De Burgh was born in Venado Tuerto, Argentina, to Colonel Charles John Davison, MBE, a British diplomat, and Maeve Emily de Burgh, an Irish secretary. His maternal grandfather was Sir Eric de Burgh, a British Army officer who had been Chief of the General Staff in India during the Second World War. He took his mother's name, "de Burgh", when he began performing. His father had substantial farming interests, and Chris spent much of his early years in Malta, Nigeria and Zaire, as he, his mother and brother accompanied Colonel Davison on his diplomatic and engineering work.
The Davisons finally settled in Bargy Castle, County Wexford, Ireland, which was somewhat dilapidated at the time. It was a twelfth-century castle which Eric de Burgh bought in the 1960s. He converted it into a hotel, and the young Chris sang for the guests there.
After attending Marlborough College in Wiltshire, England, de Burgh went on to graduate from Trinity College, Dublin, with a Master of Arts degree in French, English and History.
Chris de Burgh signed his first contract with A&M Records in 1974, and supported Supertramp on their Crime of the Century tour, building himself a small fan base. His début album, Far Beyond These Castle Walls, was a folk-tinged stab at fantasy in the tradition of the Moody Blues. It failed to chart upon its release in late 1974. A few months later, he released a single called "Turning Round" from the album, released outside the UK and Ireland as "Flying". It failed to make an impression in the UK, but it stayed on top of the Brazilian charts for 17 weeks. This became a familiar pattern for the singer/songwriter, as every one of his 1970s albums failed to chart in the UK or US while they racked up big sales in continental European and South American countries.
In 1975 his second album, Spanish Train and Other Stories, was released. Whilst (again) not a huge commercial success, the album and tour expanded the fan base, with de Burgh starting to attract a cult following. Along with the epic title track, other fan favourite tracks from the album included "Patricia The Stripper" and "A Spaceman Came Travelling" (the latter released the following year as a single).
1977's third album, At the End of a Perfect Day, whilst well received and featuring both former Fairport Convention drummer Dave Mattacks and later Fairport drummer Gerry Conway, failed to push de Burgh's career significantly, leading to the release of his fourth album Crusader in 1979. Crusader took a more electric direction, including guitar contributions from Ian Bairnson (formerly of Pilot), bass player David Paton (also of Pilot), and drummer Stuart Elliott (formerly of both Cockney Rebel and of Steve Harley and Cockney Rebel), all of whom were also working, at the time, with Kate Bush. The album also featured Sky keyboard player Francis Monkman and Mike Moran. Whilst it attracted a significant number of new fans, Crusader still failed to break through in the UK and US. 1980's Eastern Wind also failed to build further on the (still cult) following in the major territories.
In 1981 de Burgh had his first UK chart entry with Best Moves, a collection culled from his early albums. It set the stage for 1982's Rupert Hine produced The Getaway, which reached number 30 in the UK charts and number 43 in the US, thanks to the eerie single "Don't Pay the Ferryman". Chris de Burgh's follow-up album, Man on the Line, also performed well, charting at 69 in the US and 11 in the UK.
Chris de Burgh had an across-the-board success with the ballad "The Lady in Red" in late 1986; the single became a number one hit in the UK (number three in America) and its accompanying album, Into the Light, reached number two in the UK (number 25 in the U.S.). That Christmas season, a re-release of de Burgh's 1976 Christmas song "A Spaceman Came Travelling" became a Top 40 hit in the UK. Flying Colours, his follow-up to Into the Light, entered the British charts at number one upon its 1988 release, yet it failed to make the American charts. De Burgh never hit the US charts again and his commercial fortunes began to slide slightly in Britain in the early 1990s, yet he retained a following around the world. This is mainly due to inactivity of his previous recording label A&M Records UK division in the U.S.
In 1997 de Burgh composed a song entitled "There's a New Star Up in Heaven Tonight", dedicated to Diana, Princess of Wales. The song was released as a 100-copy limited edition and included on the compilations The Ultimate Collection (2000) and Now and Then (2009).
