Baker earned much attention and critical praise through the 1950s, particularly for albums featuring his vocals (Chet Baker Sings, It Could Happen to You). Jazz historian David Gelly described the promise of Baker's early career as "James Dean, Sinatra, and Bix, rolled into one." His well-publicized drug habit also drove his notoriety and fame, Baker was in and out of jail frequently before enjoying a career resurgence in the late 1970s and '80s.
Baker was born and raised in a musical household in Yale, Oklahoma; his father, Chesney Baker, Sr., was a professional guitar player, and his mother, Vera (née Moser) was a talented pianist who worked in a perfume factory. His maternal grandmother, Randi Moser, was Norwegian. Baker began his musical career singing in a church choir. His father introduced him to brass instruments with a trombone, which was replaced with a trumpet when the trombone proved too large.
Baker received some musical education at Glendale Junior High School, but left school at age 16 in 1946 to join the United States Army. He was posted to Berlin, where he joined the 298th Army band. After leaving the army in 1948, he studied theory and harmony at El Camino College in Los Angeles. He dropped out in his second year, however, re-enlisting in the army in 1950. Baker became a member of the Sixth Army Band at the Presidio in San Francisco, but was soon spending time in San Francisco jazz clubs such as Bop City and the Black Hawk. Baker once again obtained a discharge from the army to pursue a career as a professional musician.
Baker's earliest notable professional gigs were with saxophonist Vido Musso's band, and also with tenor saxophonist Stan Getz, though he earned much more renown in 1952 when he was chosen by Charlie Parker to play with him for a series of West Coast engagements.
In 1952, Baker joined the Gerry Mulligan Quartet, which was an instant phenomenon. Several things made the Mulligan/Baker group special, the most prominent being the interplay between Mulligan's baritone sax and Baker's trumpet. Rather than playing identical melody lines in unison like bebop giants Charlie Parker and Dizzy Gillespie, the two would complement each other's playing with contrapuntal touches, and it often seemed as if they had telepathy in anticipating what the other was going to play next. The Quartet's version of "My Funny Valentine", featuring a Baker solo, was a hit, and became a tune with which Baker was intimately associated.
The Quartet found success quickly, but lasted less than a year because of Mulligan's arrest and imprisonment on drug charges. Baker formed his own quartet with pianist and composer Russ Freeman in 1953, along with bassists Carson Smith, Joe Mondragon, and Jimmy Bond and drummers Shelly Manne, Larry Bunker, and Bob Neel. The Chet Baker Quartet found success with their live sets, and they released a number of popular albums between 1953 and 1956. In 1953 and 1954, Baker won the Down Beat and Metronome magazines' Readers Jazz Polls, beating the era's two top trumpeters, Miles Davis and Clifford Brown. Down Beat readers also voted Baker as the top jazz vocalist in 1954. In 1956, Pacific Jazz released Chet Baker Sings, a record that increased his profile but alienated traditional jazz fans; he would continue to sing throughout his career.
Due to Baker's chiseled features, he was approached by Hollywood studios, and he made his acting debut in the film Hell's Horizon, released in the fall of 1955. He declined an offer of a studio contract, preferring life on the road as a musician. Over the next few years, Baker fronted his own combos, including a 1955 quintet featuring Francy Boland, where Baker combined playing trumpet and singing. In 1956 Chet Baker completed an eight month tour of Europe, where he recorded Chet Baker In Europe.
He became an icon of the West Coast "cool school" of jazz, helped by his good looks and singing talent. Baker's 1956 recording, released for the first time in its entirety in 1989 as The Route, with Art Pepper, helped further the West Coast jazz sound and became a staple of cool jazz.
Baker began using heroin in the 1950s, resulting in an addiction that lasted the remainder of his life. At times, Baker pawned his instruments for money to maintain his drug habit. In the early 1960s, he served more than a year in prison in Italy on drug charges; he was later expelled from both West Germany and the United Kingdom for drug-related offenses. Baker was eventually deported from West Germany to the United States after running afoul of the law there a second time. He settled in Milpitas in northern California, where he played in San Jose and San Francisco between short jail terms served for prescription fraud.
In 1968, Baker was savagely beaten (allegedly while attempting to buy drugs) after a gig in The Trident restaurant in Sausalito, California sustaining severe cuts on the lips and broken front teeth, which ruined his embouchure. He stated in the film Let's Get Lost that an acquaintance attempted to rob him one night but backed off, only to return the next night with a group of several men who chased him. He entered a car and became surrounded. Instead of rescuing him, the people inside the car pushed him back out onto the street, where the chase by his attackers continued, and subsequently he was beaten to the point that his teeth, never in good condition to begin with, were knocked out, leaving him without the ability to play his horn. He took odd jobs, among them pumping gas. Meanwhile he was fitted for dentures and worked on his embouchure. Three months later he got a gig in New York City.
Between 1966 and 1974, Baker mostly played flugelhorn and recorded music that could mostly be classified as West Coast jazz.
