While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
Siempre Puedes Olvidar
Charly Garcia Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
En la oscuridad
Puedo hasta eclipsar
Las luces
Con sólo mirar
Dicen ya entender
Mienten
Sólo sea esta estrella
Quizás mañana alguien
Viaje para otro país
Lo podremos despedir
Dame amor hasta mañana
Hasta que te quieras ir
Siempre puedes olvidar
Puedo aterrizar sin luces
Puedo aterrizar en la oscuridad
Puedo hasta abrazar las cruces
Es sólo amor
Dices al rezar
Entra
Vamos a dar algunas vueltas por ahí
A mirar de cerca
Quizás mañana alguien
Viaje para este país
Lo podremos saludar
Dame amor hasta mañana
Hasta que te quieras ir
Siempre puedes olvidar
The lyrics of Charly Garcia's song "Siempre Puedes Olvidar" talk about the power of love and the mystery that surrounds it. The singer describes himself as being able to slip into the darkness and even eclipse the lights just by looking at them. He acknowledges that people claim to understand love, but he believes that it is a mystery that is as deep as the stars. The repetition of the phrase "Siempre puedes olvidar" (You can always forget) suggests that love is not always easy to hold on to and that one needs to be prepared for eventualities.
The second verse introduces the idea of mortality and the fact that we all have to face separation at some point in our lives. The singer talks about a person who may travel to another country and how we may have to say goodbye to them. He emphasizes the importance of giving love until the other person is ready to leave and reminding them that they can always forget if they need to. The bridge talks about the ability to land in the darkness, embrace the crosses and how love is the source of all these abilities. The song ends with the same reminder that love is transient and that one can always forget.
Line by Line Meaning
Puedo deslizar
I can slide
En la oscuridad
In the darkness
Puedo hasta eclipsar
I can even eclipse
Las luces
The lights
Con sólo mirar
Just by looking
Dicen ya entender
They say they already understand
Mienten
They're lying
Porque en el fondo este misterio
Because in the end this mystery
Sólo sea esta estrella
Is only this star
Quizás mañana alguien
Perhaps tomorrow someone
Viaje para otro país
Travels to another country
Lo podremos despedir
We can say goodbye
Dame amor hasta mañana
Give me love until tomorrow
Hasta que te quieras ir
Until you want to leave
Siempre puedes olvidar
You can always forget
Puedo aterrizar sin luces
I can land without lights
Puedo aterrizar en la oscuridad
I can land in the darkness
Puedo hasta abrazar las cruces
I can even embrace the crosses
Es sólo amor
It's just love
Dices al rezar
You say while praying
Entra
Come in
Vamos a dar algunas vueltas por ahí
Let's take a few spins around here
A mirar de cerca
To take a closer look
Quizás mañana alguien
Perhaps tomorrow someone
Viaje para este país
Travels to this country
Lo podremos saludar
We can say hello
Dame amor hasta mañana
Give me love until tomorrow
Hasta que te quieras ir
Until you want to leave
Siempre puedes olvidar
You can always forget
Lyrics © Universal Music Publishing Group
Written by: CANTILO GARCIA
Lyrics Licensed & Provided by LyricFind
@lucasenpeligro132
Puedo deslizar
En la oscuridad
Puedo hasta eclipsar
Las luces
Con sólo mirar
Dicen ya entender
Mienten
Porque en el fondo este misterio
Sólo sea esta estrella
Quizás mañana alguien
Viaje para otro país
Lo podremos despedir
Dame amor hasta mañana
Hasta que te quieras ir
Siempre puedes olvidar
Puedo aterrizar sin luces
Puedo aterrizar en la oscuridad
Puedo hasta abrazar las cruces
Es sólo amor
Dices al rezar
Entra
Vamos a dar algunas vueltas por ahí
A mirar de cerca
Quizás mañana alguien
Viaje para este país
Lo podremos saludar
Dame amor hasta mañana
Hasta que te quieras ir
Siempre puedes olvidar
@lucasenpeligro132
Puedo deslizar
En la oscuridad
Puedo hasta eclipsar
Las luces
Con sólo mirar
Dicen ya entender
Mienten
Porque en el fondo este misterio
Sólo sea esta estrella
Quizás mañana alguien
Viaje para otro país
Lo podremos despedir
Dame amor hasta mañana
Hasta que te quieras ir
Siempre puedes olvidar
Puedo aterrizar sin luces
Puedo aterrizar en la oscuridad
Puedo hasta abrazar las cruces
Es sólo amor
Dices al rezar
Entra
Vamos a dar algunas vueltas por ahí
A mirar de cerca
Quizás mañana alguien
Viaje para este país
Lo podremos saludar
Dame amor hasta mañana
Hasta que te quieras ir
Siempre puedes olvidar
@FedericoDiazSparta
Este tema te hace tocar el cielo. Es un viaje de ida. Charly solo aparece para levantar la voz de Fabi. Te viene a dar una ayuda celestial. Mientras te ayuda con esa nube volaroda de sientes. Recomiendenselo a sus hijos.
@pablofalbi
hermosa composicion
@germanbao
Charly hace a este mundo más bello
@NicoSNM
Filosofía Barata y Zapatos de Goma es un disco de himnos, no sólo el himno nacional argentino.
@silviacura8304
Amooo ese cd!¡ lo escuchaba de niña!! ❤
@pedroyura1095
con temas asi me doy cuenta la sensibilidad que manejaba Charly
@augustolagable
escorpio
@javierlucas8974
Tuvimos a Gardel-Le Pera. Y más acá también tuvimos a García: la melodía de las palabras, las palabras de la música. Cuando nos falte este tipo, nos vamos a dar cuenta lo que perdimos
@noraseverini8633
💙🙁tan hermosa como triste . No me canso de escucharla