Marche Slave, Op. 31
Claudio Abbado, Cavaliere di Gran Croce OMRI (Italian: [ˈklaudjo abˈbaːdo];… Read Full Bio ↴Claudio Abbado, Cavaliere di Gran Croce OMRI (Italian: [ˈklaudjo abˈbaːdo]; 26 June 1933 – 20 January 2014) was an Italian conductor. He served as music director of the La Scala opera house in Milan, principal conductor of the London Symphony Orchestra, principal guest conductor of the Chicago Symphony Orchestra, music director of the Vienna State Opera, and principal conductor of the Berlin Philharmonic Orchestra from 1989 to 2002. He was made a Senator for life in the Senate of Italy in 2013.
Born in Milan, Italy, Abbado was the son of the violinist and composer Michelangelo Abbado, who was his first piano teacher, and the brother of the musician Marcello Abbado. After studying piano, composition, and conducting at the Milan Conservatory, at age 16, in 1955 he studied conducting with Hans Swarowsky at the Vienna Academy of Music. He also spent time at the Chigiana Academy at Siena. In 1958 he won the international Serge Koussevitsky Competition for conductors, at the Tanglewood Music Festival, which resulted in a number of operatic conducting engagements in Italy, and in 1963 he won the Dimitri Mitropoulos Prize for conductors, allowing him to work for five months with the New York Philharmonic.
Career:
Abbado made his debut at La Scala in his hometown of Milan in 1960 and served as its music director from 1968 to 1986, conducting not only the traditional Italian repertoire but also presenting a contemporary opera each year, as well as a concert series devoted to the works of Alban Berg and Modest Petrovich Mussorgsky. He was instrumental in increasing accessibility to the working-class. He also founded the Filarmonica della Scala in 1982, for the performance of orchestral repertoire in concert.
Abbado conducted the Vienna Philharmonic for the first time in 1965 in a concert at the Salzburg Festival, and became the principal conductor in 1971. He served as music director and conductor for the Vienna State Opera from 1986 to 1991, with notable productions such as Mussorgsky's original Boris Godunov and his seldom-heard Khovanshchina, Franz Schubert's Fierrabras, and Gioacchino Rossini's Il viaggio a Reims.
In 1965, Abbado made his British debut at the Hallé Orchestra, followed, in 1966, by his London Symphony Orchestra debut. He continued to conduct on a regular basis with the London orchestra, until 1979. From 1979 to 1988 he became the principal conductor of the London Symphony Orchestra, and from 1982 to 1986 he was principal guest conductor of the Chicago Symphony Orchestra. With both orchestras, Abbado made recordings for Deutsche Grammophon, Decca and Sony.
Berlin Philharmonic:
In 1989, the Berlin Philharmonic elected Abbado as their chief conductor, to succeed Herbert von Karajan. In 1998, he announced that he would be leaving the Berlin Philharmonic after the expiry of his contract in 2002.. Aside from the major institutions he directed, Abbado was often happiest with orchestras of his own creation - the European Union Youth Orchestra, Gustav Mahler Youth Orchestra and the Orchestra Mozart.
Abbado was diagnosed with stomach cancer in 2000 and the treatment led to the removal of a portion of his digestive system. In 2004 he returned to conduct the Berlin Philharmonic and performed Gustav Mahler's Symphony No. 6 in a series of recorded live concerts. The resulting CD won Best Orchestral Recording and Record of the Year in Gramophone Magazine's 2006 awards. The Orchestra Academy of the Berlin Philharmonic established the Claudio Abbado Composition Prize in 2006 in his honour.
Post-Berlin work:
After recovering from cancer, Abbado formed the Lucerne Festival Orchestra in 2003, whose concerts were highly acclaimed. He also served as music director of the Orchestra Mozart of Bologna, Italy.
In September 2007, Abbado announced that he was cancelling all of his forthcoming conducting engagements for the "near future" on the advice of his physicians but two months later he resumed conducting with an engagement in Bologna. In July 2011, aged 78, he declared himself to be in good health.
Musical style
Abbado performed and recorded a wide range of Romantic works, in particular Gustav Mahler, whose symphonies he recorded several times. He was also noted for his interpretations of modern works by composers such as Arnold Schönberg, Karlheinz Stockhausen, Giacomo Manzoni, Luigi Nono, Bruno Maderna, Thomas Adler, Giovanni Sollima, Roberto Carnevale, Franco Donatoni and George Benjamin.
