Daughter of a part-time secretary and a telephone company worker, Hynde graduated from Firestone High School, admitting "I was never too interested in high school. I mean, I never went to a dance, I never went out on a date, I never went steady. It became pretty awful for me. Except, of course, I could go see bands, and that was the kick. I used to go to Cleveland just to see any band. So I was in love a lot of the time, but mostly with guys in bands that I had never met. For me, knowing that Brian Jones was out there, and later that Iggy Pop was out there, made it kind of hard for me to get too interested in the guys that were around me. I had, uh, bigger things in mind."
Those "things" included Hynde's experimentation with hippie counterculture, psychotropic drugs, eastern mysticism, vegetarianism and of course, joining or starting a band. Soon enough, Hynde joined a band called Sat. Sun. Mat. (which included Mark Mothersbaugh from Devo) while attending Kent State University's Art School for three years. Hynde was on the campus during the infamous "Kent State shootings".
Hynde also developed an interest in NME when she wasn't waitressing or working various other jobs to support herself, eventually saving enough money for the move from Ohio to London in 1973. With her art background, Hynde landed a job in an architectural firm but left after eight months. It was then that Hynde met rock journalist Nick Kent and landed a writing position at NME. However, it was a short gig among many as Hynde soon found herself working at Malcolm McLaren and Vivienne Westwood's then-unknown clothing store, SEX, where Hynde was summarily fired for a fight with a customer in which Hynde was hit with a bell from the store. Hynde then made a fruitless attempt to start a band in France before her return to Cleveland in 1975.
Hardly discouraged, Hynde resurfaced in France in 1976 for another stab at forming a band. Finding her way to London in the midst of the punk movement, Hynde tried to start a group with Mick Jones from The Clash. After the band failed to take off, Malcolm McLaren placed her as a guitarist in Masters of the Backside. But Chrissie was booted just as the band became The Damned. By that time, Mick Jones had invited Hynde to join his band on their initial riotous tour of Britain. Chrissie's recollection of that period: "It was great, but my heart was breaking. I wanted to be in a band so bad. And to go to all the gigs, to see it so close up, to be living in it and not to have a band was devastating to me. When I left, I said, 'Thanks a lot for lettin' me come along,' and I went back and went weeping on the underground throughout London. All the people I knew in town, they were all in bands. And there I was, like the real loser, you know? Really the loser."
But Hynde's luck soon changed. A demo tape of hers found its way to Dave Hill, owner of the label Real Records. Hill stepped in to manage her career, and began by paying off the back rent owed on her rehearsal room in Covent Garden. Hill also advised Chrissie to take her time and get a band together. In the spring of 1978, Hynde met bassist Pete Farndon through a mutual friend at a bar in Portobello Road. The meeting led to her rehearsal room (described by Farndon as "the scummiest basement I'd ever been in in my life") where they started playing "Groove Me", by King Floyd, followed by two of Hynde's tunes: "Tequila" and "The Phone Call". Hynde and Farndon then hooked up with James Honeyman-Scott and Martin Chambers, put the name Pretenders on the group, -- inspired by the song "The Great Pretender" -- recorded a demo tape (including "Precious", "The Wait" and a Kinks' cover, "Stop Your Sobbing"), handed it to Hynde's friend Nick Lowe, produced a single ("Stop Your Sobbing/The Wait") and performed their first gigs ever in a club in Paris. The single was released in January 1979 and quickly hit the Top Thirty in UK. The band's precocious success was followed by their first gigs in Britain where the band earned wide critical acclaim. In the same spring (1978), The Pretenders recorded their eponymous first album and hit the charts in UK and US with the song "Brass In Pocket".
The Pretenders lineup would change over the years as a result of numerous deaths and internal conflicts. However, Hynde endured, a solid anchor who became the band's eventual leader although Chambers later returned. Her guitar of choice is a Fender Telecaster.
As the rare, successful female bandleader and style-setter in the early days of punk and new wave, Hynde's impact was pervasive & substantial. Her edginess, punk sensibilities (she gave Sid Vicious his trademark lock necklace), musical vision, lyrical candor & truthfulness in interviews earned the respect of fans, musicians and critics alike, inspiring multitudes of young women to follow. Among many collaborations, Hynde's recordings with UB40 (a cover version of "I Got You Babe") and Cheap Trick ("Walk Away") have also registered popular success.
Chrissie Hynde had a daughter Natalie Ray in 1983 with Ray Davies of The Kinks. A cover version of the Davies song "Stop Your Sobbing" had been an early hit for the Pretenders, although Hynde met Davies several years later -- a meeting which bloomed into a long-term relationship. She then married musician Jim Kerr of the band Simple Minds in 1984, and had a daughter Yasmin with him in 1985. They divorced in 1990. She married artist Lucho Brieva in 1997 and lived with him in London until they separated in 2002.
