Carlos Alberto García Moreno was born on October 23, 1951. It is one of the… Read Full Bio ↴Carlos Alberto García Moreno was born on October 23, 1951. It is one of the key figures of contemporary music Argentina. His recording debut came in 1972, when he participated in the first record of Raul Porchetto, titled "Rock Christ."
While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
Waitin
Charly Garcia Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Yo quiero amor
Nada mas, baby
Yo espero
Yo espero por mi
Yo tengo amor
Nada mas, baby
Yo espero
Yo espero por mi
Antes de descansar
Yo vi una estrella
Era una luz
Para mi
Me tengo que ayudar
Solo un momento
Porque yo espero
Por mi
Yo solo espero
Yo tengo amor
Nada mas, baby
Yo quiero
Yo espero
(quiero tocar?)
Yo voy a ser
Como yo quiera
No voy a andar
Por ahí
Tu mente va a estallar
En un momento
Nada me puede hacer
Mas feliz
Porque yo espero
Yo quiero amor
Nada mas, baby
Yo espero
Yo espero por mi
Yo espero (uh) por mi
Nada mas, baby
Yo espero
Yo espero por mi
Yo tengo amor
Nada mas, baby
Yo espero
Yo espero por mi
Yo vi una estrella
Era una luz
Para mi
Me tengo que ayudar
Solo un momento
Porque yo espero
Por mi
Yo solo espero
Yo tengo amor
Nada mas, baby
Yo quiero
Yo espero
(quiero tocar?)
Yo voy a ser
Como yo quiera
No voy a andar
Por ahí
Tu mente va a estallar
En un momento
Nada me puede hacer
Mas feliz
Porque yo espero
Yo quiero amor
Nada mas, baby
Yo espero
Yo espero por mi
Yo espero (uh) por mi
The lyrics of Charly Garcia's song "Waitin" suggest a deep yearning for love and self-growth. The repetition of "Yo quiero amor, nada más, baby" emphasizes the need for love above all else. The singer expresses their desire to wait for themselves and not settle for less. They have seen a star that represents a guiding light or hope, but acknowledges that they must help themselves in order to reach their aspirations.
The lines "Yo voy a ser como yo quiera, no voy a andar por ahí" signify the artist's intention to live and love on their own terms rather than conform to societal norms. The lyrics suggest that without self-actualization and self-love, one cannot successfully love or be loved by others.
Overall, the song is a reminder to prioritize self-care, self-growth, and self-love in order to reach a place of contentment and joy in both personal and relational aspects of life.
Line by Line Meaning
Yo quiero amor
I desire love
Nada mas, baby
Nothing else, baby
Yo espero
I wait
Yo espero por mi
I wait for myself
Yo tengo amor
I have love
Antes de descansar
Before resting
Yo vi una estrella
I saw a star
Era una luz
It was a light
Para mi
For me
Me tengo que ayudar
I have to help myself
Solo un momento
Just a moment
Porque yo espero
Because I wait
Por mi
For myself
Yo solo espero
I just wait
Quiero tocar?
Do I want to play?
Yo voy a ser
I am going to be
Como yo quiera
As I want
No voy a andar por ahí
I'm not going to wander around
Tu mente va a estallar
Your mind is going to explode
En un momento
In a moment
Nada me puede hacer más feliz
Nothing can make me happier
Porque yo espero
Because I wait
Yo quiero amor
I desire love
Nada mas, baby
Nothing else, baby
Yo espero
I wait
Yo espero por mi
I wait for myself
Yo espero (uh) por mi
I wait (uh) for myself
Lyrics © Universal Music Publishing Group
Written by: CARLOS ALBERTO GARCIA
Lyrics Licensed & Provided by LyricFind
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todo asi noma'
Yo quiero amor
Nada mas, baby
Yo espero
Yo espero por mi
Yo tengo amor
Nada mas, baby
Yo espero
Yo espero por mi
Antes de descansar
Yo vi una estrella
Era una luz
Para mi
Me tengo que ayudar
Solo un momento
Porque yo espero
Por mi
Yo solo espero
Yo tengo amor
Nada mas, baby
Yo quiero
Yo espero
(quiero tocar?)
Yo voy a ser
Como yo quiera
No voy a andar
Por ahí
Tu mente va a estallar
En un momento
Nada me puede hacer
Mas feliz
Porque yo espero
Yo quiero amor
Nada mas, baby
Yo espero
Yo espero por mi
Yo espero (uh) por mi
OSCAR GABRIEL GONZALEZ GONZALEZ
Qué bajo y qué teclados, Dios mío, Charly es un genio, como compositor, como bajista, como teclista, como guitarrista, intérprete, todo!
Kevin Criollo
Está canción está como para bailarla lento y a la luz de las estrellas con el amor de tu vida.
El mejor por siempre Charly García 🔥
dog melodies
Aguante voooos charly. Te amo. Me acompañaste en un montón de momentos lindos y feos de mi vida y cuando enloquecí hablamos telepáticamente y te dije feliz cumpleaños jajajajaja no te mueras nunca. Ojalá leas este mensaje. Nicolás farfallini villarreal
Javier Araníbar Córdova
Qué gusto, enorme, escuchar a Charly. "Resiste, yo sé que existe amor en tu piel"
atia razuri
Este disco, es una joya.
jeremy say no more
Este tema me fascina
todo asi noma'
Yo quiero amor
Nada mas, baby
Yo espero
Yo espero por mi
Yo tengo amor
Nada mas, baby
Yo espero
Yo espero por mi
Antes de descansar
Yo vi una estrella
Era una luz
Para mi
Me tengo que ayudar
Solo un momento
Porque yo espero
Por mi
Yo solo espero
Yo tengo amor
Nada mas, baby
Yo quiero
Yo espero
(quiero tocar?)
Yo voy a ser
Como yo quiera
No voy a andar
Por ahí
Tu mente va a estallar
En un momento
Nada me puede hacer
Mas feliz
Porque yo espero
Yo quiero amor
Nada mas, baby
Yo espero
Yo espero por mi
Yo espero (uh) por mi
JUKU ARES ♪
gracias rey Charly. gracias maestro. el mundo es un lugar mejor gracias a vos. sin dudas.
VenusInFurs2100
Temazo! no lo conocia, me encanta.
ryx Snm
Insana canción !!