In 1989, aged 18, Moreno went to study music in France and it was in Paris where she both recorded her first single and first performed solo. Here she regularly played the Lionel Hampton Jazz Club beneath the Le Méridien Etoile hotel - one of the city’s most distinguished jazz venues. In 1991 at Paris’ Théâtre de La Ville she appeared onstage alongside her mother. Moreno remembers her time in Paris fondly and on her new album she pays tribute to Edith Piaf, “the French singer who thrilled me most”, with a wonderful cover of Mon Manege A Moi.
Aged 23 Moreno returned to Brazil in 1994 and launched straight into a career in music, guesting on the track Minha Gata Rita Lee on Joyce's CD Revendo Amigos. This followed guest appearances alongside other artists such as Nelson Ângelo and Robertinho Silva. Her first solo show in Brazil was in 1995 at the Au Bar in Rio in a tribute to the famous Brazilian singer Rita Lee. In 1996, Moreno opened for Paulinho Moska at the Garota de Ipanema park in Rio and recorded her eponymous debut CD.
In 1997 Moreno went to Japan where she appeared in the Gets Bossa Nova show in Tokyo, Japan. That same year she contributed a recording of "Só Danço Samba" for the tribute to Bossa Nova CD 40 Anos de Bossa Nova which solidified her standing as a Brazilian singer in her own right. Her third album Mutante was recorded in 1999, and picked up for worldwide distribution by UK based Timewarp Distribution, her name was brought to the attention of Brazilian music fans the world over.
2002 saw the release of Morena Bossa Nova (ybmusic, 2002) – her fourth CD where she experimented with electronic music to create an album with a contemporary take on bossa nova. It was recorded whilst Moreno was pregnant with producer Rodolfo Stroeter (the producer of Joyce’s most recent CDs Just a Little Bit Crazy and Rio Bahia). “Morena Bossa Nova” featured the Norwegian keyboard player Bugge Weseltoff as well as Teco Cardoso, Robertinho Silva & Nailor Proveta – all regular contributors to Joyce’s recent albums.
With Meu Samba Torto, Moreno felt the urge to strip things down and pay tribute to the musical heritage of the city she is from: “Bossa nova has always played a very important role in my life, and I decided to go for it with this CD and really search for the feeling of what it’s like to be a "carioca". Having listened to this music all my life I had no trouble of thinking of songs to cover and my mother Joyce, suggested some nice songs, as did Celso. I feel that the album has a 60's bossa nova feeling, which is great, but at the same time, the music that we have done is up to date and reflects a modern view through the roots of Brazilian music.”
Meu Samba Torto features a stellar line-up of Brazilian musicians including Moreno’s mother, the legendary Brazilian singer-songwriter Joyce, and the celebrated songwriter and guitarist Celso Fonseca. It’s Moreno’s most personal album yet and this is something she’s proud of: “The album has a certain level of spontaneity that I don’t think is very common these days. With the exception of the songs arranged by Joyce, the arrangements were all decided once we all arrived in the studio. Everything was recorded live and I was lucky to be blessed with the involvement of Celso Fonseca, Joyce, Tutty Moreno, Rodolfo Stroeter, Diego Figueiredo and Ricardo Mosca - all of them very creative and stylish musicians who helped create an end result of modern music yet steeped in tradition. The album was simply constructed around guitar/bass/drums and the idea was to bring a certain degree of intimacy between myself and the listener“.
Meu Samba Torto features two new compositions written especially for Moreno by Joyce (“Sabe Quem”), & Celso Fonseca (“Litorânea”). In fact with it’s "live" sound, Joyce’s influence runs through Meu Samba Torto. This was a challenge for Moreno: “I had never recorded a “live” album before yet as we began recording, I started to gain more and more self confidence.” According to Moreno though it’s not Joyce who is the most influential artist on Meu Samba Torto: “João Gilberto is the greatest influence on this album - he is the main root of the cd. I have been listening to him all my life, but during the process of creating this album, I dived deeply into his mood and I recorded many of the songs using João Gilberto's light - his inspiration was a gift to me.“
Vanguard of the new bossa nova movement Celso Fonseca plays guitar and sings on three songs on the new album, and the blend of his and Moreno’s voice create some of the albums highlights. There are interpretations of classic bossa nova tracks such as Moça Flor, originally recorded by the Tamba Trio, Vem Morena Vem, from Jorge Ben's debut album, and Morena Boca de Ouro, made famous by the one and only João Gilberto.
Mas Que Nada
Clara Moreno Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Oooô ooô ooô lariá laiô obá obá obá
Mas que nada
Sai da minha frente eu quero passar
O samba está animado
Que eu quero é sambar
E esse samba que é misto de maracatu
Samba de preto tu
Mas que nada
Um samba como esse tão legal
Você não vai querer que eu chegue no final
Oooô lariá laiô obá obá obá
Oooô ooô ooô lariá laiô obá obá obá
Mas que nada
Sai da minha frente eu quero passar
O samba está animado
O que eu quero é sambar
E esse samba que é misto de maracatu
É samba de preto velho
Samba de preto tu
Mas que nada
Um samba como esse tão legal
Você não vai querer que eu chegue no final
Oooô lariá laiô obá obá obá
Oooô ooô ooô lariá laiô obá obá obá
The lyrics to Clara Moreno's "Mas Que Nada" capture the spirit and energy of samba music. The song begins with the playful chanting of "Oooô lariá laiô obá obá obá," setting the tone for the upbeat and lively samba rhythm that follows. The lyrics then proclaim "Sai da minha frente eu quero passar" ("Get out of my way, I want to pass"), expressing a desire to dance and move freely to the music.
The song also highlights the cultural and historical significance of samba, as it references the African-derived rhythms of maracatu and the traditional spiritual practices of preto velho (old black men). This blend of cultural influences creates a unique sound that is distinctly Brazilian.
Overall, "Mas Que Nada" is a celebration of samba, the joy it brings, and the cultural heritage that informs it. The lyrics invite listeners to join in the celebration, encouraging them to dance and enjoy the music with abandon.
Line by Line Meaning
Oooô lariá laiô obá obá obá
Exclamation to express happiness and excitement about the samba music.
Oooô ooô ooô lariá laiô obá obá obá
Continuation of excitement and energy shown through vocalization.
Mas que nada
Expression used to assert dominance and importance in the situation.
Sai da minha frente eu quero passar
Ordering someone to move out of the way so the artist can participate in the samba dancing.
O samba está animado
Noting the lively and energetic atmosphere of the samba music at the moment.
Que eu quero é sambar
Expressing the singer's desire to join in the samba dancing and enjoy it fully.
E esse samba que é misto de maracatu
Describing the type of samba music being played as a blend of both the traditional samba style and the maracatu rhythm.
É samba de preto velho
Identifying the samba music as being influenced and shaped by the traditions of Black ancestors.
Samba de preto tu
Empowering and uniting the listener in the cultural history and significance of samba music.
Um samba como esse tão legal
Acknowledging the exceptional quality of the samba music being played and the artist's enjoyment of it.
Você não vai querer que eu chegue no final
Playfully suggesting that the listener will want to continue dancing to the samba music with the singer and not want the fun to end.
Oooô lariá laiô obá obá obá
Repeating the initial exclamation to emphasize the continued excitement and enthusiasm for the samba music.
Oooô ooô ooô lariá laiô obá obá obá
Continuation of the repeated exclamation to maintain the high energy and enjoyment of the samba music.
Lyrics © Peermusic Publishing
Written by: Jorge Lima Menezes
Lyrics Licensed & Provided by LyricFind