While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
Ojos De Video Tape
Charly Garcia Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
No tengo que escribir canciones de amor
No ves, que espero resucitar
Mientras miras esos ojos de video tape
Ya llega aquél examen del bien y el mal
Ya llegan las noticias cruzando el mar
No ves que el mundo gira al revés
Este mundo exclamará por siempre
La película que vi una vez
Y este mundo te dirá por siempre
Que es mejor mirar a la pared
Ya tienes las postales del Paraguay
Ya tienes las valijas sobre el diván
Te vas, el mundo gira al revés
Mientras miras esos ojos de video tape
Este mundo exclamará por siempre
La película que vi una vez
Y este mundo te dirá que siempre
Que es mejor mirar a la pared
In Charly García's song, "Ojos De Video Tape" (Eyes of Video Tape), the songwriter talks about the monotony of everyday life and the distraction of technology. He starts by saying that he doesn't have hot water in his house, but he also doesn't have to write love songs because this lack of comfort allows him to focus on real-life problems. He hopes to resurrect and find meaning in his life while watching the empty, superficial eyes of the people mesmerized by their screens.
García references the upcoming "exam of good and evil" and "news crossing the sea", indicating that the world is a chaotic, unpredictable place, but people seem to ignore it, consumed by their screens. He criticizes society for living their lives through screens and not daring to face the world. To emphasize this further, he suggests that people would rather look at a wall than accept the harsh realities of the world.
Overall, "Ojos De Video Tape" is a powerful commentary on modern society's over-reliance on technology and avoidance of real-life problems. Garcia sees technology as a distraction from living a meaningful life and warns people to step out of virtual realities and engage with the world.
Line by Line Meaning
No tengo agua caliente en el calefón
I am not comfortable in my own home and cannot even take a warm shower
No tengo que escribir canciones de amor
I do not feel the need to write love songs because I am focused on more pressing matters
No ves, que espero resucitar
Can't you see that I am hoping to revive my spirit and find a new sense of purpose
Mientras miras esos ojos de video tape
While you are distracted and consumed by the images on the screen
Ya llega aquél examen del bien y el mal
The time is coming for us to face the consequences of our actions and choices
Ya llegan las noticias cruzando el mar
The world is constantly changing and evolving, and new information is always coming in from far-away places
No ves que el mundo gira al revés
Can't you see that things are not as they should be and that the world is upside down
Mientras miras esos ojos de video tape
While you are fixated on the illusions and distractions of technology
Este mundo exclamará por siempre
This world will always cry out
La película que vi una vez
For the movie that I saw once
Y este mundo te dirá por siempre
And this world will always tell you
Que es mejor mirar a la pared
That it is better to stare at a blank wall than to be consumed by the illusions of the world
Ya tienes las postales del Paraguay
You may have pictures of far-off places, but that does not satisfy the craving for true experience and connection
Ya tienes las valijas sobre el diván
You have your bags packed and ready to go, but where will you truly find happiness and fulfillment
Te vas, el mundo gira al revés
You are leaving, but the world remains in chaos and confusion
Mientras miras esos ojos de video tape
While you remain distracted and blind to the true nature of the world and its problems
Lyrics © Universal Music Publishing Group
Written by: CHARLY GARCIA
Lyrics Licensed & Provided by LyricFind
@jeremysaynomore7175
La voz de Charly en este concierto es alucinante
@valyum9066
eso mismo digo yo, y pensar que solo 2 años despues, en el 85' salió piano bar y tanto su voz como su aspecto se habian degradado tanto, despues de este recital nunca más llegó a esas notas, todo por la fafafa
@raul4512
Y el piano uff se paso
@mimifromrosario
Fito, Fabi y el maestro Charly compartiendo escenario. Cuanta magia junta
@cabes14
sumale a GIT
@nikorey27
Y GIT y Dani Melingo. Gran banda!
@claudiohoraciolopez1295
Te faltó el Gonzo, tremendo Saxofonista!!
@gonzaloluchetta5314
Esté hombre fue, es y seguirá siendo de lo mejor que nos dio nuestra hermosa tierra, Argentina. Charly junto a Spinetta son de aquellos pocos bendecidos por la barita, la definición de rock nacional y la grandeza de la música en nuestro país. Eternos sean, hoy y para siempre.
@sous-marinrouge7339
Fuera de joda, Charly es lo único que Argentina musicalmente tuvo, y por lo visto que va a tener
@punkyestresado329
@@sous-marinrouge7339 ???? y Spinetta??? y Cerati?????