1) Christopher Maurice… Read Full Bio ↴There is more than one artist with this name:
1) Christopher Maurice Brown (born May 5, 1989) from Tappahannock, Virginia.
In late 2005, he released his first studio album, Chris Brown, which spawned the Billboard Hot 100 number-one debut single, "Run It!" which was produced by Scott Storch and featured Juelz Santana. The album also produced two other top ten singles: "Yo (Excuse Me Miss)" and "Say Goodbye." Brown's second studio album, Exclusive was released worldwide in November 2007. It has spawned his second US number one hit, "Kiss Kiss" which was produced by T-Pain, who was also featured in the song . The third single, "With You", has reached number 2 on the Billboard Hot 100, and has entered into the top ten in several countries across the world, becoming one of his most successful worldwide releases to date.
The second single, "Kiss Kiss", was nominated for the 50th Annual Grammy Awards in the category for Best Rap/Sung Collaboration.
Brown, one of two children, was born and raised in the small town of Tappahannock, Virginia, the son of Joyce Hawkins and Clinton Brown. Brown was influenced by the artists his parents played on the home radio, such as Michael Jackson and Sam Cooke. A dancer since the age of two, Brown was not aware of his vocal talents until the age of eleven. Before becoming a vocalist, he was interested in becoming a rapper.
At thirteen, Brown was discovered by a local production team who visited his father's gas station searching for new talent. Since then, he began his recording career and moved to New York, staying there for two years. Brown's local production team organized an audition before Def Jam Vice President Tina Davis, who currently works as his manager. At the age of 15, Brown was then sent to perform for L.A. Reid and was subsequently signed in 2004 to Jive Records. By early 2005, Brown began work for his debut album, working with the likes of Scott Storch, The Underdogs, Dre, Vidal, Bryan Michael Cox, Bow Wow, and Jermaine Dupri.
Brown left school in late 2004 to begin working on his self-titled debut album which was released on November 29, 2005. The album debuted at #2 on the Billboard 200 selling over 155,000 copies in first week of sales. Five weeks later, became certified platinum, and within a year, went double platinum. His debut single "Run It!," was #1 in the United States, New Zealand, and Australia. Following "Run It!," "Yo (Excuse Me Miss)" became Brown's second top 10 hit in the US, peaking at #7, and #13 in the UK. It has been certified platinum by the RIAA.
His third single "Gimme That" was released in March 2006 which featured Lil Wayne for a remix, originally not featured on the Chris Brown album, but was later included. The single debuted on the U.S. Billboard Hot 100 at #80 and climbed the charts quickly peaking at #15. Chris also co-directed his music videos for "Yo (Excuse Me Miss)" and "Gimme That." His fourth single is the ballad "Say Goodbye," which is also a part of the Step Up Soundtrack. On June 13, 2006, Brown released a DVD entitled, Chris Brown's Journey, which shows footage of him travelling in England and Japan, getting ready for his first visit to the Grammys, behind the scenes of his music videos and bloopers.
On August 17, 2006 to further promote the album, Brown kicked off his major co-headlining tour, The Up Close and Personal Tour. Due to the tour, production for his next album was pushed back two months a second summer tour is in the works once the album is completed the tour may include artists: Pretty Ricky, Bow Wow, Lil Wayne, Juelz Santana, Ne-Yo, Ciara, and Cherish.'. Chris also has been the opening act for R&B singer Beyonce Knowles on the Australian leg of her The Beyonce Experience tour.
Exclusive is the second studio album by Brown. The album was released in November, 2007. It served as the sophomore album for Brown and was both critically and commercially successful. The album was supported by five singles including the songs "Kiss Kiss" and "With You". Exclusive has gone on to sell over three million copies.
Graffiti was released in 2009 and included the top-twenty single "I Can Transform Ya". Brown's fourth album F.A.M.E. was released in 2011 becoming Chris Brown's first studio album to top the Billboard 200. The album earned Brown his first Grammy Award for Best R&B Album.
His fifth album entitled Fortune was released in 2012.
Brown's latest album X was released in September, 2014.
Chris Brown has also started to act in movies and has appeared in Stomp The Yard and This Christmas as well as several episodes of The O.C.
