1) Christopher Maurice… Read Full Bio ↴There is more than one artist with this name:
1) Christopher Maurice Brown (born May 5, 1989) from Tappahannock, Virginia.
In late 2005, he released his first studio album, Chris Brown, which spawned the Billboard Hot 100 number-one debut single, "Run It!" which was produced by Scott Storch and featured Juelz Santana. The album also produced two other top ten singles: "Yo (Excuse Me Miss)" and "Say Goodbye." Brown's second studio album, Exclusive was released worldwide in November 2007. It has spawned his second US number one hit, "Kiss Kiss" which was produced by T-Pain, who was also featured in the song . The third single, "With You", has reached number 2 on the Billboard Hot 100, and has entered into the top ten in several countries across the world, becoming one of his most successful worldwide releases to date.
The second single, "Kiss Kiss", was nominated for the 50th Annual Grammy Awards in the category for Best Rap/Sung Collaboration.
Brown, one of two children, was born and raised in the small town of Tappahannock, Virginia, the son of Joyce Hawkins and Clinton Brown. Brown was influenced by the artists his parents played on the home radio, such as Michael Jackson and Sam Cooke. A dancer since the age of two, Brown was not aware of his vocal talents until the age of eleven. Before becoming a vocalist, he was interested in becoming a rapper.
At thirteen, Brown was discovered by a local production team who visited his father's gas station searching for new talent. Since then, he began his recording career and moved to New York, staying there for two years. Brown's local production team organized an audition before Def Jam Vice President Tina Davis, who currently works as his manager. At the age of 15, Brown was then sent to perform for L.A. Reid and was subsequently signed in 2004 to Jive Records. By early 2005, Brown began work for his debut album, working with the likes of Scott Storch, The Underdogs, Dre, Vidal, Bryan Michael Cox, Bow Wow, and Jermaine Dupri.
Brown left school in late 2004 to begin working on his self-titled debut album which was released on November 29, 2005. The album debuted at #2 on the Billboard 200 selling over 155,000 copies in first week of sales. Five weeks later, became certified platinum, and within a year, went double platinum. His debut single "Run It!," was #1 in the United States, New Zealand, and Australia. Following "Run It!," "Yo (Excuse Me Miss)" became Brown's second top 10 hit in the US, peaking at #7, and #13 in the UK. It has been certified platinum by the RIAA.
His third single "Gimme That" was released in March 2006 which featured Lil Wayne for a remix, originally not featured on the Chris Brown album, but was later included. The single debuted on the U.S. Billboard Hot 100 at #80 and climbed the charts quickly peaking at #15. Chris also co-directed his music videos for "Yo (Excuse Me Miss)" and "Gimme That." His fourth single is the ballad "Say Goodbye," which is also a part of the Step Up Soundtrack. On June 13, 2006, Brown released a DVD entitled, Chris Brown's Journey, which shows footage of him travelling in England and Japan, getting ready for his first visit to the Grammys, behind the scenes of his music videos and bloopers.
On August 17, 2006 to further promote the album, Brown kicked off his major co-headlining tour, The Up Close and Personal Tour. Due to the tour, production for his next album was pushed back two months a second summer tour is in the works once the album is completed the tour may include artists: Pretty Ricky, Bow Wow, Lil Wayne, Juelz Santana, Ne-Yo, Ciara, and Cherish.'. Chris also has been the opening act for R&B singer Beyonce Knowles on the Australian leg of her The Beyonce Experience tour.
Exclusive is the second studio album by Brown. The album was released in November, 2007. It served as the sophomore album for Brown and was both critically and commercially successful. The album was supported by five singles including the songs "Kiss Kiss" and "With You". Exclusive has gone on to sell over three million copies.
Graffiti was released in 2009 and included the top-twenty single "I Can Transform Ya". Brown's fourth album F.A.M.E. was released in 2011 becoming Chris Brown's first studio album to top the Billboard 200. The album earned Brown his first Grammy Award for Best R&B Album.
His fifth album entitled Fortune was released in 2012.
Brown's latest album X was released in September, 2014.
