De Burgh was born in Venado Tuerto, Argentina, to Colonel Charles John Davison, MBE, a British diplomat, and Maeve Emily de Burgh, an Irish secretary. His maternal grandfather was Sir Eric de Burgh, a British Army officer who had been Chief of the General Staff in India during the Second World War. He took his mother's name, "de Burgh", when he began performing. His father had substantial farming interests, and Chris spent much of his early years in Malta, Nigeria and Zaire, as he, his mother and brother accompanied Colonel Davison on his diplomatic and engineering work.
The Davisons finally settled in Bargy Castle, County Wexford, Ireland, which was somewhat dilapidated at the time. It was a twelfth-century castle which Eric de Burgh bought in the 1960s. He converted it into a hotel, and the young Chris sang for the guests there.
After attending Marlborough College in Wiltshire, England, de Burgh went on to graduate from Trinity College, Dublin, with a Master of Arts degree in French, English and History.
Chris de Burgh signed his first contract with A&M Records in 1974, and supported Supertramp on their Crime of the Century tour, building himself a small fan base. His début album, Far Beyond These Castle Walls, was a folk-tinged stab at fantasy in the tradition of the Moody Blues. It failed to chart upon its release in late 1974. A few months later, he released a single called "Turning Round" from the album, released outside the UK and Ireland as "Flying". It failed to make an impression in the UK, but it stayed on top of the Brazilian charts for 17 weeks. This became a familiar pattern for the singer/songwriter, as every one of his 1970s albums failed to chart in the UK or US while they racked up big sales in continental European and South American countries.
In 1975 his second album, Spanish Train and Other Stories, was released. Whilst (again) not a huge commercial success, the album and tour expanded the fan base, with de Burgh starting to attract a cult following. Along with the epic title track, other fan favourite tracks from the album included "Patricia The Stripper" and "A Spaceman Came Travelling" (the latter released the following year as a single).
1977's third album, At the End of a Perfect Day, whilst well received and featuring both former Fairport Convention drummer Dave Mattacks and later Fairport drummer Gerry Conway, failed to push de Burgh's career significantly, leading to the release of his fourth album Crusader in 1979. Crusader took a more electric direction, including guitar contributions from Ian Bairnson (formerly of Pilot), bass player David Paton (also of Pilot), and drummer Stuart Elliott (formerly of both Cockney Rebel and of Steve Harley and Cockney Rebel), all of whom were also working, at the time, with Kate Bush. The album also featured Sky keyboard player Francis Monkman and Mike Moran. Whilst it attracted a significant number of new fans, Crusader still failed to break through in the UK and US. 1980's Eastern Wind also failed to build further on the (still cult) following in the major territories.
In 1981 de Burgh had his first UK chart entry with Best Moves, a collection culled from his early albums. It set the stage for 1982's Rupert Hine produced The Getaway, which reached number 30 in the UK charts and number 43 in the US, thanks to the eerie single "Don't Pay the Ferryman". Chris de Burgh's follow-up album, Man on the Line, also performed well, charting at 69 in the US and 11 in the UK.
Chris de Burgh had an across-the-board success with the ballad "The Lady in Red" in late 1986; the single became a number one hit in the UK (number three in America) and its accompanying album, Into the Light, reached number two in the UK (number 25 in the U.S.). That Christmas season, a re-release of de Burgh's 1976 Christmas song "A Spaceman Came Travelling" became a Top 40 hit in the UK. Flying Colours, his follow-up to Into the Light, entered the British charts at number one upon its 1988 release, yet it failed to make the American charts. De Burgh never hit the US charts again and his commercial fortunes began to slide slightly in Britain in the early 1990s, yet he retained a following around the world. This is mainly due to inactivity of his previous recording label A&M Records UK division in the U.S.
In 1997 de Burgh composed a song entitled "There's a New Star Up in Heaven Tonight", dedicated to Diana, Princess of Wales. The song was released as a 100-copy limited edition and included on the compilations The Ultimate Collection (2000) and Now and Then (2009).
In 2007 a concert in Tehran was planned for mid-2008, together with local band Arian, which would have made Chris de Burgh the first western pop singer to perform in Iran since the 1979 revolution. However, the concert never went ahead because he had not been given permission by the Iranian authorities to perform in the country.
He was the first Western act to play in Lebanon after the Lebanese Civil War.
On 25 June 2019, The New York Times Magazine listed Chris de Burgh among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.
I Want It
Chris de Burgh Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I've got a craving now for something sweet,
So I head off for my local all-night supermarket,
When I get there, it's deserted;
And now I'm standing at the chocolate shelf,
Under the sign that says "Help yourself,
If you really gotta have it, then we really gotta sell it to you,
I want it, and I want it now,
I want it, and I just can't wait,
I want it, and I want it now,
I want it and I will not wait,
I want it now!"
