With his outlandish neo-Indian costumes and music that borrows from reggae, hip-hop, and Senegalese mbalax, Chico César serves notice that he's doing Brazilian popular music his way. He marries an elastic voice that croons and purrs one moment, yelps and yodels the next, to a dexterity on guitar that puts him in the league of tiptop instrumentalists.
Originally released on a small independent label in Brazil, the live, mostly solo recording Aos Vivos launched César's career, putting him in demand as both a performer and the composer of hit songs like "A Primeira Vista," which Daniela Mercury transformed into the theme song for a smash TV soap opera, and the reggae-styled "Mama Africa." His unique take on the accordion-driven forro melodies of northeastern Brazil evoke Congolese and Angolan pop on "Tambores" and "Duvida Cruel" when he sets them against his bouncy, circular guitar lines. This welcome reissue easily trumps César's concurrently released studio recording on the Putumayo label, Chico César, proving that the charisma of a singer-with-guitar concert can brandish more firepower than an amplified ensemble.
Mand'Ela
Chico César Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Andando atrás dessa baiana
Mas a baiana me vaiou
Eu disse que vim do senegal
Montado num cavalo-de-pau
Baiana me desmontou
Olha que me queixo pro tutu
Baiana deixa disso
Mand'ela vir
Mand'ela aqui
Mand'ela cá
Mand'ela mand'ela
Mand'ela mand'ela
Eu disse que vim do cabo verde
Mas ela me achou imaturo
Mandou pra porto seguro
E agora tá indo a pé
The lyrics of Chico César's "Mand'ela" revolve around the singer's experiences while trying to impress a Bahian woman. He walked around barefoot behind her, hoping to catch her attention, but instead received her disapproving gaze. He then mentions that he actually came from Senegal, riding on a wooden horse, but the Bahian woman was not impressed and made him get off his make-believe horse. He then complains to the Bahian woman that he paid dearly for his sandals to follow her, but she is not interested. As the singer's attempts to win the woman's affection continue to fail, he begins to fantasize about bringing Mand'ela, or Nelson Mandela, to solve his romantic problems.
The lyrics of "Mand'ela" can be interpreted as a humorous commentary on the complexities of interracial and intercultural relationships in Brazil. The singer's attempts to win over the Bahian woman indicate a desire to break down barriers and connect across cultural divides. However, his lack of success and inability to impress the woman reflect the challenges inherent in these types of relationships. The reference to Nelson Mandela, a symbol of liberation and reconciliation, implies that the singer sees the potential for understanding and harmony between different cultures, but ultimately realizes that it may be an elusive goal.
Line by Line Meaning
Gastei minha sandália havaiana
I wore out my Hawaiian sandals
Andando atrás dessa baiana
Walking behind this woman from Bahia
Mas a baiana me vaiou
But the Bahian woman booed me
Eu disse que vim do senegal
I said I came from Senegal
Montado num cavalo-de-pau
Riding a hobbyhorse
Baiana me desmontou
The Bahian woman made me get off
Olha que me queixo pro tutu
See how I complain to the chief
Baiana deixa disso
Bahian woman, stop that
Vou reclamar pro bispo de tu
I'll complain to your bishop
Mand'ela vir
Mandela come
Mand'ela aqui
Mandela here
Mand'ela cá
Mandela here
Mand'ela mand'ela
Mandela Mandela
Mand'ela mand'ela
Mandela Mandela
Eu disse que vim do cabo verde
I said I came from Cape Verde
Mas ela me achou imaturo
But she found me immature
Mandou pra porto seguro
She sent me to Porto Seguro
E agora tá indo a pé
And now I'm walking
Writer(s): ZECA BALEIRO, CHICO CESAR
Contributed by Michael H. Suggest a correction in the comments below.
Sales Melo
gastei minha sandália havaiana
andando atrás dessa baiana
mas a baiana me vaiou
eu disse que vim do senegal
montado num cavalo-de-pau
baiana me desmontou
olha que me queixo pro tutu
baiana deixa disso
vou reclamar pro bispo de tu
mand'ela vir
mand'ela aqui
mand'ela cá
mand'ela mand'ela
mand'ela mand'ela
eu disse que vim do cabo verde
mas ela me achou imaturo
mandou pra porto seguro
e agora tá indo a pé
Anderson Bandeira
Todos os méritos a esse que é um dos maiores representantes da música negra que tanto amo, grande músico e compositor , salve a nossa cultura !! Chico César é o nome !
Vivianne Longuinho
Esse cara é demais!! Seu trabalho me encanta!!
Marquinhos Markson
Esse cara é um gênio, esses trocadilhos são geniais
!gostaria que essa nova geração fizesse música assim
Italo Barroso
Eu tive que ler a letra pra entender. Pensei que realmente se tratava do Mandela e não entendia a relação da letra com a tal baiana rsrs
Ronnie Prado
Maravilhoso Chico,um verdadeiro atacante das palavras!!!
André Castro
Demais! Esse cara é muito bom. "Viva o que é daqui..."
Maria Navegantes
esse cara é um espetáculo do Catolé do Rocha para o mundo.Valeu paraíba
Sonia Maria
100% Catoleense
Jose Rabelo
Um dos melhores do da nossa mpb!!!
Jonas Nascimento Silva
Grande Chico Cesar! Parabéns a Catolé do Rocha por ter sido berço dessa grande figura...