Chris Brown has also started to act in movies and has appeared in Stomp The Yard and This Christmas as well as several episodes of The O.C.
Websites of interest:
- Chris Brown Web
- UChris
- Chris Brown World
2) Chris Brown (born 1953) is a composer, pianist, and electronic musician, who creates music for acoustic instruments with interactive electronics, for computer networks, and for improvising ensembles.
Born and raised in Chicago, he moved to California to study electronic music with Gordon Mumma and composition with William Brooks at University of California, Santa Cruz, and with David Rosenboom at Mills College. He was active early in his career as an inventor and builder of electroacoustic instruments; he has also performed widely as an improvisor and pianist with groups as "Room" and the "Glenn Spearman Double Trio." In 1986 he co-founded the pioneering computer network music ensemble "The Hub". He is also known for his recorded performances of music by Henry Cowell, Luc Ferrari, and John Zorn. He has received commissions from the Berkeley Symphony, the Rova Sexophone Quartet, the Abel-Steinberg-Winant Trio, the Gerbode Foundation, the Phonos Foundation and the Creative Work Fund. His recent music includes the poly-rhythm installation "Talking Drum", the "Inventions" series for computers and interactive performers, and the radio performance "Transmissions" series, with composer Guillermo Galindo.
His 1992 epic electroacoustic work "Lava", for brass, percussion, and electronics is also available on Tzadik Records. He teaches Composition and Electronic Music at Mills College in Oakland, where he is Co-Director of the Center for Contemporary Music (CCM). He is not to be confused with R & B artist Chris Brown.
3) Chris Brown is a Canadian singer-songwriter and multi-instrumentalist.
Brown was one of the primary singers and songwriters for the alternative rock band Bourbon Tabernacle Choir in the 1980s and 1990s. When that band broke up, he continued performing as a duo with his Bourbon bandmate Kate Fenner. Brown has accompanied dozens of notable musicians on stage, such as in 1998 when he spent six months filling in for Kevin Hearn as a member of Barenaked Ladies while Hearn battled leukemia.
Brown released a solo album, Burden of Belief, in 2003. He performs this material both solo and with Tony Scherr, Anton Fier, and Teddy Kumpel as Chris Brown and the Citizens' Band. The group's album Oblivion was released in 2007.
4) A San Francisco-area based power pop singer-songwriter.
5) A UK DJ/Remixer and part of Ruff Driverz.
JUicE
Chris Brown Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Juice
(Juice)
Juice
There you go
Shakin' and it's doin' somethin' to me
Doin' somethin' to me (ohh oh to me)
Walk up to me (ohh oh, to me)
Give her this liquor, this hit of this blunt
Take it from me as much as you want (ay)
Get this money, I'll give it to you right now, baby
Right now, baby, go 'head
You got the juice right now (oh)
You got the juice right now (ohh oh-oh)
Pull up on you right now (oh)
I'ma pull up on you right now (ohh oh-oh)
Girl, you got the moves right now (now)
Baby, got the moves right now (ohh oh-oh)
Oh, no, no, you takin' me up, down
You wakin' me up now
Come give it to me (hol' up)
She don't usually do these things for anybody
She know how to play those games, yeah, with her body
You better, uh-uh, you better
You better, uh-uh, you better
You better, uh-uh, you better
Better give me that juice (juice)
How much, girl? I'll put it up
Movin' slow, I got 16 in my cup (oh, ay)
Ha, know you wanna sip it
Put this shit on your lips (haha)
Yup, that'll do it for me (for me)
One more is all you need (you need, ha)
I know you wanna freak somebody (ha)
So gon' do it to me (me, oh)
Why you makin' it hard for them girls to compete?
I know you know this is where I wanna be (ow!)
So put it right there, girl, become a part of me (huh, oh)
And girl, give me something I can screech, ooh yeah
You got the juice right now (oh)
You got the juice right now (ohh oh-oh)
Pull up on you right now (oh)
I'ma pull up on you right now (ohh oh-oh)
Girl, you got the moves right now (now)
Baby, got the moves right now (ohh oh-oh)
Oh, no, no, you takin' me up, down
You wakin' me up now
Come give it to me (give it to me)
Oh no no
(Give it to me)
(Hol' up)
Can you hear me, girl? Give me all that (hey)
Give me some, give me some more (hey)
Don't be stingy, girl, you know what I came for (hey)
Put the kitty down low, don't stop (ow!)