Abbado desired to become a conductor for the first time as a child, when he heard a performance of Claude Debussy's Nocturnes. He had the opportunity to attend many orchestral rehearsals in Milan led by such conductors as Arturo Toscanini and Wilhelm Furtwängler and told interviewers that Toscanini's tyrannical and sometimes abusive manner towards musicians in rehearsal repelled him, and that he resolved to behave in the gentler manner of Bruno Walter. Abbado was known to exhibit a friendly, understated, and non-confrontational manner in rehearsal.
In 1988, Abbado founded the music festival Wien Modern, which has since expanded to include all aspects of contemporary art. This interdisciplinary festival took place each year under his direction.
Abbado was also well known for his work with young musicians. He was founder and music director of the European Union Youth Orchestra (1978) and the Gustav Mahler Jugendorchester (1986). He was also a frequent guest conductor with the Chamber Orchestra of Europe with whom he recorded a cycle of Franz Schubert symphonies to considerable acclaim. More recently, he worked with the Orquesta Sinfónica Simón Bolívar of Venezuela. He was also known for his Germanic orchestral repertory as well as his interest in the music of Gioacchino Rossini and Giuseppe Verdi.
Awards
Abbado received many awards and recognitions including the Grand cross of the Légion d'honneur, Bundesverdienstkreuz, Imperial Prize of Japan, Mahler Medal, Khytera Prize, and honorary doctorates from the universities of Ferrara, Cambridge, Aberdeen, and Havana.
In 1973, Abbado won the Mozart Medal awarded by Mozartgemeinde Wien, and the Ernst von Siemens Music Prize in 1994.
Abbado received the 1997 Grammy Award in the Best Small Ensemble Performance (with or without conductor) category for "Hindemith: Kammermusik No. 1 With Finale 1921, Op. 24 No. 1" and the 2005 Grammy Award in the Best Instrumental Soloist(s) Performance (with Orchestra) category for "Beethoven: Piano Concertos Nos. 2 & 3" performed by Martha Argerich.
In April 2012, Abbado was voted into the Gramophone Hall of Fame, and in May of the same year, he was awarded the conductor prize at the Royal Philharmonic Society Music Awards.
On 30 August 2013, Abbado was appointed to the Italian Senate as a Senator for life by President Giorgio Napolitano for his "outstanding cultural achievements".
Personal life
Abbado's son is the opera director Daniele Abbado. From his relationship with the violinist Viktoria Mullova, he was the father of her oldest child, Misha. His nephew, Roberto Abbado (the son of his brother Marcello, born 1926, who is a composer and pianist), is also a conductor.
Abbado died in Bologna on 20 January 2014.
Born in Milan, Italy, Abbado was the son of the violinist and composer Michelangelo Abbado, who was his first piano teacher, and the brother of the musician Marcello Abbado. After studying piano, composition, and conducting at the Milan Conservatory, at age 16, in 1955 he studied conducting with Hans Swarowsky at the Vienna Academy of Music. He also spent time at the Chigiana Academy at Siena. In 1958 he won the international Serge Koussevitsky Competition for conductors, at the Tanglewood Music Festival, which resulted in a number of operatic conducting engagements in Italy, and in 1963 he won the Dimitri Mitropoulos Prize for conductors, allowing him to work for five months with the New York Philharmonic.
Career:
Abbado made his debut at La Scala in his hometown of Milan in 1960 and served as its music director from 1968 to 1986, conducting not only the traditional Italian repertoire but also presenting a contemporary opera each year, as well as a concert series devoted to the works of Alban Berg and Modest Petrovich Mussorgsky. He was instrumental in increasing accessibility to the working-class. He also founded the Filarmonica della Scala in 1982, for the performance of orchestral repertoire in concert.
Abbado conducted the Vienna Philharmonic for the first time in 1965 in a concert at the Salzburg Festival, and became the principal conductor in 1971. He served as music director and conductor for the Vienna State Opera from 1986 to 1991, with notable productions such as Mussorgsky's original Boris Godunov and his seldom-heard Khovanshchina, Franz Schubert's Fierrabras, and Gioacchino Rossini's Il viaggio a Reims.
In 1965, Abbado made his British debut at the Hallé Orchestra, followed, in 1966, by his London Symphony Orchestra debut. He continued to conduct on a regular basis with the London orchestra, until 1979. From 1979 to 1988 he became the principal conductor of the London Symphony Orchestra, and from 1982 to 1986 he was principal guest conductor of the Chicago Symphony Orchestra. With both orchestras, Abbado made recordings for Deutsche Grammophon, Decca and Sony.
Berlin Philharmonic:
In 1989, the Berlin Philharmonic elected Abbado as their chief conductor, to succeed Herbert von Karajan. In 1998, he announced that he would be leaving the Berlin Philharmonic after the expiry of his contract in 2002.. Aside from the major institutions he directed, Abbado was often happiest with orchestras of his own creation - the European Union Youth Orchestra, Gustav Mahler Youth Orchestra and the Orchestra Mozart.
