While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
Rap De Las Hormigas
Charly Garcia Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
A descansar
No queda nada, nada, nada que jalar
De vacaciones me quiero ir
A ver las focas y el casino en la feliz
No me banco las hormigas
Por favor pásame el raid
No tengo teca, no tengo grass
Y la heladera no funciona
Porque la misma es a gas
Comida, no hay mas
Estoy en el medio de la selva
Esto no lo aguanto mas
No me banco las hormigas
Yo me vuelvo a la ciudad
In Charly García's song "Rap De Las Hormigas," the singer expresses a desire to escape the stress of daily life by going on vacation to the countryside. However, once they arrive, they quickly grow frustrated with the lack of amenities and the presence of ants. The singer longs for the comforts of city life, such as a working refrigerator and access to drugs.
The lyrics reflect the tension between the desire for relaxation and the realities of life. The singer wants a break from the pressures of work and society, but finds that the natural world is just as challenging in its own way. The ants symbolize this struggle, as they represent the relentless challenges that can arise even in a seemingly idyllic setting.
The song's title, "Rap De Las Hormigas," translates to "Ants' Rap," indicating the importance of this motif to the song's overall message. Through the singer's struggles with the ants, the lyrics suggest that even in the absence of human society, there are still structures of power and hierarchy that can be difficult to navigate.
Line by Line Meaning
Vamos al campo
We are going to the countryside
A descansar
To take a break
No queda nada, nada, nada que jalar
There is nothing left to do
De vacaciones me quiero ir
I want to go on vacation
A ver las focas y el casino en la feliz
To see the seals and the casino in La Feliz
No me banco las hormigas
I can't stand the ants
Por favor pasame el raid
Please pass me the bug spray
No tengo teca, no tengo grass
I don't have money or weed
Y la heladera no funciona
And the fridge doesn't work
Porque la misma es a gas
Because it runs on gas
Comida, no hay mas
There is no more food
Estoy en el medio de la selva
I am in the middle of the jungle
Esto no lo aguanto mas
I can't take this anymore
No me banco las hormigas
I can't stand the ants
Yo me vuelvo a la ciudad
I am going back to the city
Lyrics © Universal Music Publishing Group
Written by: Carlos Alberto Garcia
Lyrics Licensed & Provided by LyricFind
@facundoarias8402
Vamos al campo
A descansar
No queda nada, nada, nada que jalar
De vacaciones me quiero ir
A ver las focas y el casino en la feliz
No me banco las hormigas
Por favor pasame el raid
No tengo teca, no tengo grass
Y la heladera no funciona
Porque la misma es a gas
Comida, no hay mas
Estoy en el medio de la selva
Esto no lo aguanto mas
No me banco las hormigas
Yo me vuelvo a la ciudad
@dayronproducciones4687
yo tenia 11 y no sabia que era un rap pero esta cancion estaba en un disco de rock para niños y me parecia muy innovador todavia me alucina!!
@atahrnr6567
innovador es la palabra! tengo una experiencia parecida jajaj, con 7 años en el viejo Duna de mis viejos, esta canción me parecía un flash
@andriyyachmenev
es puro funk
@mauroleiva8658
@Andriy Yachmenev es que haci era el rap y hip-hop en sus inicios en los 90's fue evolucionando mucho y así y así década tras década hasta convertirse en que ahora todos conocen
@emiramella
@atahrnr Jaja, el Duna y Charly (particularmente éste cassette) también fueron parte de mi infancia
@laureanomolina5927
@Andriy Yachmenev Es samba de Brasil sintetizada , funkeada y rapeada, una locura
@NicoSNM
Cuánto talento en 3 minutos. Charly es religión.
@jorge313arg
Recuerdo a mi hija corriendo por el patio adonde estaba la radio gritando "las hormiguitas"...tenia apenas dos años!!! Amaba ese tema!!!
@kinkittty
Q genia tu nena
@williamgenis9596
UN CRACK LA GURISA!!