I mash it up one time, rude boy, bloodclaat (hey)
That pum pum gonna take my heart
You make it easy to forget because you're playin' with my heart
She don't usually do these things for anybody
She know how to play those games with her body
She don't even know my name
And she know that I feel the same, oh ohh
You got the juice right now (oh)
You got the juice right now (woo! Ohh oh-oh)
Pull up on you right now (pull up on you)
I'ma pull up on you right now (pull up on you, ohh oh-oh)
Girl, you got the moves right now
(You got the moves, you shakin' your body right now)
Baby, got the moves right now (ohh oh-oh)
Oh, no, no, you takin' me up, down
You wakin' me up now
Come give it to me (ohh ooh ooh)
Ha, no, she don't, don't
Play those games, ohh yeah
You better, uh-uh, you better (ooh)
You better, uh-uh, you better (ooh)
You better, uh-uh, you better (ooh, ooh)
Better give me that juice (juice)
The song "Juice" by Chris Brown is about a woman who, through her seductive movements and personality, has the power to make him feel a certain way. The song carries a sensual vibe with the themes of sexual attraction and power. Chris Brown sings about the woman's sexual prowess in the lines "She knows how to play those games, yeah, with her body" and "Put the kitty down low, don't stop." The phrase "You got the juice right now" is repeated several times throughout the song, emphasizing the power that the woman holds at that moment. Brown's lyrics give the feeling that this woman can control him and that he is powerless against her seduction.
Overall, "Juice" is a steamy and suggestive song that is sure to illicit strong reactions from listeners. The lyrics suggest that Brown is completely under the woman's control and is at her mercy. The use of repetition in the chorus further emphasizes this power dynamic and adds to the sensuality of the song.
Line by Line Meaning
Juice
Repeating the song title to emphasize the central theme of the song.
There you go
Acknowledging the female protagonist in the song as she dances and twerks.
Shakin' and it's doin' somethin' to me
The way the female protagonist starts shaking her body is arousing the male singer and he desires her even more.
Doin' somethin' to me (ohh oh to me)
It is an expression given out of attraction and desire and signals that the female protagonist is having an effect on him.
Play my role, baby, when you walk up to me
As soon as the female protagonist comes closer to him, he asks her to become active and play her part in this game of seduction.
Give her this liquor, this hit of this blunt
The male protagonist offers the female protagonist alcohol and drugs to encourage her inhibition and reduce her doubts so that he can get what he wants.
Take it from me as much as you want (ay)
The male protagonist is urging the female protagonist to take as much of the offered substances as she desires and enjoy herself.
Get this money, I'll give it to you right now, baby
The male protagonist is offering money to the female protagonist to encourage her to follow through with his advances.
Right now, baby, go 'head
The male protagonist is asking the female protagonist to move forward and start the act of seduction.
You got the juice right now (oh)
The female protagonist has this aura of sexual appeal and prowess that is manifesting at the moment.
Pull up on you right now (oh)
The male protagonist is going to approach the female protagonist.
Girl, you got the moves right now (now)
The female is exuding a certain sensuality that the male protagonist is being drawn to.
Oh, no, no, you takin' me up, down
The female protagonist has stirred the male's emotions, and he is feeling a wide range of feelings and sensations.
You wakin' me up now
The male protagonist is no longer asleep and he is starting to be sexually aroused by the female protagonist.
Come give it to me (hol' up)
The male protagonist is requesting the sexual act to start.
She don't usually do these things for anybody
The male protagonist is telling the audience that this girl is exclusive and not easily swayed by any man.
She know how to play those games, yeah, with her body
The female protagonist is experienced and knows how to use her body to seduce men.
You better, uh-uh, you better
The male protagonist alludes to the female protagonist to be the best in the game of seduction.
Better give me that juice (juice)
The male protagonist is asking the female protagonist to give him the kind of sexual prowess and appeal that sets her apart.