Abbado was diagnosed with stomach cancer in 2000 and the treatment led to the removal of a portion of his digestive system. In 2004 he returned to conduct the Berlin Philharmonic and performed Gustav Mahler's Symphony No. 6 in a series of recorded live concerts. The resulting CD won Best Orchestral Recording and Record of the Year in Gramophone Magazine's 2006 awards. The Orchestra Academy of the Berlin Philharmonic established the Claudio Abbado Composition Prize in 2006 in his honour.
Post-Berlin work:
After recovering from cancer, Abbado formed the Lucerne Festival Orchestra in 2003, whose concerts were highly acclaimed. He also served as music director of the Orchestra Mozart of Bologna, Italy.
In September 2007, Abbado announced that he was cancelling all of his forthcoming conducting engagements for the "near future" on the advice of his physicians but two months later he resumed conducting with an engagement in Bologna. In July 2011, aged 78, he declared himself to be in good health.
Musical style
Abbado performed and recorded a wide range of Romantic works, in particular Gustav Mahler, whose symphonies he recorded several times. He was also noted for his interpretations of modern works by composers such as Arnold Schönberg, Karlheinz Stockhausen, Giacomo Manzoni, Luigi Nono, Bruno Maderna, Thomas Adler, Giovanni Sollima, Roberto Carnevale, Franco Donatoni and George Benjamin.
Abbado desired to become a conductor for the first time as a child, when he heard a performance of Claude Debussy's Nocturnes. He had the opportunity to attend many orchestral rehearsals in Milan led by such conductors as Arturo Toscanini and Wilhelm Furtwängler and told interviewers that Toscanini's tyrannical and sometimes abusive manner towards musicians in rehearsal repelled him, and that he resolved to behave in the gentler manner of Bruno Walter. Abbado was known to exhibit a friendly, understated, and non-confrontational manner in rehearsal.
In 1988, Abbado founded the music festival Wien Modern, which has since expanded to include all aspects of contemporary art. This interdisciplinary festival took place each year under his direction.
Abbado was also well known for his work with young musicians. He was founder and music director of the European Union Youth Orchestra (1978) and the Gustav Mahler Jugendorchester (1986). He was also a frequent guest conductor with the Chamber Orchestra of Europe with whom he recorded a cycle of Franz Schubert symphonies to considerable acclaim. More recently, he worked with the Orquesta Sinfónica Simón Bolívar of Venezuela. He was also known for his Germanic orchestral repertory as well as his interest in the music of Gioacchino Rossini and Giuseppe Verdi.
Awards
Abbado received many awards and recognitions including the Grand cross of the Légion d'honneur, Bundesverdienstkreuz, Imperial Prize of Japan, Mahler Medal, Khytera Prize, and honorary doctorates from the universities of Ferrara, Cambridge, Aberdeen, and Havana.
In 1973, Abbado won the Mozart Medal awarded by Mozartgemeinde Wien, and the Ernst von Siemens Music Prize in 1994.
Abbado received the 1997 Grammy Award in the Best Small Ensemble Performance (with or without conductor) category for "Hindemith: Kammermusik No. 1 With Finale 1921, Op. 24 No. 1" and the 2005 Grammy Award in the Best Instrumental Soloist(s) Performance (with Orchestra) category for "Beethoven: Piano Concertos Nos. 2 & 3" performed by Martha Argerich.
In April 2012, Abbado was voted into the Gramophone Hall of Fame, and in May of the same year, he was awarded the conductor prize at the Royal Philharmonic Society Music Awards.
On 30 August 2013, Abbado was appointed to the Italian Senate as a Senator for life by President Giorgio Napolitano for his "outstanding cultural achievements".
Personal life
Abbado's son is the opera director Daniele Abbado. From his relationship with the violinist Viktoria Mullova, he was the father of her oldest child, Misha. His nephew, Roberto Abbado (the son of his brother Marcello, born 1926, who is a composer and pianist), is also a conductor.
Abbado died in Bologna on 20 January 2014.
Marche Slave Op. 31
Claudio Abbado Lyrics
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1812 Overture Op.49 Under that apple suckling tree, oh yeah, under that apple…
Overture Captain Walker Didn't come home His unborn child Will nev…
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@alalbatross6549
Very few people know that this piece originally had title Serbian-Russian Marsh. This composition was inspired by the events of the Serbian-Turkish War of 1876. It was created at the request of a close friend of Tchaikovsky's, Nikolai Rubinstein, director of Musical Society, to write a work that would be performed at a charity concert of the Red Cross for the Russians wounded in this war. Tchaikovsky agreed and wrote this work in five days.
