While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
Tu Amor
Charly Garcia Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Yo quise más, no había fin
Lo que yo quise encontrar
Estaba atrás y no aquí
Desde las sombras no ví las
Sombras y no ví luz
No voy a llorar
No voy a dejar ni un camino sin andar
Aunque sea el fin del amor
Yo he visto el fin del disfraz
Yo quiero el fin del dolor
Pero no hay fin siempre hay más
No existe sombra
No existe culpa
No existe cruz
No voy a esperar
Las caras que yo extraño
No voy a esperar
Que el destino hable por mí
Y en medio de las lluvias del invierno
No hay tiempo ni lugar
Yo sé que entenderás
Que amor
Para quien busca una respuesta
Es un poquito más que hacerme bien
Yo tuve el fin y era más
Yo tuve el más y era el fin
Yo tuve el mundo a mis pies
Y no era nada sin tí
Crucé la línea final por
Tu amor
Tan fuerte como el no-amor
Tu amor
Parábola de un mundo mejor
Tu amor me enseña a vivir
Tu amor me enseña a sentir
Tu amor
Yo tuve el fin y era más
Yo tuve más y era el fin
Yo tuve el mundo a mis pies y no era nada sin tí
Seremos salvos por nuestro amor
The lyrics of Charly García's song "Tu Amor" are full of introspection and self-discovery, as the artist reflects on his past experiences and relationships. The lines "Yo quise el fin y había más" and "Yo quise más, no había fin" express a feeling of dissatisfaction and a never-ending search for something more. García realizes that what he was looking for was actually behind him, as he states "Lo que yo quise encontrar estaba atrás y no aquí."
The song also speaks about the struggles of moving past hurt and pain. In the lines "Yo he visto el fin del disfraz, yo quiero el fin del dolor, pero no hay fin siempre hay más," García acknowledges that the journey to healing is ongoing, and there is always something else to work through. Despite this, he proclaims that he will not give up and will continue to forge his own path, even if nobody accompanies him.
Ultimately, the song's message centers on the power of love. García sings about how his love for someone else has taught him how to live and feel, and how it has given his life meaning. The final line, "Seremos salvos por nuestro amor," conveys the idea that love has the power to save and heal us, even in the darkest of moments.
Line by Line Meaning
Yo quise el fin y había más
I pursued an end, but found there was still more to achieve
Yo quise más, no había fin
I wanted more, but there seemed to be no end in sight
Lo que yo quise encontrar, Estaba atrás y no aquí
What I sought was behind me and not where I was looking
Desde las sombras no ví las sombras y no ví luz
Amidst the shadows, I saw neither darkness nor light
No voy a llorar, Si nadie me acompaña
I won't cry if I have no one to accompany me
No voy a dejar ni un camino sin andar, Aunque sea el fin del amor
I won't leave any path unexplored, even if it means the end of love
Yo he visto el fin del disfraz, Yo quiero el fin del dolor Pero no hay fin siempre hay más
I've seen the end of pretense, and while I desire an end to pain, there always seems to be more
No existe sombra, No existe culpa, No existe cruz
There is no shadow, no fault, no cross to bear
No voy a esperar, Las caras que yo extraño
I won't wait for the faces that I miss
No voy a esperar, Que el destino hable por mí
I won't wait for destiny to speak for me
Y en medio de las lluvias del invierno, No hay tiempo ni lugar
In the midst of winter rains, time and place hold no meaning
Yo sé que entenderás, Que amor, Para quien busca una respuesta, Es un poquito más que hacerme bien
I know you'll understand that love, for someone seeking answers, is a little more than simply making me feel good
Yo tuve el fin y era más, Yo tuve más y era el fin
I had an end, but there was more beyond it. I had more, but it was still the end
Yo tuve el mundo a mis pies, Y no era nada sin tí
I had the world at my feet, but it meant nothing without you
Crucé la línea final por tu amor, Tan fuerte como el no-amor
I crossed the finish line for your love, which was as strong as the lack of it
Tu amor, Parábola de un mundo mejor, Tu amor me enseña a vivir, Tu amor me enseña a sentir, Tu amor
Your love is an allegory of a better world, your love teaches me how to live, your love teaches me how to feel, your love
Seremos salvos por nuestro amor
We'll be saved by our love for each other
Lyrics © Universal Music Publishing Group, Songtrust Ave
Written by: CHARLY GARCIA, PECRO AZNAR
Lyrics Licensed & Provided by LyricFind
@Alestfup
Yo quise el fin y había más
Yo quise más, no había fin
Lo que yo quise encontrar
Estaba atrás y no aquí
Desde las sombras no vi las
Sombras y no vi luz
No voy a llorar
Si nadie me acompaña
No voy a dejar
Ni un camino sin andar
Aunque sea el fin del amor
Yo he visto el fin del disfraz
Yo quiero el fin del dolor
Pero no hay fin, siempre hay más
No existe sombra, no existe
Culpa, no existe cruz
No voy a esperar
Las caras que yo extraño
No voy a esperar
Que el destino hable por mí
En medio de las lluvias del invierno
No hay tiempo ni lugar
Yo sé que entenderás
Que amor, para quien busca una respuesta
Es un poquito más que hacerte bien
Yo tuve el fin y era más
Yo tuve más y era el fin
Yo tuve el mundo a mis pies
Y no era nada sin ti
Crucé la línea final por
Tu amor
Tan fuerte como el no-amor
Tu amor
Parábola de un mundo mejor
Tu amor me enseña a vivir
Tu amor me enseña a sentir
Tu amor, oh-oh, yeah
Yo tuve el fin y era más
Yo tuve más y era el fin
Yo tuve el mundo a mis pies
Y no era nada sin ti
Seremos salvos por nuestro amor
@danielaromanoortiz7426
Yo quise el fin y había más
yo quise más, no había fin
lo que yo quise encontrar
estaba atrás y no aquí.