In 2007 a concert in Tehran was planned for mid-2008, together with local band Arian, which would have made Chris de Burgh the first western pop singer to perform in Iran since the 1979 revolution. However, the concert never went ahead because he had not been given permission by the Iranian authorities to perform in the country.
He was the first Western act to play in Lebanon after the Lebanese Civil War.
On 25 June 2019, The New York Times Magazine listed Chris de Burgh among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.
THE VISION
Chris de Burgh Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And the four horsemen of the apocalypse,
Waiting on high,
And I heard the thunder rolling in,
And behold our leader on a pale horse riding in the sky;
And I saw this land a battlefield,
With a hundred thousand men,
And I heard the sounds of victory,
And the rivers ran red with the blood of our enemies;
And I, I saw fire from the sky,
I saw fire, and I saw paradise, (paradise,)
Fire from the sun, I saw fire,
And I saw Alpha and Omega;
Fire, I saw fire,
And I saw paradise, (paradise,)
Fire, I saw fire;
The lyrics of Chris de Burgh's song The Vision paint an apocalyptic picture of a world that is about to be destroyed by war and chaos. The opening lines describe a burning chariot and the four horsemen of the apocalypse, which are symbols of death, famine, war, and pestilence. These forces are waiting on high, indicating that they are about to be unleashed upon the world. The next line speaks of thunder rolling in, signaling the arrival of a powerful force. Our leader is then described as riding in on a pale horse, which symbolizes death. This picture is meant to capture the imagination of the listener and draw them into this dark and desperate world.
The second verse continues the apocalyptic scene, picturing a land filled with a hundred thousand men fighting hand to hand. The sounds of victory can be heard, but the cost is high as the rivers run red with the blood of the enemies. The final lines of the song describe seeing fire from the sky and Alpha and Omega. This phrase is a reference to the beginning and the end, which suggests that this apocalyptic world is about to come to an end. The imagery in the song is incredibly vivid and epic, leading the listener to question their own mortality and the fragility of the world around them.
Line by Line Meaning
And I saw a burning chariot,
I witnessed a chariot on fire,
And the four horsemen of the apocalypse,
I saw four horsemen who symbolized the end of the world,
Waiting on high,
They were waiting in the sky above,
And I heard the thunder rolling in,
I heard the sound of thunder approaching,
And behold our leader on a pale horse riding in the sky;
Then I saw our leader on a pale horse, riding in the sky with them.
And I saw this land a battlefield,
The land was transformed into a battlefield in front of me,
With a hundred thousand men,
There were around 100,000 soldiers fighting,
Fighting hand to hand,
They were fighting face to face,
And I heard the sounds of victory,
I heard the joyous sounds of a winning battle,
And the rivers ran red with the blood of our enemies;
The rivers were flowing red with the blood of the defeated.
And I, I saw fire from the sky,
I personally witnessed fire raining down from above,
I saw fire, and I saw paradise, (paradise,)
That fire seemed to bring both destruction and a glimpse of paradise,
Fire from the sun, I saw fire,
Fire even came from the sun itself, I saw that,
And I saw Alpha and Omega;
I saw the beginning and the end of everything.
Fire, I saw fire,
I repeatedly saw overwhelming amounts of fire,
And I saw paradise, (paradise,)
Mixed within that fire's destruction, there was hope of a better place.
Lyrics © BMG RIGHTS MANAGEMENT US, LLC
Written by: CHRIS, DE BURGH
Lyrics Licensed & Provided by LyricFind
Nikki Kirton
I permanently borrowed this tape off my dad when I was about 9 and still love it to this day
Mr Wetton
one of my favorits album of chris de burgh
Brian Adamson
Miami Vice has the best music ever
Nick Yad
Thanx
Brings back good memories
Francia Macasling
Have this cassette
sour milk
Miami Vice baby
solomonkain
That's right, pal.
Brian Adamson
Yes! Everybody's in Showbiz. I just watched this episode yesterday and totally forgot the name.
whitepearl
Apocalipsis s.juan in the biblie....