I sit at home and when I watch TV,
I gotta have remote control with me,
Oh and when I'm watching football, I can go to total recall,
I've got freeze-frame, I got slow-mo;
This is the way that it was meant to be,
You gotta get ready for the century,
I'm a total modern man, and I got total modern plans,
And it's so easy when you say;
I want it, and I want it now,
I want it, and I just can't wait,
I want it, and I want it now,
I gotta get a feel to try,
I gotta get a meal inside,
I gotta get a deal tonight,
I gotta say,
I want it now, I want it now, I want it now,
And I just can't wait!
I want it, and I want it now,
I want it, and I just can't wait,
I want it, and I want it now,
I want it, and I just can't wait,
I want it now,
I want it now,
I want it now, and I just can't wait;
I want it now,
I want it now,
I want it now, and I just can't wait;
Here it is the new sensation, listen to the new generation,
"We want something, we want it now!"
You don't need no invitation, listen to the new conversation,
"We want something, we want it now!"
Ooh-ooh, ooh-ooh, ooh-ooh,
We want it now;
Ooh-ooh, ooh-ooh, ooh-ooh,
We want it now;
Ooh-ooh, ooh-ooh, ooh-ooh,
We want it now;
Ooh-ooh, ooh-ooh, ooh-ooh,
I want it and I want it now.
The song "I Want It" by Chris de Burgh is a commentary on the 24/7 culture of instant gratification that has become synonymous with modern society. The singer of the song is plagued by insomnia at 4 am and decides to go on a sweet fix only to end up at an empty supermarket. The singer then gravitates towards the chocolate shelf, with the sign that says 'help yourself,' emphasizing the consumer culture that fuels the need for instant gratification.
The singer later explores his dependence on technology, wanting a total modern lifestyle with modern man plans. He references watching sports on TV with remote control on hand, using freeze-frame and slow-motion to catch all the details. This verse highlights the underlying theme of the song that our obsession with immediate gratification has extended to every aspect of our lives, including entertainment and technology.
In the chorus of the song, the singer emphasizes the desire for something, anything, right now. The repetition of the chorus emphasizes the sense of urgency and the obsession with having everything at that very moment. The song ends with an upbeat, catchy chant that emphasizes the need for immediate pleasure for the new generation.
Line by Line Meaning
Four in the morning and I just can't sleep,
The singer is awake at an unusual hour and feeling restless.
I've got a craving now for something sweet,
The singer desires something sugary.
So I head off for my local all-night supermarket,
The singer goes to a store that is open 24/7.
When I get there, it's deserted;
The artist finds that the store is empty of people.
And now I'm standing at the chocolate shelf,
The artist is in front of the area where candy is sold.
Under the sign that says "Help yourself,
The singer is below a notice that indicates customers can serve themselves.
If you really gotta have it, then we really gotta sell it to you,
The singer imagines that the store will provide whatever the customer wants as long as they are willing to buy it.
This is for people who say;
The artist suggests that the products in the store are intended for those who are demanding.
I want it, and I want it now,
The artist insists on obtaining the desired item without delay.
I sit at home and when I watch TV,
The artist spends time in front of the television screen.
I gotta have remote control with me,
The singer must have access to the device that operates the television.
Oh and when I'm watching football, I can go to total recall,
The artist can use technology to review or replay sports events.
I've got freeze-frame, I got slow-mo;
The singer has equipment that permits them to pause or slow down images on the screen.
This is the way that it was meant to be,
The singer believes that their lifestyle is appropriate for the contemporary era.
You gotta get ready for the century,
The singer advises listeners to prepare for the long-term future.
I'm a total modern man, and I got total modern plans,
The artist views themselves as thoroughly current and has ambitious goals.
And it's so easy when you say;
The artist believes that their preferences reflect what other people desire as well.
I gotta get a feel to try,
The singer wants to test something to see if it's satisfying.
I gotta get a meal inside,
The singer wants to eat something.
I gotta get a deal tonight,
The artist wants to purchase something at a low price.
I gotta say,
The artist is determined to express their intentions.
I want it now, I want it now, I want it now,
The artist demands immediate gratification and emphasizes the urgency of their needs.
Here it is the new sensation, listen to the new generation,
The singer is introducing a catchy, innovative idea and encouraging the young to be receptive to it.
"We want something, we want it now!"
The artist repeats a phrase that suggests the younger generation is impatient and focused on getting what they want immediately.
You don't need no invitation, listen to the new conversation,
The singer suggests that new ideas propagate themselves and that young people are naturally drawn to them.
"We want something, we want it now!"
The repetitive phrase again expresses the desire for instant gratification and the consumerist focus of the younger generation.
Ooh-ooh, ooh-ooh, ooh-ooh,
The singer uses a non-verbal sound to indicate excitement or enthusiasm.
We want it now;
The phrase reiterates the earlier insistence on the need for immediate gratification.
I want it and I want it now.
The artist reiterates their individual desire for whatever it is they are seeking, and the urgency of that desire.
Lyrics © BMG Rights Management
Written by: CHRIS, DE BURGH
Lyrics Licensed & Provided by LyricFind
Robin Wilson
A clever song - so much of its time!
Anthony Bertorelli
For some reason, my CD includes the "DJ Q-Ball" remix. It's an okay remix, but it seems out of place with the rest of the album.