Clarence "Gatemouth" Brown (April 18, 1924 — September 10, 2005) was an Ame… Read Full Bio ↴Clarence "Gatemouth" Brown (April 18, 1924 — September 10, 2005) was an American blues musician. He was born in Vinton, Louisiana and raised in Orange, Texas. He is best known for his work as a blues musician, but embraced other styles of music, having "spent his career fighting purism by synthesizing old blues, country, jazz, cajun music and rhythm & blues styles" His work also encompasses rock and roll, rock music, folk, electric blues, and Texas blues.
He was an acclaimed multi-instrumentalist, who played an array of musical instruments such as guitar, fiddle, mandolin, viola as well as harmonica and drums. He won a Grammy Award for Best Traditional Blues Album in 1983 for his album, Alright Again! He is regarded as one of the most influential exponents of blues fiddle and has had enormous influence in American fiddle circles.
Brown's two biggest musical influences were Louis Jordan and T-Bone Walker.

His professional musical career began in 1945, playing drums in San Antonio, Texas. He was tagged with the "Gatemouth" handle by a high school instructor who accused Brown of having a "voice like a gate". Brown used it to his advantage throughout his career. His career was boosted while attending a 1947 concert by T-Bone Walker in Don Robey's Bronze Peacock Houston nightclub. When Walker became ill, Brown took up his guitar and quickly wrote and played "Gatemouth Boogie," to the delight of the audience right on the spot.
In 1949 Robey founded Peacock Records in order to showcase Brown's virtuoso guitar work. Brown's "Mary Is Fine"/"My Time Is Expensive" was a hit for Peacock in 1949. A string of Peacock releases in the 1950s were less successful commercially, but were nonetheless pioneering musically. Particularly notable was the 1951 instrumental "Okie Dokie Stomp", in which Brown solos continuously over a punchy horn section (other instrumentals from this period include "Boogie Uproar" and "Gate Walks to Board"). Okie Dokie Stomp was also recorded by Cornell Dupree in the 1970s and he had success with it as well. As for his gutsy violin playing, Robey allowed him to record "Just Before Dawn" as his final Peacock release in 1959.

In the 1960s Brown moved to Nashville, Tennessee to participate in a syndicated R&B television show, and while he was there recorded several country singles. He struck up a friendship with Roy Clark and made several appearances on the television show Hee Haw. In 1966, Brown was the musical director for the house band on the short-lived television program, The !!!! Beat.
However, in the early 1970s several countries in Europe had developed an appreciation for American roots music, especially the blues, and Brown was a popular and well-respected artist there. He toured Europe twelve times, beginning in 1971 and continuing throughout the 1970s. He also became an official ambassador for American music, and participated in several tours sponsored by the U.S. State Department, including an extensive tour of Eastern Africa. Brown appeared at the 1973 Montreux Jazz Festival, where he jammed with American blues rock band Canned Heat. In 1974, he recorded as a sideman with the New Orleans pianist Professor Longhair on his album, Rock 'N' Roll Gumbo (originally a Blue Star Records release). He moved to New Orleans in the late 1970s. In 1979, through his manager at the time, Jim Halsey, Brown embarked on a 6 week, 44 concert tour of the Soviet Union. This was an historic event as it marked the first time the Soviet Union made a contract with a U.S. private citizen (Jim Halsey) as regards a musical tour. All previous tours were under the auspices of the U.S. State Department. To date, this was by far the most extensive tour an American band had taken in the USSR.

In the 1980s, a series of releases on Rounder Records and Alligator Records revitalized his U.S. career, and he toured extensively and internationally, usually playing between 250 and 300 shows a year. He won a Grammy in 1983 for the album Alright Again! and was nominated for five more. "Alright Again!" is credited with putting Brown back on the musical map. He also won 8 WC Handy Awards. In 1999 Brown was inducted into the Blues Hall of Fame.
In his last few years, he maintained a full touring schedule, including Australia, New Zealand, and countries with political conflicts in Central America, Africa, and the former Soviet Union. His final record "Timeless" was released in 2004.
In September 2004, Brown was diagnosed with lung cancer. Already suffering from emphysema and heart disease, he and his doctors decided to forgo treatment. This greatly affected his musical career. Later his home in Slidell, Louisiana was destroyed by Hurricane Katrina in 2005, and he was evacuated to his childhood home town of Orange, Texas, where he died on September 10, 2005 at the apartment of a niece, at the age of 81. Brown is buried in the Hollywood Cemetery in Orange, Texas. However, flooding caused by Hurricane Ike in September 2008 damaged his grave. His grave has since been refurbished and through donations a very impressive headstone has been erected in his honor.

Since I Fell For You
Clarence "Gatemouth" Brown Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

When you just give love
And never get love
You'd better let love depart
I know it's so, and yet I know
I can't get you out of my heart

You made me leave my happy home
You took my love and now you're gone

Since I fell for you

Love brings such misery and pain
I guess I'll never be the same
Since I fell for you

Well, it's too bad
And it's too sad
But I'm in love with you
You love me, then you snub me
But what can I do?
I'm so in love with you

I guess I'll never see the light
I get the blues most every night

Since I fell for you
Since I fell for you

Overall Meaning

In Clarence "Gatemouth" Brown's song Since I Fell For You, the lyrics describe the struggles of loving someone who does not love you back. From the very first line, the song acknowledges the reality that sometimes love is unrequited and that staying in such a relationship will only bring misery and pain. Despite this, the singer admits that they cannot stop loving the person who has taken their heart, even though they know it's not good for them. The song hints that the person the singer loves may have left them, and now they are left feeling alone and missing their happy home. The chorus acknowledges that love can cause pain and misery, leaving one forever changed after falling for someone.

In the second verse, the singer repeats that love brings pain and misery and acknowledges that they may never see happiness in their love life. The third verse talks about the turbulent nature of the relationship, with the person the singer loves sometimes loving them and sometimes snubbing them. Despite this, the singer admits that they are still in love with this person, seemingly unable to break free from their grasp. The final chorus states that the singer still feels the blues at night and that they have not been the same since falling in love.

Overall, the song portrays the painful nature of unrequited love and how it can affect a person emotionally. Despite the tough lyrics, the song's use of soulful guitar riffs and Brown's emotive singing makes it a powerful piece that resonates with many.

Line by Line Meaning

When you just give love
If you offer love without receiving any in return

And never get love
And don't get any love back

You'd better let love depart
It's best to let the love go

I know it's so, and yet I know
I understand this is true, and yet

I can't get you out of my heart
I cannot stop thinking about you

You made me leave my happy home
You caused me to abandon my contented lifestyle

You took my love and now you're gone
You removed my affection and disappeared

Love brings such misery and pain
Love results in such agony and distress

I guess I'll never be the same
I don't think I'll ever be the way I was

Since I fell for you
Ever since I fell in love with you

Well, it's too bad
It's unfortunate