While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
Yo No Quiero Volverme Tan Loco
Charly Garcia Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Yo no quiero vestirme de rojo
Yo no quiero morir en el mundo hoy
Yo no quiero ya verte tan triste
Yo no quiero saber lo que hiciste
Yo no quiero esta pena en mi corazón
Escucho el bit de un tambor
En una calle desierta
Están las puertas cerradas
Y las ventanas también
¿no será que nuestra gente está muerta?
Presiento el fin de un amor
En la era del color
La televisión está en las vidrieras
Toda esa gente parada
Que tiene grasa en la piel
No se entera ni que el mundo da vueltas
Yo no quiero meterme en problemas
Yo no quiero asuntos que queman
Yo tan sólo les digo que es un bajón
Yo no quiero sembrar anarquía
Yo no quiero vivir como digan
Tengo algo que late en mi corazón
Escucho un tango y un rock
Y presiento que soy yo
Y quisiera ver al mundo de fiesta
Veo tantas chicas castradas
Y tantos tontos que al fin
Yo no se si vivir tanto les cuesta
Yo quiero ver muchos más delirantes por ahí
Bailando en una calle cualquiera
En buenos aires se ve
Que ya no hay tiempo de más
La alegría no es sólo brasilera
(no mi amor)
Yo no quiero vivir paranoico
Yo no quiero ver chicos con odio
Yo no quiero sentir esta depresión
Voy buscando el placer de estar vivo
No me importa si soy un bandido
Voy pateando basura en el callejón
Yo no quiero volverme tan loco
Yo no quiero vestirme de rojo
Yo no quiero morir en el mundo hoy
Yo no quiero ya verte tan triste
Yo no quiero saber lo que hiciste
Yo no quiero esta pena en mi corazón
Yo no quiero sentir esta pena en mi corazón
(yo nunca quise esto
Yo creo que todo es una mentira)
The Charly García song "Yo No Quiero Volverme Tan Loco" is an introspective reflection on a world that the singer sees as chaotic, divided and filled with sadness. The song begins with several statements of what the singer does not want in his life, including not becoming crazy, not wearing red, not seeing the world die, not wanting to see others sad, not wanting to know the bad things people do, not wanting to feel the pain that lies in his heart. Through these words, the singer is expressing a sense of alienation from an environment in which he feels he has no control and which he perceives as deeply negative.
The song then moves on to describe a world that is full of desolation, where the radio is the only sound and the streets are empty. The singer wonders if everyone is dead or if they're just ignoring the world around them. He then comments on the "era del color" which is perhaps a reference to the age of television and the growing influence of technology on our lives. Finally, he alludes to the fact that he wants to see more people who are deliriously happy and carefree, dancing in the streets of Buenos Aires.
Overall, Charly García is expressing a sense of disillusionment with the world around him, but his message is not one of despair. Instead, he encourages his listeners not to succumb to the negativity and sadness that surrounds them, but to find pleasure in life and look for their own reasons to be happy.
Line by Line Meaning
Yo no quiero volverme tan loco
I don't want to go crazy
Yo no quiero vestirme de rojo
I don't want to wear red
Yo no quiero morir en el mundo hoy
I don't want to die in this world today
Yo no quiero ya verte tan triste
I don't want to see you so sad
Yo no quiero saber lo que hiciste
I don't want to know what you did
Yo no quiero esta pena en mi corazón
I don't want this pain in my heart
Escucho el bit de un tambor
I hear the beat of a drum
Entre la desolación de una radio
Amid the loneliness of a radio
En una calle desierta
On an abandoned street
Están las puertas cerradas
The doors are closed
Y las ventanas también
And the windows too
¿no será que nuestra gente está muerta?
Isn't it possible that our people are dead?