How much, girl? I'll put it up
The male protagonist is willing to do anything to get what he wants from the female protagonist.
Movin' slow, I got 16 in my cup (oh, ay)
The male protagonist is making an allusion to have taken weed, and it's taking its effect, and he is drinking heavily.
Ha, know you wanna sip it
The male protagonist is telling the female protagonist that he knows she wants a taste of what he's taking.
Put this shit on your lips (haha)
The male protagonist is advising the female protagonist to partake in the weed with him.
One more is all you need (you need, ha)
The male protagonist is giving the female protagonist a piece of advice that taking one more hit of the weed is all she needs to feel okay.
I know you wanna freak somebody (ha)
The male protagonist tells the female protagonist that he knows she desires to have sexual relations with him.
So gon' do it to me (me, oh)
The male protagonist encourages the female protagonist to come to him for the sexual act.
Why you makin' it hard for them girls to compete?
The male protagonist is indirectly telling the female protagonist to stop competing with the other girls when it comes to seduction.
I know you know this is where I wanna be (ow!)
The male protagonist is letting the female protagonist know that he wants to be with her at that moment.
So put it right there, girl, become a part of me (huh, oh)
The male protagonist wants the female protagonist to become sexually entrenched with him.
And girl, give me something I can screech, ooh yeah
The male protagonist encourages the female protagonist to give him sexual pleasure so he can scream or screech.
Can you hear me, girl? Give me all that (hey)
The male protagonist is requesting the female protagonist to give him everything in the act of lovemaking.
Give me some, give me some more (hey)
The male protagonist requests even more from the female protagonist.
Don't be stingy, girl, you know what I came for (hey)
The male protagonist is imploring the female protagonist to give him everything he wants from her without holding back.
Put the kitty down low, don't stop (ow!)
The male protagonist entices the female protagonist to be more open and be even more sexually attracted to him.
I mash it up one time, rude boy, bloodclaat (hey)
The male protagonist is boasting of his sexual skillset and encourages the female protagonist not to resist his advances.
That pum pum gonna take my heart
The female protagonist's vagina is so seductive that it may cause him to become addicted to her and eventually hurt him.
You make it easy to forget because you're playin' with my heart
The male protagonist's heart is vulnerable to the female protagonist's seduction, and she is playing a dangerous game with him.
She don't even know my name
The female protagonist doesn't know the male protagonist's name, indicating that this kind of encounter is casual and with no emotional strings attached.
And she knows that I feel the same, oh ohh
The male protagonist is reiterating his feelings of attraction to the female protagonist.
Ha, no, she don't, don't
The song concludes with the male protagonist mocking the female protagonist's lack of knowledge that she has consumed his heart, a moment of humor and sexual tension.
Better give me that juice (juice)
The song concludes with the male protagonist's central request when it comes to sexual attraction.
Lyrics ยฉ BMG Rights Management, Society of Composers, Authors and Music Publishers of Canada (SOCAN), Universal Music Publishing Group
Written by: Christopher Maurice Brown, Mike Gonek, Patrizio Pigliapoco, Wilbart Iii Mccoy, Zale Epstein, Antonio Eugene William Stith
Lyrics Licensed & Provided by LyricFind
@piratenLjos
Man the MJ vibes. This song gets better with each listen. Incredible vocals and flow
@jamesarthur8973
You gotta appreciate the versatility in this Indigo Album
@arthurwatts1093
Aye yall follow the fanpage โก๏ธcb.indigoโฌ ๏ธ on Instagram, keep streaming indigo.
@diegodemenezes5003
I gotta nada nรฃo parรงa
@caxtonthuku7992
he does that with all his albums..look close
@bradleylove3514
No cap
@TheSolar_One
No one can do it like CB
@VedoTheSinger
๐ฅ๐ช๐ฝ๐ช๐ฝ๐ช๐ฝ๐ช๐ฝ vedo baby โ๐ฝ
@queenjr4246
Say ๐ฃโItโs Vedo Babyโ ๐ฅ๐ฅ๐ฅ
@jeremywise4090
lol u got the juice