After developing a new embouchure resulting from dentures, Baker returned to the straight-ahead jazz that began his career. He relocated to New York City and began performing and recording again, including with guitarist Jim Hall. Later in the 1970s, Baker returned to Europe, where he was assisted by his friend Diane Vavra, who took care of his personal needs and otherwise helped him during his recording and performance dates.
From 1978 until his death in 1988, Baker resided and played almost exclusively in Europe, returning to the USA roughly once a year for a few performances. This was Baker's most prolific era as a recording artist. However, as his extensive output is strewn across numerous, mostly small European labels, none of these recordings ever reached a wider audience, even though many of them were well received by critics, who maintain that the period was one of Baker's most mature and rewarding. Of particular importance are Baker's quartet featuring the pianist Phil Markowitz (1978–80) and his trio with guitarist Philip Catherine and bassist Jean-Louis Rassinfosse (1983–85).[citation needed] He also toured with saxophonist Stan Getz during this period.
In 1983, British singer Elvis Costello, a longtime fan of Baker, hired the trumpeter to play a solo on his song "Shipbuilding", from the album Punch the Clock. The song exposed Baker's music to a new audience. Later, Baker often featured Costello's song "Almost Blue" (inspired by Baker's version of "The Thrill Has Gone") in his concert sets, and recorded the song for Let's Get Lost, a documentary film about his life.
The video material recorded by Japanese television during Baker's 1987 tour in Japan showed a man whose face looked much older than he was, but his trumpet playing was alert, lively and inspired. Baker recorded the live album Chet Baker in Tokyo with his quartet featuring pianist Harold Danko, bassist Hein van de Geyn and drummer John Engels less than a year before his death, and it was released posthumously. Silent Night, a recording of Christmas music, was recorded with Christopher Mason in New Orleans in 1986 and released in 1987.
Baker's compositions included "Chetty's Lullaby", "Freeway", "Early Morning Mood", "Two a Day", "So Che Ti Perderò" ("I Know I Will Lose You"), "Il Mio Domani" ("My Tomorrow"), "Motivo Su Raggio Di Luna" ("Tune on a Moon Beam"), "The Route", "Skidadidlin'", "New Morning Blues", "Blue Gilles", "Dessert", and "Anticipated Blues".
At about 3:10 am on May 13, 1988, Baker was found dead on the Prins Hendrikkade, near the Zeedijk, the street below his second-story room of Hotel Prins Hendrik in Amsterdam, Netherlands, with serious wounds to his head. Heroin and cocaine were found in his hotel room, and an autopsy also found these drugs in his body. There was no evidence of a struggle, and the death was ruled an accident. A plaque outside the hotel memorializes him and the room he was staying in, No. 210, is named "The Chet Baker Room".
Baker is buried at the Inglewood Park Cemetery in Inglewood, California.
- Baker was photographed by William Claxton for his book Young Chet: The Young Chet Baker. An Academy Award-nominated 1988 documentary about Baker, Let's Get Lost, portrays him as a cultural icon of the 1950s, but juxtaposes this with his later image as a drug addict. The film, directed by fashion photographer Bruce Weber, was shot in black-and-white and includes a series of interviews with friends, family (including his three children by third wife Carol Baker), associates and women friends, interspersed with film from Baker's earlier life, and with interviews with Baker from his last years.
- Time after Time: The Chet Baker Project, written by playwright James O'Reilly, toured Canada in 2001 to much acclaim. The musical play Chet Baker – Speedball explores aspects of his life and music, and was premiered in London at the Oval House Theatre in February 2007, with further development of the script and performances leading to its revival at the 606 Club in the London Jazz Festival of November 2007.
- Baker was reportedly the inspiration for the character Chad Bixby, played by Robert Wagner in the 1960 film All the Fine Young Cannibals. Another film, to be titled Prince of Cool, about Baker's life, was cancelled as of January 2008.
- In 1991, singer/songwriter David Wilcox recorded the song "Chet Baker's Unsung Swan Song" on his album Home Again, speculating on what might have been Baker's last thoughts before falling to his death. The song was later covered by k.d. lang as "My Old Addiction" on her 1997 album Drag.
- The song "Chet Baker", which appears on the 2007 CD Wally Page and Johnny Mulhern: Live at the Annesley House, by Irish folk singer-songwriter Wally Page, describes the end of Baker's life in Amsterdam.
- Jeroen de Valk has written a biography of Baker which is available in several languages: Chet Baker: His Life and Music is the English translation.
Other biographies include James Gavin's Deep In A Dream—The Long Night of Chet Baker, and Matthew Ruddick's Funny Valentine. Baker's "lost memoirs" are available in the book As Though I Had Wings, which includes an introduction by Carol Baker.
- He is portrayed by Ethan Hawke in the 2015 film Born to Be Blue.
- The Australian electronica musician Nicholas James Murphy chose Chet Faker as his stage name, in order to pay homage to Chet Baker, who was a big influence for him.
Honors
In 1987 Chet Baker was inducted into the Big Band and Jazz Hall of Fame.
In 1989 he was elected to Down Beat Jazz Hall of Fame by that magazine's Critics Poll.
