While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
Shisyastawuman
Charly Garcia Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
She didn't like everything I see
She's just a woman
She was wrong to set me free
And I don't like everything she wears
And I don't like everything she said
And maybe she will never see
The track of my tears
This is her song as you can see
She's just a woman
She's no friend, no enemy
And I like everything she says
And maybe she will be the one to see
The track of my tears
Everywhere I go
I see her face on the ground
Everywhere I go
I see her face on the ground
And when I lose control
I keep it to myself
She doesn't want to know
The things I fear
Everywhere I go
I see her face on the ground
Everywhere I go
I see her face on the ground
She's just, just a woman to me
The song "Shisyastawuman" by Charly Garcia is a poignant and emotional reflection on the memories and feelings that linger after a romantic relationship has ended. The lyrics describe a woman who is just a woman, not perfect, not ideal, but simply a human being with her own thoughts, words, and choices. The songwriter admits that he didn't like everything about her, her clothes, or her words, but he also acknowledges that he is not perfect either.
The chorus of the song repeats the phrase "the track of my tears," alluding to the classic Motown song by The Miracles, "The Tracks of My Tears." Charly Garcia's version of this phrase, however, suggests that the hurt and pain of lost love can leave a lasting impression on one's life, visible everywhere, just like footprints that never disappear.
The verse "Everywhere I go, I see her face on the ground" is a powerful image, suggesting that the memories of the woman he loved are everywhere, even in the dirt and the pavement beneath his feet. The songwriter admits that he keeps his feelings to himself, as she doesn't want to know the things he fears. Despite their past, he still has a deep attachment to this woman, and sings that she is "just a woman" to him.
Overall, "Shisyastawuman" is a moving song about the complexities of love and loss and the lasting impressions they can leave on our lives. It is an exploration of the emotions that come with letting go of someone we once loved and the marks they leave on our hearts and souls.
Line by Line Meaning
She's just a woman
She is a human being who identifies as female
She didn't like everything I see
She did not approve of all my actions and decisions
She was wrong to set me free
Her decision to end our relationship was hurtful and undeserved
And I don't like everything she wears
I do not appreciate all of her fashion choices
And I don't like everything she said
I do not agree with every statement she has made
And maybe she will never see The track of my tears
It is possible that she will never understand the depth of my pain and sorrow
This is her song as you can see
This composition is dedicated to her, as it is about her and our relationship
She's no friend, no enemy
Our connection is ambiguous; we are not allies, nor are we adversaries
And I like everything she says
I appreciate most of the things she expresses
And maybe she will be the one to see The track of my tears
It is possible that she will comprehend the profundity of my sadness and heartache
Everywhere I go I see her face on the ground
Regardless of my whereabouts, I visualize her visage on the floor
And when I lose control, I keep it to myself
I conceal my emotions and impulses when I am overwhelmed
She doesn't want to know The things I fear
She has no interest in learning about my apprehensions
She's just, just a woman to me
Ultimately, she is solely a person of the female gender to me
Lyrics © Universal Music Publishing Group
Written by: CARLOS ALBERTO GARCIA
Lyrics Licensed & Provided by LyricFind
Jorge Abrego
She's just a woman
She didn't like everything I see
She's just a woman
She was wrong to set me free
And I don't like everything she wears
And I don't like everything she said
And maybe she will never see
The track of my tears
She's just a woman
This is her song as you can see
She's just a woman
She's no friend, no enemy
And I like everything she says
And maybe she will be the one to see
The track of my tears
Everywhere I go
I see her face on the ground
Everywhere I go
I see her face on the ground
And when I lose control
I keep it to myself
She doesn't want to know
The things I fear
Everywhere I go
I see her face on the ground
Everywhere I go
I see her face on the ground
She's just, just a woman to me
Santiago Marino
Con esta cancion mando un mensaje muy claro "les hago un favor y compongo solo esta obra de arte en ingles... porque no quiero dejar sin trabajo a las bandas del mundo"
Alejandra Nieto
Y uso solamente la secuencia de acordes de la bamba para que vean que con algo simple se puede hacer algo genial.❤
Juan Sánchez
A 33 años de publicarse esta canción (1989 2022) me sigue llenando los ojos de lagrimas al escucharla 🥺🥲
Martin Allegro
Compre el casette y fui a clase del secundario. me pase mirando las portadas hasta que pude escucharlo en mi casa. JOYA!
Marcos Barros
Recuerdo cuando Charly presentó "Como conseguir chicas" en San Bernardo. 89/90. En ese entonces estaba "la rivalidad" con Soda Estereo. En ese verano tenía 7 años y si bien mis viejos me llevaron a ver a los dos, Charly y Soda, recuerdo como si fuera hoy que toda San Bernardo estaba arrasada por este genio en tema publicitario. Y en el aire. Charly fue el papá de todos. De todos.
Juan Manuel Ruiz
Me imagino a una mujer hermosa saliendo a un balcón con un remeron a recibirte y a tirarte la llave para que subas! Caminando hacia el balcón con este tema de fondo...
Jorge Abrego
She's just a woman
She didn't like everything I see
She's just a woman
She was wrong to set me free
And I don't like everything she wears
And I don't like everything she said
And maybe she will never see
The track of my tears
She's just a woman
This is her song as you can see
She's just a woman
She's no friend, no enemy
And I like everything she says
And maybe she will be the one to see
The track of my tears
Everywhere I go
I see her face on the ground
Everywhere I go
I see her face on the ground
And when I lose control
I keep it to myself
She doesn't want to know
The things I fear
Everywhere I go
I see her face on the ground
Everywhere I go
I see her face on the ground
She's just, just a woman to me
S A
Correction:
Shisyastawuman
Shididantlakevreefinasee
Shisyastawuman
Shiwasrongtasatmefree
Et cetera.
Gustavo Paesky
@S A jajajajaj sos crack
Agustin Cuevas
Este tema es uno de los más galácticos de la historia de la música