Presiento el fin de un amor
I sense the end of a love
En la era del color
In the era of color
La televisión está en las vidrieras
The television is in the shop windows
Toda esa gente parada
All those standing people
Que tiene grasa en la piel
Who have grease on their skin
No se entera ni que el mundo da vueltas
They don't even realize that the world turns
Yo no quiero meterme en problemas
I don't want to get in trouble
Yo no quiero asuntos que queman
I don't want burning issues
Yo tan sólo les digo que es un bajón
I'm just saying it's a bummer
Yo no quiero sembrar anarquía
I don't want to sow anarchy
Yo no quiero vivir como digan
I don't want to live as they say
Tengo algo que late en mi corazón
I have something beating in my heart
Escucho un tango y un rock
I hear a tango and a rock song
Y presiento que soy yo
And I feel like it's me
Y quisiera ver al mundo de fiesta
And I'd like to see the world partying
Veo tantas chicas castradas
I see so many castrated girls
Y tantos tontos que al fin
And so many fools who finally
Yo no se si vivir tanto les cuesta
I don't know if living is hard for them
Yo quiero ver muchos más delirantes por ahí
I want to see many more crazies out there
Bailando en una calle cualquiera
Dancing on any street
En buenos aires se ve
In Buenos Aires you can see
Que ya no hay tiempo de más
That there is no more time
La alegría no es sólo brasilera
Happiness is not just Brazilian
(no mi amor)
(not my love)
Yo no quiero vivir paranoico
I don't want to live paranoid
Yo no quiero ver chicos con odio
I don't want to see kids with hate
Yo no quiero sentir esta depresión
I don't want to feel this depression
Voy buscando el placer de estar vivo
I'm seeking the pleasure of being alive
No me importa si soy un bandido
I don't care if I'm a bandit
Voy pateando basura en el callejón
I'm kicking trash in the alleyway
(yo nunca quise esto
(I never wanted this
Yo creo que todo es una mentira)
I think it's all a lie)
Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.
Written by: CARLOS ALBERTO GARCIA
Lyrics Licensed & Provided by LyricFind
@didierfoffano
Por si alguien no se sabe la letra:
Yo no quiero volverme tan loco
Yo no quiero vestirme de rojo
Yo no quiero morir en el mundo hoy
Yo no quiero ya verte tan triste
Yo no quiero saber lo que hiciste
Yo no quiero esta pena en mi corazón
Escucho el bit de un tambor
Entre la desolación de una radio
En una calle desierta
Están las puertas cerradas
Y las ventanas también
¿no será que nuestra gente está muerta?
Presiento el fin de un amor
En la era del color
La televisión está en las vidrieras
Toda esa gente parada
Que tiene grasa en la piel
No se entera ni que el mundo da vueltas
Yo no quiero meterme en problemas
Yo no quiero asuntos que queman
Yo tan sólo les digo que es un bajón
Yo no quiero sembrar anarquía
Yo no quiero vivir como digan
Tengo algo que late en mi corazón
Escucho un tango y un rock
Y presiento que soy yo
Y quisiera ver al mundo de fiesta
Veo tantas chicas castradas
Y tantos tontos que al fin
Yo no se si vivir tanto les cuesta
Yo quiero ver muchos más delirantes por ahí
Bailando en una calle cualquiera
En buenos aires se ve
Que ya no hay tiempo de más
La alegría no es sólo brasilera
(no mi amor)
Yo no quiero vivir paranoico
Yo no quiero ver chicos con odio
Yo no quiero sentir esta depresión
Voy buscando el placer de estar vivo
No me importa si soy un bandido
Voy pateando basura en el callejón
Yo no quiero volverme tan loco
Yo no quiero vestirme de rojo
Yo no quiero morir en el mundo hoy
Yo no quiero ya verte tan triste
Yo no quiero saber lo que hiciste
Yo no quiero esta pena en mi corazón
Yo no quiero sentir esta pena en mi corazón
(yo nunca quise esto
Yo creo que todo es una mentira)
@didierfoffano
Tu música, Charly, es el placer de estar vivo
@celularnuevocn
Amén.
@marcosdanielnogueirareyes1109
👏🏾 Genio!
@marcelaheredia3147
Charly!!!!!!!!!!¡!!!!!!!!!!!!!!!!
@juanzanatta5247
Soy Italiano..escuche prima vez Charly cuando 15 años...Ahora con 58..lo siguo escuchando
@alejolopera
¨Yo creo que todo es una mentira¨ ....
@ferdigan
Que grande el profee!
@alekssaldana9284
Profesor, usted es fan de Charly también? Impresionante.
@romercercadoolivera8727
Yo creo that is crazy that the teacher Alejo be here xdddd
@pachincopug1063
Buenaaa profe, una capo en ingles y en musica