charly! Dsd Lima Perú.