While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
Workin' In The Morning
Charly Garcia Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Máquinas a mi alredeor
Nada puede parar de andar
Nada puede andar peor
Nada puede andar peor
Nada puede andar peor!
Gente trabajando
Gente a mi alrededor
Gente trabajando gente
Máquinas a mi alrededor
Digitaliza mi pensamiento
No, no, no, te lo pido
No tengo amor
No tengo amor
No tengo amor
Nunca volveré a buscarte
Nunca tendrás este amor
Nunca volveré a llamarte
Nunca tendrás este amor
Porque serás y porque seras
Pero yo soy yo
Ya está bien, ya está bien
The song "Workin' In The Morning" by Charly Garcia features a repetition of the phrase "Gente trabajando gente," which translates to "people working, people." The lyrics depict a scene of people surrounded by machines, with no way to stop them from working. The repetition of the phrase emphasizes the idea of people being trapped in a system that forces them to work from morning until night. The line "nada puede andar peor" (nothing could go worse) adds a sense of hopelessness and frustration about the situation.
The song then takes a personal turn with the next verse, describing how the "machines" have digitalized the singer's thought process. It's as if the environment has consumed the person and left them without any emotional or personal connections. The lyrics "no tengo amor" (I have no love) highlight this idea of a lack of emotional connection. The chorus repeats this sentiment with the lines "Nunca volveré a buscarte / Nunca tendrás este amor" (I will never look for you again / You will never have this love). The singer seems to be rejecting the idea of emotional attachment altogether, perhaps due to the negative effects of the working environment on their mental state.
The final line of the song, "ya está bien" (enough is enough), suggests a feeling of resignation or acceptance. The singer is no longer fighting against the situation but has come to terms with it. Overall, the song portrays a bleak outlook on the effects of modern work culture on people's emotional and mental well-being.
Line by Line Meaning
Gente trabajando gente
People working, people all around me
Máquinas a mi alrededor
Machines surrounding me
Nada puede parar de andar
Nothing can stop from moving
Nada puede andar peor
Nothing can get worse
Nada puede andar peor
Nothing can get worse
Nada puede andar peor!
Nothing can get worse!
Gente trabajando
People working
Gente a mi alrededor
People around me
Digitaliza mi pensamiento
Digitizing my thought
No, no, no, te lo pido
No, no, no, I ask you
No tengo amor
I have no love
No tengo amor
I have no love
No tengo amor
I have no love
Nunca volveré a buscarte
I will never look for you again
Nunca tendrás este amor
You will never have this love
Nunca volveré a llamarte
I will never call you again
Nunca tendrás este amor
You will never have this love
Porque serás y porque seras
Because you will be who you will be
Pero yo soy yo
But I am who I am
Ya está bien, ya está bien
That's enough, that's enough
Lyrics © Universal Music Publishing Group
Written by: CHARLY GARCIA
Lyrics Licensed & Provided by LyricFind
Tomas Gabriel Rojas
El primer tema que escuche de charly en unas vacaciones hace 5 años, de ahi fue un viaje de ida!!!
ryxtell
Genialidad pura!
Amed A.H.
Todos los lunes yendo al trabajo...mi mente en esta canción...Digitalizan mi pensamiento...Redes Sociales...SNM
norma beatriz mansilla
lunes otra vez...
Bruno
Excelente tema y como lo une a la perfección con la segunda parte lenta a través de ese pasaje
Oscar Suberbie
HACE 27 AÑOS...."...máquinas a mi alrededor, nada puede parar de andar, nada pueda andar peor... /...máquinas a mi alrededor, digitalizan mis pensamientos NO TENGO AMOR...".
Todo dicho; triste presente y destino para la inmensa mayoría de los jóvenes de hoy y de los no tanto.
INMENSO GARCIA!!!.
juan manuel
Es cierto, es profético.
Pablo Fernández
rock n roll YO ,anticipado....