Websites of interest:
- Chris Brown Web
- UChris
- Chris Brown World
2) Chris Brown (born 1953) is a composer, pianist, and electronic musician, who creates music for acoustic instruments with interactive electronics, for computer networks, and for improvising ensembles.
Born and raised in Chicago, he moved to California to study electronic music with Gordon Mumma and composition with William Brooks at University of California, Santa Cruz, and with David Rosenboom at Mills College. He was active early in his career as an inventor and builder of electroacoustic instruments; he has also performed widely as an improvisor and pianist with groups as "Room" and the "Glenn Spearman Double Trio." In 1986 he co-founded the pioneering computer network music ensemble "The Hub". He is also known for his recorded performances of music by Henry Cowell, Luc Ferrari, and John Zorn. He has received commissions from the Berkeley Symphony, the Rova Sexophone Quartet, the Abel-Steinberg-Winant Trio, the Gerbode Foundation, the Phonos Foundation and the Creative Work Fund. His recent music includes the poly-rhythm installation "Talking Drum", the "Inventions" series for computers and interactive performers, and the radio performance "Transmissions" series, with composer Guillermo Galindo.
His 1992 epic electroacoustic work "Lava", for brass, percussion, and electronics is also available on Tzadik Records. He teaches Composition and Electronic Music at Mills College in Oakland, where he is Co-Director of the Center for Contemporary Music (CCM). He is not to be confused with R & B artist Chris Brown.
3) Chris Brown is a Canadian singer-songwriter and multi-instrumentalist.
Brown was one of the primary singers and songwriters for the alternative rock band Bourbon Tabernacle Choir in the 1980s and 1990s. When that band broke up, he continued performing as a duo with his Bourbon bandmate Kate Fenner. Brown has accompanied dozens of notable musicians on stage, such as in 1998 when he spent six months filling in for Kevin Hearn as a member of Barenaked Ladies while Hearn battled leukemia.
Brown released a solo album, Burden of Belief, in 2003. He performs this material both solo and with Tony Scherr, Anton Fier, and Teddy Kumpel as Chris Brown and the Citizens' Band. The group's album Oblivion was released in 2007.
4) A San Francisco-area based power pop singer-songwriter.
5) A UK DJ/Remixer and part of Ruff Driverz.
Real One
Chris Brown Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I don't give a fuck about ya nigga, baby
That nigga weak
Aye baby, you baby
That's some good pussy we can make a new baby
Fuck you in the Maybach, fuck a room baby
I use my tongue, use your mouth, watch your tooth baby
Dick ain't proper got a lot of bodies
And the house game Hilton, got a lot of lobbies
Bitches overnight it, what you know 'bout it?
T-Raww whip out, tap out
I got 'em all hooked like drugs
And all them tryin' to fuck with a young nigga
Pulled up to the club like what
Straight to V.I.P
Double cuppin' I stay too turned up
'Cause we poppin' bottles in here
Baby I'm just tryin' to party, yeah
'Cause I'm the man of the year
I'm tryin' to get a little buzz
Party poppin' and a nigga spendin' money
Hope I get fucked up
I see your girl lookin' over, at me
She wanna turn up
I can tell by the look in her face
That she ain't happy with you, nigga
And I can bet that I'm gon' get her
And I don't
I don't really care if (I don't care bout you nigga baby)
If you gotta man (that nigga weak) 'cause
You over there starin' (I see you starin' at a nigga babe)
At me, at me, yeah
I guess your nigga too lame, huh?
Girl I bet you want a real one, yeah
You want a real one, yeah
You want a real one
Girl I know you wanna jump up on it right there, right there
'Cause everybody in the club gettin' faded
A hundred thousand dollar tab, I'mma pay it
Girl the party's jumpin', DJ's bumpin' my shit, oh yeah
Got everybody in the club lookin' at us
I'm at the top I just climbed up the ladder, real shit
Girl you givin' me the screw face
I know them bitches hatin' you, yeah they two-faced
I know he told you not to drink but what do you say?
I know he tryin' to lock you down like me and Boosie
Fuck that nigga, my middle finger up
Fuck a rap nigga, you just want a singer, huh?
I'm with this shit and you love it
Go on and twerk some for me
I'm tryin' to get a little buzz
Party poppin' and a nigga spendin' money
Hope I get fucked up
I see your girl lookin' over, at me
She wanna turn up
I can tell by the look in her face
That she ain't happy with you, nigga
And I can bet that I'm gon' get her
And I don't (I don')
I don't really care if (I don't care bout you nigga baby)
If you gotta man (that nigga weak) 'cause
You over there starin' (I see you starin' at a nigga babe)
At me, at me, yeah
I guess your nigga too lame, huh?
