Later, Tuto Vargas and Juanito Gronemeyer, the bass player and percussionist from "Lafloripondio" respectively, also joined the sessions. This formation developed the foundation for further compositions. Eventually they invited Chapa, on the percussion, and Tio Rodi, on drums . This was the formation and it remained unchanged until 2001 when they added a horn section, and Michael Magliocchetti on guitar. They recorded their first album "Chico Trujillo y la Señora Imaginacion", released in Germany as "Arriba las Nalgas". With this album the band showed its interpretation of traditional Chilean songs and rhythms blending acoustic guitars, vocals, with the rest of the instruments.
In live concerts, the mixture of traditional cumbias like "El Tren", and "Pedacito de mi vida", was expanded. The band performed primarily cumbias, boleros and ska with renewed texts.
Chico Trujillo performed concerts in the Chilean festival Huachaca, for the "Comite de Liberacion de los Presos Politicos Mapuches", as well as live television performances as part of the "Festival del Huaso de Olmue", the most important folk music festival in the country. They also organized free open concerts and self promoted shows in clubs and bars all over Chile, including the legendary concerts at "La Batuta" in Santiago. In 2002 they made their first tour in Germany in collaboration with the Chilean visual artist Rafael Insunza who was invited to exhibit his pieces at the "Kunsthaus Tacheles" in Berlin. They performed in "Tacheles" in "Cafe Zapata", in the presentation "No al Plan Colombia" at "Humboldt University", in "Kunsthaus Köpi" at the "Festival Liberacion de los Presos Politicos de Chile" as well as in numerous "fiestas latinas".
It was at this time that the band gave their first performances in Spain, la Coruna, Ferrol and Oliera. As they returned to Chile they were invited at the end of the year to play at the closing ceremonies of the "Culture Carnival" in Valparaiso, with "Blue Splendor", a band well known in the harbor area. In February 2003 they played once again at the "Festival del Huaso de Olmue", a program followed by more than 4 million television viewers in Chile alone. There they performed with "Tommy Rey" and "Gioloto y su Combo" at "Cumbre de los Sonoras", a meeting of Chile's best known bands.
La Pollera Amarilla
Chico Trujillo Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Qué bonito compadre
Hey hey hey hey
Con la pollera amarilla
Con la pollera amarilla
Con la pollera amarilla
Con la pollera amarilla
(Uou, la pollera amarilla, vamo vamo vamo')
Con la pollera amarilla
Con la pollera amarilla
Con la pollera amarilla
Con la pollera amarilla
Hey hey hey hey
Juanito
E e e e e e
Con la pollera amarilla vamo' Juanito
Un saludo al valle del Marga Marga
Eso
Uou
The song La Pollera Amarilla by Chico Trujillo is a lively and upbeat Latin American cumbia that celebrates the vibrant and colorful pollera amarilla, which translates to yellow skirt. The repeated chorus line "Con la pollera amarilla" is a joyful exclamation that highlights the beauty and allure of this clothing item, which is often worn during traditional folkloric dances in Latin America.
The song is a tribute to the rich cultural heritage and traditions of Latin American countries, where colorful and ornate skirts are often worn as a symbol of identity and a way to express individuality. The repetition of the chorus line also adds to the infectious energy of the song, encouraging the listener to dance and celebrate.
Overall, La Pollera Amarilla is an upbeat and catchy song that celebrates the vibrancy and beauty of Latin American culture, specifically the significance of the pollera amarilla.
Line by Line Meaning
Pa' Qué bonito compadre
Addressing the audience, expressing admiration and excitement
Hey hey hey hey
Expressing joy, enthusiasm and cheerfulness
Con la pollera amarilla
Referring to a woman's yellow skirt, implying a celebration and partying mood
Con la pollera amarilla
Repeating the reference to the yellow skirt, emphasizing its significance
Con la pollera amarilla
Stressing the theme of the song, highlighting the yellow skirt
Con la pollera amarilla
Reinforcing the importance of the yellow skirt in the context of the song
(Uou, la pollera amarilla, vamo vamo vamo')
Expressing excitement and rhythm, urging to celebrate with the yellow skirt
Con la pollera amarilla
Repeating the reference to the yellow skirt, emphasizing its presence
Con la pollera amarilla
Reminding the audience of the main theme of the song
Con la pollera amarilla
Repeating the reference to the yellow skirt, creating a catchy chorus
Con la pollera amarilla
Stressing again the importance of the yellow skirt in the context of the song
Hey hey hey hey
Repeating the joyful and enthusiastic interjection
Juanito
Addressing a specific person, creating a personal connection
E e e e e e
Interjection of encouragement and rhythm
Con la pollera amarilla vamo' Juanito
Urging Juanito to join in the celebration with a yellow skirt
Un saludo al valle del Marga Marga
Sending greetings to a specific region, recognizing its culture and traditions
Eso
Expressing approval, agreement and enthusiasm
Uou
Interjection of excitement and approval
Lyrics © O/B/O APRA AMCOS
Written by: DIEGO S. ESPINOZA
Lyrics Licensed & Provided by LyricFind
@jhonymartinez3007
Ajai, al son de los tambores
Y un saludo cordial a mi país quiero dar
Ajai, al son de los tambores
Esa negra se amaña
Y al sonar de la caña
Va brindando sus amores
Es la negra, Soledad
La que goza mi cumbia
Esa negra saramuya, oye caramba
Con la pollera colorá
De aquí pa' ya, de allá pa' ca, que buena está
(Con la pollera colará)
Mira como mueve, mira como baila la pollera colorá
(Con la pollera colará)
Esa negrita linda, que rica y sabrosa que está
(Con la pollera colará)
Pa' que lo baile... Venezuela, Perú, Ecuador y Panamá
(Con su pollera colará)
Mira que rico
Ajai, cuando le canto a Soledad
Yo me siento contento
Porque con su movimiento
Inspiración ella me da
@rayalberts6012
En estos ritmos Chico Trujillo arrasa, empezó en Chile hace 20 años y ha batido todos los récords en estos bailongos.
@raulvalenzuela8446
Buena Chico Trujillo y la Chilombiana lo mejor de Chile
@elbiarodriguez2478
El ,NO ¡es un chico ¡¡¡ es un !!Grande ¡muy grande ,que nos identifica a muchos ,Chilenos ....que amamos la patria con las tripas en una mano ,y la otra luchando por la justicia que nunca llega ...Chico grande ,nunca olvidaré el dia que baile contigo en Los Angeles ¡ Dios te proteja en todos tus caminos ¡Amen !
@rosariffo8776
monitor debeb
@maribelnovoanovoa8618
Grande Chico Trujillo lo sigo hace mucho tiempo y aún vigente
@user-hb2ku5oq5r
Gueno el brillo¡¡
@henzomadrid6123
sensual sin caer en lo grotesco
@jorgeleon4184
Saludos desde NJ buenos bailarines, pero níveo otra pareja q destaquen 👏👏👏👏👏👏👏👏👏
@carloselgueta454
Destacable la caja de cambios
@ivanu.valenzuela1104
Y el de amarillo que baila atrás 👏 capo el wn 😂