In 1991 he was inducted into the Oklahoma Jazz Hall of Fame.
In 2005 Oklahoma Governor Brad Henry and the Oklahoma House of Representatives proclaimed July 2 as "Chet Baker Day".
In 2007 Mayor of the City of Tulsa, Kathy Taylor, proclaimed December 23 as "Chet Baker Day".
On October 10, 2015 Yale, Oklahoma held the inaugural Chet Baker Jazz Festival in Baker's honor.
I'll Remember April
Chet Baker Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
We'll sigh goodbye to all we ever had
Alone where we have walked together
I'll remember April and be glad
I'll be content you loved me once in April
Your lips were warm and love and spring were new
I'm not afraid of autumn and her sorrow
The fire will dwindle into glowing ashes
For flames live such a little while
I won't forget but I won't be lonely
I'll remember April and smile
In the song "I'll Remember April" by Chet Baker, the singer acknowledges that a beautiful day will eventually come to an end and they will have to say goodbye to all the good things that ever happened along with it. Despite that, they are happy to be alone reflecting on the memories of walking together earlier. The singer mentions being content knowing that the person they were with in April once loved them, and their love was fresh as spring. The singer concludes that they are not afraid of sorrow and the fall season because they will always carry the memory of April in their heart.
This song is a melancholic reflection on memories and nostalgia, the haunting melodies of which evoke a melancholy mood. The song is one of several jazz standards written by Gene de Paul, Don Raye, and Pat Johnston in a single week in 1941. The song has been covered by numerous artists including Bill Evans, Frank Sinatra, and Nat King Cole. Chet Baker's rendition of "I'll Remember April" features his signature muted trumpet style and his smooth, high-pitched vocals. Baker's version of the song is considered one of the definitive versions of the song.
Line by Line Meaning
This lovely day will lengthen into evening
The current beautiful moment will eventually turn into the night, implying that nothing lasts forever, everything is ephemeral.
We'll sigh goodbye to all we ever had
We will inevitably and regretfully let go of everything we've ever had or shared, including love like they once shared, which might become just a thing of the past.
Alone where we have walked together
Chet Baker is reminiscing about a shared past when they were together and walked in the same direction, which is now vastly different, indicating the realization of a shift in the relationship and feelings.
I'll remember April and be glad
Even though the relationship or love shared in April might no longer exist, Chet Baker will remember it and cherish it by looking back on the good times, which brings him joy.
I'll be content you loved me once in April
The singer is finding peace in the fact that they were loved once and sadly reflecting on how it used to be. He is acknowledging the change in the current situation and embracing the joy it brought once.
Your lips were warm and love and spring were new
He is painting a picture of a beautiful time in the past when everything was fresh and new, and they were in love. He appreciates those moments because they were fleeting and magical.
I'm not afraid of autumn and her sorrow
Chet Baker is rejecting the idea of letting heartbreak affect their future. He is declaring resilience and determination not to let regret and sadness hold him back.
For I'll remember April and you
True to the song's title, the singer will always remember April, the love shared in April, and who that was with, signaling that he can't quite let go of the magical time they shared in April.
The fire will dwindle into glowing ashes
The passion or flame that they once shared had dwindled down to ashes so faded that it won't be a flaming fire anymore.
For flames live such a little while
Chet Baker is commenting on the transient nature of burning passion and how it fades quickly, just like the flame does, leaving nothing behind but a faint memory.
I won't forget but I won't be lonely
The singer will remember the love he had in April, implying that he will eventually find solace in the beautiful moments and memories they shared even as he navigates a life without that love present.
I'll remember April and smile
In conclusion, the song's writer is declaring an appreciation for the love shared in April, how beautiful it was and acknowledging how short-lived it was. Nonetheless, they will remember it and smile as they recall it in the future.
Lyrics © Universal Music Publishing Group
Written by: DON RAYE, GENE DE PAUL, PATRICIA JOHNSTON
Lyrics Licensed & Provided by LyricFind
@jmrodas9
The piano is very well played, as is the trumpet, I like this melody and shall hear it frequently.
@peterrothfuss6042
After saturating my ears, mind, heart, and soul with the unbelievable music (and voice) of Chet Baker for five years, he has finally replaced all the other musicians as my all-time favorite in all genres ... I cannot go a single day without listening to him without experiencing withdrawals…
It’s still so sad that he took the road of lethal drugs .. but at times he got off them and straightened out .. albeit by spending time in Jail, but he will never EVER be forgotten!
Rest in peace my wonderful friend …
Chesney Henry Baker Jr!
😇🙏
@ilijastojanov4054
I listen to this song throughout the month of April, almost every day.
@rogersalles200
I love jamming this tune, Chet…What a treat listening to you
@brucekuehn4031
Chet really sounded great here - pure and sweet!
@domenicomennella7874
I love and i cry for this song.
@masterpvc
Mi hija de 15 años me envió esta maravilla. realmente genial, ahora se por que le gusta el jazz.
@carolakemper3227
Un tema que valora los buenos momentos!!!
@paulgentile1024
phenomenal
@carolakemper3227
He wakes me up🥰