Girl I bet you want a real one, yeah
You want a real one, yeah
You want a real one
Turn, turn, turn, turn up
Stop stuntin' that nigga
We straight I got more money than that nigga
She ain't loyal 'cause he ain't me
Go to jail she gon' need me like girls get me
She want a real one, oh she want some
Look at all this money over here, she want some
She ain't thirsty
But when you that bad every chick need bags and purses
Scorpio says girl my tongue on her
Meet me all day we just press record
Ten million in two months, God bless me girl
You over there starin', next to me girl
Them hotties is flockin' it's three in the mornin'
Them bodies is poppin' she's feelin' the moment
She gotta man, I ain't worried about that
Got a lotta, got a lotta, got a lotta respect
I don't really care if (I don't care bout you nigga baby)
If you gotta man (that nigga weak) 'cause
You over there starin' (I see you starin' at a nigga babe)
At me, at me, yeah
I guess your nigga too lame, huh?
Girl I bet you want a real one, yeah
You want a real one, yeah
You want a real one
Baby I don't really care if (I don't care bout you nigga baby)
If you gotta man (that nigga weak) 'cause
You over there starin' (I see you starin' at a nigga babe)
At me, at me, yeah
I guess your nigga too lame, huh?
Girl I bet you want a real one
You want a real one
You want a real one
The lyrics of "Real One" by Chris Brown feat. Tyga Boosie & Badazz are explicitly sexual and are mainly about hookups, casual sex, and cheating. The tone of the song is arrogant, nonchalant, and boastful. The song expresses the idea that the women who are gazing at them need them because they are real ones, and the men whom the women are with are weak and cannot compare to them. The song talks about how they spend their money, drink liquor, and work hard to get what they want. The chorus repeats the line "I guess your nigga too lame, huh? Girl, I bet you want a real one."
In each verse, the artist talks about what they can offer to women, mainly sexual pleasure. Tyga boasts about his sexual prowess and how he can get sex wherever he goes. The artists are straightforward and do not try to sugarcoat their intentions with women. They sing about how the women are unhappy with their current partners and will most likely choose them because they are the real ones, and the women want a real one.
Overall, the song portrays an image of women who are willing to cheat on their partners for a real one who can provide better sex.
Line by Line Meaning
Yeah
Expression of acknowledgement or agreement
I don't give a fuck about ya nigga, baby
I am not concerned about your partner
That nigga weak
Your partner is inferior
Aye baby, you baby
Addressing the listener with endearing terms
That's some good pussy we can make a new baby
Complimenting the sexual performance and suggesting procreation
Fuck you in the Maybach, fuck a room baby
Proposing sexual activity in a luxurious car instead of a traditional bedroom
I use my tongue, use your mouth, watch your tooth baby
Suggesting oral sex whilst warning the listener to be cautious of dental injury
Dick ain't proper got a lot of bodies
Admitting to having had numerous sexual partners
And the house game Hilton, got a lot of lobbies
Boasting about owning a large house with multiple entrances
Bitches overnight it, what you know 'bout it?
Implying women frequently visit and stay overnight
T-Raww whip out, tap out
Tyga will engage in sexual activity and the listener will orgasm quickly
I got 'em all hooked like drugs
Asserting power and control over others
And all them tryin' to fuck with a young nigga
Referring to the attention and interest from women
Pulled up to the club like what
Arrived at the club in a confident manner
Straight to V.I.P
Entered the club's exclusive VIP area
Double cuppin' I stay too turned up
Drinking from two cups and remaining heavily intoxicated
'Cause we poppin' bottles in here
Drinking expensive alcohol in the club
Baby I'm just tryin' to party, yeah
Expressing desire to have a fun time
'Cause I'm the man of the year
Boasting about being successful and popular
I'm tryin' to get a little buzz
Focusing on achieving a slight drunkenness
Party poppin' and a nigga spendin' money
Spending a lot of money to have a good time
Hope I get fucked up
Desiring to become very intoxicated
I see your girl lookin' over, at me
Noticing the interest of a nearby woman
She wanna turn up
Indicating desire to have fun and let loose
I can tell by the look in her face
Inferring her attraction through facial expressions
That she ain't happy with you, nigga
Implied dissatisfaction with her partner
And I can bet that I'm gon' get her
Confident in ability to seduce
And I don't
Ignoring any possible consequences or feelings of guilt
I don't really care if (I don't care bout you nigga baby)
Reinforcing apathy towards her partner
If you gotta man (that nigga weak) 'cause
Continuing to belittle her partner and dismiss any objections
You over there starin' (I see you starin' at a nigga babe)
Noticing her attention towards you
At me, at me, yeah
Reaffirming her interest
I guess your nigga too lame, huh?