Hynde did a duet with INXS on their album Full Moon, Dirty Hearts in 1993. Hynde appears on the title track of the album.
Hynde sang the vocals on the Moodswings album Moodfood for track #9, "State of Independence Part II" which was played during the closing credits on the soundtrack of Single White Female.
Chrissie Hynde has been in the news in recent years as a high-profile animal rights activist. She is a supporter of PETA [1]
Hynde recorded a duet with Frank Sinatra on Sinatra's 1994 album Duets II. They performed the song "Luck Be a Lady".
In 1995 Hynde made an acting appearance on the US television comedy Friends.
In 1999 Hynde played guitar and sang vocals with Sheryl Crow on the song "If It Makes You Happy" during a concert in Central Park.
Hynde is mentioned prominently in the lyrics of the Terence Trent D'Arby song "Penelope Please."
In 2004 Hynde moved to São Paulo, Brazil for a couple of months in order to play with Brazilian musician Moreno Veloso in an informal tour that lasted until December 2004. She bought a flat in the Copan Building in Sao Paulo's downtown.
In 2005, Hynde collaborated with Incubus on a song called "Neither Of Us Can See". The song is on the soundtrack album for Stealth.
Hynde also recorded a song called "Cry (If You Don´t Mind)" with the Spanish band Jarabe de Palo for their album "Un metro cuadrado - 1m²".
Likewise in 2005, Hynde dueted with Ringo Starr on a song entitled "Don't Hang Up" which can be heard on Starr's most recent album Choose Love.
She was also the vocalist on Tube & Berger's 2004 #1 Dance Top 40 track "Straight Ahead". The track gave Hynde her first US #1 track on the Billboard charts.
She supplied the voice for the clouded leopard in the movie Rugrats Go Wild (2003) in which she sang a duet with Bruce Willis
All along The Watchtower
Chrissie Hynde Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
"There's too much confusion, I can't get no relief.
Businessmen, they drink my wine, plowmen dig my earth,
None of them along the line know what any of it is worth."
"No reason to get excited," the thief, he kindly spoke,
"There are many here among us who feel that life is but a joke.
But you and I, we've been through that, and this is not our fate,
All along the watchtower, princes kept the view
While all the women came and went, barefoot servants, too.
Outside in the distance a wildcat did growl,
Two riders were approaching, the wind began to howl.
The lyrics to Chrissie Hynde's song "All Along the Watchtower" are a reinterpretation of Bob Dylan's original song, but each verse conveys a powerful message of confusion, despair, and hope. The opening verse begins with a conversation between a joker and a thief who are both seeking a way out of their troubled lives. The joker is consumed by confusion, unable to find relief from his troubles, while the thief is more level-headed and realistic, acknowledging that life is hard, but they have been through tough times before and must stay strong.
The second verse reflects on the social hierarchy of society, where princes hold power and views of the world from the top of the watchtower. Meanwhile, the people below, such as the women and servants, are often overlooked, with their worth and value in society being underestimated. The third verse brings a dramatic shift in tone, as a wildcat growls in the distance, and two riders approach. The wind seems to be howling in despair, but there is a sense of hope, that these riders may offer a new beginning, a chance for change.
Line by Line Meaning
There must be some way out of here,
The joker says he wants to escape this situation
said the joker to the thief,
When the joker talks about escaping, he's telling the thief because the thief might help him do it
There's too much confusion, I can't get no relief.
The joker feels overwhelmed and trapped, so he can't find any peace or way out of it
Businessmen, they drink my wine, plowmen dig my earth,
The joker feels like he's being taken advantage of by everyone
None of them along the line know what any of it is worth.
The joker thinks that nobody understands the value of the things he has, including his land and wine
No reason to get excited,
The thief tells the joker that he shouldn't worry
the thief, he kindly spoke,
The thief speaks kindly to the joker and tries to calm him down
There are many here among us who feel that life is but a joke.
The thief suggests that others here believe that life has no real meaning
But you and I, we've been through that, and this is not our fate,
The thief reminds the joker that they've both been through tough times before, but they don't have to let it dictate their future
So let us not talk falsely now, the hour is getting late.
The thief urges the joker to be honest and truthful, and reminds him that time is running out
All along the watchtower, princes kept the view
The singer describes a scene where powerful people are watching over everything
While all the women came and went, barefoot servants, too.
The singer notes that even though the powerful are watching, they're not doing anything to help the people around them
Outside in the distance a wildcat did growl,
There's a wild animal lurking in the distance
Two riders were approaching, the wind began to howl.
There are two people coming, and it's starting to get tense and ominous
Lyrics © Sony/ATV Music Publishing LLC, AUDIAM, INC
Written by: Bob Dylan
Lyrics Licensed & Provided by LyricFind