Desde las sombras no ví las
sombras y no ví luz.
No voy a llorar
si nadie me acompaña
no voy a dejar ni un camino sin andar
Aunque sea el fin del amor
yo he visto el fin del disfraz
yo quiero el fin del dolor
pero no hay fin siempre hay más.
No existe sombra,
no existe culpa,
no existe cruz.
No voy a esperar
las caras que yo extraño,
no voy a esperar
que el destino hable por mí.
Y en medio de las lluvias del invierno
no hay tiempo ni lugar,
yo sé que entenderás
que amor
para quien busca una respuesta
es un poquito más que hacerme bien.
Yo tuve el fin y era más
yo tuve el más y era el fin
yo tuve el mundo a mis pies
y no era nada sin tí
Crucé la línea final por
tu amor
tan fuerte como el no-amor
tu amor
parábola de un mundo mejor
Tu amor me enseña a vivir
tu amor me enseña a sentir
tu amor.
Yo tuve el fin y era más
yo tuve más y era el fin
yo tuve el mundo a mis pies y no era nada sin tí.
Seremos salvos por nuestro amor.
@lyricaldrip_
♥️LETRA♥️
Yo quise el fin y había más
Yo quise más, no había fin
Lo que yo quise encontrar
Estaba atrás y no aquí
Desde las sombras no ví las
Sombras y no ví luz
No voy a llorar
Si nadie me acompaña
No voy a dejar ni un camino sin andar
Aunque sea el fin del amor
Yo he visto el fin del disfraz
Yo quiero el fin del dolor
Pero no hay fin siempre hay más
No existe sombra
No existe culpa
No existe cruz
No voy a esperar
Las caras que yo extraño
No voy a esperar
Que el destino hable por mí
Y en medio de las lluvias del invierno
No hay tiempo ni lugar
Yo sé que entenderás
Que amor
Para quien busca una respuesta
Es un poquito más que hacerme bien
Yo tuve el fin y era más
Yo tuve el más y era el fin
Yo tuve el mundo a mis pies
Y no era nada sin tí
Crucé la línea final por
Tu amor
Tan fuerte como el no-amor
Tu amor
Parábola de un mundo mejor
Tu amor me enseña a vivir
Tu amor me enseña a sentir
Tu amor
Yo tuve el fin y era más
Yo tuve más y era el fin
Yo tuve el mundo a mis pies y no era nada sin tí
Seremos salvos por nuestro amor
@marielanachuri5113
Le comparti este tema a mi ex y me dijo, "que no le copa la melodia ni entiende las letras de Charly", claramente puedo ver ahora el q seamos exs. Esto es una obra maestraaaaa
@federicofernandez5633
jajaajjjjjjajaajja genia
@PIANO-DOKTER
Esto es sublime .y si alguien no lo entiende..debe pasarr
@yvesvizcarra9748
Claramente la música es un primer filtro para una relación, sabes...se lleva mucho título hasta para ser tu ex, jaja, saludos loca.
@nickolemena5170
Hiciste bien 👍🏼
@mauricioaravenag
A mi me dijo que a los q les gusta el arte son "posers". Ahí me di cuenta que lo único que quiero es no ser como ella
@facundodiaz6881
Bienvenidos a los adolescentes a Charly García, sigan escuchándolo, tiene decenas de discos y canciones hermosas. Pueden convivir el trap y el rock, es solo arte.
@tomasaltamiranda5579
La re vivis
@facundodiaz6881
@@tomasaltamiranda5579 si ya lo vas a aprender, tranqui
@SSSSS-wt5ln
@@tomasaltamiranda5579 Dale amigo, el chabón lo decía con la mejor y tiene razón.