Reflecting on her dissatisfaction with her partner
Girl I bet you want a real one, yeah
Promising to provide genuine and high-quality affection
You want a real one, yeah
Reinforcing the previous assertion
You want a real one
Stating the listener's desire for an authentic and satisfying relationship
Girl I know you wanna jump up on it right there, right there
Acknowledging the listener's sexual desire
'Cause everybody in the club gettin' faded
Observing the heavy drinking and intoxication of the other club goers
A hundred thousand dollar tab, I'mma pay it
Paying an exorbitant amount of money for the night's expenses
Girl the party's jumpin', DJ's bumpin' my shit, oh yeah
Complimenting the club's atmosphere and highlighting the success of the artist's music
Got everybody in the club lookin' at us
Being the center of attention and admiration
I'm at the top I just climbed up the ladder, real shit
Asserting dominance and success
Girl you givin' me the screw face
Noticing a hostile or negative facial expression from the listener
I know them bitches hatin' you, yeah they two-faced
Realizing that other women are jealous of the listener
I know he told you not to drink but what do you say?
Suggesting that the listener ignore her partner's demands and instead have a good time
I know he tryin' to lock you down like me and Boosie
Implying that the listener's partner is controlling or possessive, comparing him to other successful artists
Fuck that nigga, my middle finger up
Disrespecting and dismissing the listener's partner
Fuck a rap nigga, you just want a singer, huh?
Dismissing other musicians and implying superiority
I'm with this shit and you love it
Enthusiastically embracing the lifestyle and suggesting that the listener is attracted to it
Go on and twerk some for me
Asking the listener to dance in a suggestive manner
And I don't (I don')
Continuing to ignore potential consequences or guilt
Turn, turn, turn, turn up
Encouraging the listener to increase the energy and excitement
Stop stuntin' that nigga
Telling the listener to stop pretending to respect her partner
We straight I got more money than that nigga
Implying superiority and success in comparison to the listener's partner
She ain't loyal 'cause he ain't me
Suggesting that the listener is unfaithful due to the partner's inferiority
Go to jail she gon' need me like girls get me
Believing that the listener will rely on him even if he were to go to jail
She want a real one, oh she want some
Repeating the desire for a genuine and satisfying relationship
Look at all this money over here, she want some
Implying that the listener is attracted to wealth and power
She ain't thirsty
Stating that the listener is not desperate
But when you that bad every chick need bags and purses
Implying that attractive women have high expectations for gifts and luxury items
Scorpio says girl my tongue on her
Describing sexual activities and preferences
Meet me all day we just press record
Suggesting that the artist and listener frequently engage in sexual activity
Ten million in two months, God bless me girl
Boasting about financial success
You over there starin', next to me girl
Acknowledging the listener's physical proximity and attention
Them hotties is flockin' it's three in the mornin'
Noticing other attractive women in the club at a late hour
Them bodies is poppin' she's feelin' the moment
Observing that other people are dancing and having a good time
She gotta man, I ain't worried about that
Ignoring the listener's partner once again
Got a lotta, got a lotta, got a lotta respect
Acknowledging success and admiring oneself
Baby I don't really care if (I don't care bout you nigga baby)
Reiterating disregard for the listener's partner
Girl I bet you want a real one
Reinforcing promise to provide genuine and high-quality affection
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.
Written by: CHRISTOPHER MAURICE BROWN, DAVID DORMAN, JAMES STEWART, JESS REED JACKSON, MICHAEL STEVENSON, TORENCE HATCH
Lyrics Licensed & Provided by LyricFind
Bish Haimanot
on Yeah 3X
Great !!!!!!