At first, the composer intended to write a symphonic fantasy, but nevertheless decided that the elements of three Serbian folk songs: "The bright sun, you do not shine equally https://www.youtube.com/watch?v=2oWlfcxbrFs", "This is the doorstep of Serbia" and "Powder dust" (the second part of the song "Gladly goes Serb in soldiers" https://www.youtube.com/watch?v=1iDI7QdCJjI), merged into one composition. He found the melodies in the collection of Cornelius Stankovic's "Serbian Folk Melodies", printed in Vienna in 1862, for which the Serbian composer was awarded the Russian Order of St. Stanislaus by royal decree. At the end of the composition, he used the melody of the Russian anthem "God, Guard the Tzar".
The first part of this composition describes the suffering of Serbs under Turkish occupation and war crimes in the Balkans, in which Tchaikovsky used two Serbian folk songs (with characteristic Serbian scale with augmented second). Then, followed by the second part describing the uprising of the Serbs and the gathering of Russian volunteers ready to come to the aid of their brothers. General Mikhail Chernyayev came to Serbia with several thousand volunteers, where he received Serbian citizenship and became the commander-in-chief of the Serbian army on the Moravian Front. In the battles around Aleksinac, great sacrifice was shown by Serbian soldiers. Colonel Rajevski (the prototype of Vronsky in Tolstoy's novel Anna Karenina) was killed in the battle near Adrovac. His body was buried in the gate of the monastery of St. Roman in Junis The third part causes the greatest emotions of the listener because it shows the death, withdrawal and anguish of the wounded Serbia. The last, most lively part is the march of Russian volunteers!
The premiere of the Serbian-Russian Marsh was held on November 5th 1876 at the Bolshoi Theater in Moscow, under the conductor Nikolai Rubinstein and caused the real sensation, which grew into a patriotic event. The conductor had to repeat the work as a whole.
Three days later, on November 8, 1876, Tchaikovsky wrote a letter to his sister A.I. Davidova (to which he was very attached): "Last Saturday, my Serbian-Russian March played here, which produced a storm of patriotic mood." "All the audience got up, many jumped out of the chairs, and cheered bravely mixed with the screams."
Until then, Tchaikovsky was considered a good composer and not a very successful conductor (because of his shyness, he was visibly dull on the stage), but his Serbian-Russian march, as he always called him, definitely made him a celebrity. After a fantastic success in Moscow, this work will undergo a huge success under his conductor's stick in Europe and be included in his constant repertoire. He also performed it at the opening of the Carnegie Hall in New York.
In the first, original print, there is a title "Serbian-Russian March" and under that name this work was performed from the very beginning, but on the next Jurgenson Edition (Peter Jurgenson) as the title of the composition it says "Slavonic Marsh" and under that name, Marsh became known all over the world. It is not known for what reason this change occurred ... Perhaps because of the fear of resistance from listeners in Europe? In any case, we can only guess.
The battle for Serbia in Kosovo continues. Serbia is fighting Muslim terrorist head choppers, narco traffickers Albanian gangs returning from Syria today.
Translation by Google Translate. If there are mistakes Google is to be blamed.
@TheCaione
grande Tchaikovsky e struggente interpretazione del maestro Abbado; mi ammalia ogni volta che l'ascolto!
@Francycoviello
Davvero bello,ieri ho ascoltato dei giovanissimi eseguire questa marcia ,La Via dei Concerti , un programma atto a diffondere la musica classica in diverse citta' europee ,sono arrivati fin qui a Napoli ,bellissima sorpresa !
@atoakim
Grazie Claudio Abbado, grazie popolo russo che mi insegni vita. Ho 83 anni, ma imparo ancora vita. Ogni volta che risento la grande musica, ogni volta scopro novità di vita. Grazie popoli del mondo che con le vostre culture mi date ancora novità e conquiste.
@enochnox7852
I love the mysterious feeling it this song....
@rodfromcranston
Superb rendition of this great classic!
@lirpalee108
This is my favorite rendition, perfect ending!
@bradsbrother
Hard to beat the CSO, but check out this amazing far more energetic performance by Orquesta Sinfónica Juvenil de Caracas: https://www.youtube.com/watch?v=xXDT4GtKK88
@gnilresiaK
Viva la Via dei Concerti! :)
@koichiyasutani9732
CBS: MK 42368, 32DC 5003, 22DC 5590, SRCR 8902~7. R:1986/11/10 Orchestra Hall, Chicago.
@Dogaradodia
Certified Intergalactic!