The late nineties as well as the advent of the new millennium has brought a… Read Full Bio ↴The late nineties as well as the advent of the new millennium has brought about a renewed interest in bands and music from the sixties and early seventies. One of these bands is Clear Blue Sky.
Originating from Acton, London, the original line-up of Clear Blue Sky was a trio consisting of John Simms, Ken White and Mark Sheather. The three were childhood friends, even attending the same school (The Duhig brothers who would go on to form Jade Warrior also attended the same school). Their musical roots lay in the blues infused rock that had popularised in the United Kingdom by veteran bluesmen such as Alexis Korner.
The first band that they formed was called Jug Blues and they started to tour the college and club circuit. Band names changed from Jug Blues to Matuse and then X and the group even toured Germany thus gaining a considerable amount of experience. Apart from the usual chore of cover version the group also started writing its own material which started to be introduced into the live sets, and was well received.
The band's breakthrough came when they won the marquee Club talent contest and were immediately snapped up by Donovan's manager Ashley Kozak. The fact that they had such a high-profile manager enabled the band to be increase their profile, thus obtaining better gigs as well as securing a record contract. With everything falling in place the band hooked up with the Vertigo label, a label known for its recruitment of new bands that were creating (still) experimental sounds ranging from heavy blues to progressive rock. A record contract also meant a change of name and Clear Blue Sky was born.
Thus in spring 1970, the band entered Island studios, next door to Led Zeppelin who were busy recording Led Zeppelin II. Production was entrusted to one of the hottest producers at that time, Patrick Campbell-Lyons, who had played with Nirvana (the UK band) a few years previously. The band were still barely eighteen, but the music they created was innovative in that it combined that heavy blues edge with the free flowing forms of psychedelia and the complexity of progressive rock. The album artwork was done by Roger Dean, one of the earliest pieces of work to be done by the now legendary artist. Thus Clear Blue Sky (Vertigo 6360 013, gatefold sleeve, spiral label, value BS 35.00) was released in January 1971, alongside releases by bands such as Black Sabbath and Juicy Lucy. The album would be issued in Europe under a different name, Play It Loud as well as with different artwork.
The group toured extensively and made a name for themselves with their style that was harder and heavier than many of the bands in circulation, yet they were continuously open to experimentation and improvisation. In fact their recordings were made live in the studio with a minimal amount of takes. The band were also featured on a Vertigo compilation Heads Together/Round One (Vertigo 6360 045, 2-LP, gatefold sleeve, spiral label, Value BS20.00) as well as on the compilation The Vertigo Trip with the track Birdcatcher included.
However the continuous touring had its toll on the band, whose members were still teenagers when the album was released and in 1975, John Simms decided to disband the group and join Tangerine Peel. Mark Sheather got married and disappeared from the musical scene, but Simms would later team up with Ken White and Smith Campbell (Hokus Poke) to form The Needle, backed by the Who's John Entwhistle. The Needle would also be disbanded with Simms going on to join fusion group Separate Energy, then as lead vocalist and guitarist forThe Ginger Baker Band and then formKarizma (with Ginger Baker's son Kofi, Kraznet Montpelier on bass, and Maxine Marten on lead vocals).
Thus the mid-seventies and the whole of the eighties came and went by without any news from Clear Blue Sky. However the nineties brought about renewed interest in the band, whose debut (and only) album was still selling healthily via independent record labels such as Repertoire,Universal, Akarma & Si-Wan. Furthermore, there had long been a rumour circulating amongst the band's fans that there lay within the vaults two unreleased albums by the band. 1990 was the year that Clear Blue Sky fans were waiting for as a new album was released. No new material was recorded, but instead material recorded in the seventies was given a brush up and an album released. The album was called Destiny (Saturn SRLP 101, Value BS 10.00) and was released in limited quantities on vinyl and cassette on the Saturn label.
That same year the band were invited to play at the 20th Anniversary of the Isle Of Wight Festival. This was the perfect excuse for the band to reform and play material that had not been heard live in close to twenty years. Furthermore in October of that year, Vertigo released the compilation album Vertigo Classics And Rarities which also featured Rocket Ride, taken from the band's debut album.
Following further touring, the band began to attract interest from record companies and they were signed to the Aftermath label, which immediately released the Destiny album on CD (AFT 1005) with new artwork by Phil Schmee. Not only was the interest in the band coming from record companies, but fans from all around the world were clamouring for new releases from the band.
However before this was done, the group had to change radically. The power trio, that was so popular in the late sixties/early seventies, was expanded to a quintet to include a keyboardist (Adam Lewis) and a female backing vocalist, lyricist and percusiionist, Maxine Marten from Karizma. This move allowed the band to explore further the dimensions of rock music and move into the realms of space rock as well as maintain their heavy blues style. The new album was also a concept album and was titled Cosmic Crusader, based on a science fiction theme and was released in 1996. The Ginger Baker link was also revived with the artwork entrusted to his ex-wife Elizabeth Finch.
In 1998, the new album also received a mention by Barry "Mr Vertigo" Winton in the liner notes to the new Polygram 2-CD compilation Still Dizzy After All These Years that included My Heaven. The new millennium also saw the band celebrating their thirtieth anniversary and this was done with the band going into the studio to record a new album as well as release an album of live and unreleased tracks.
Thus Out Of Blue (AFT 1009) was released in 2000 featuring unreleased tracks from the pre-vertigo years (1968-69) as well as four live tracks.A couple of these tracks were also featured on a compilation from Audio Archives entitled, 'Downer-Rock Genocide'.2001 saw the band releasing Mirror Of The Stars, a new album with new material which delighted the band's numerous fans.
Another compilation featured Clear Blue Sky's version of 'The Moon' which got much airplay. This album was released to commemorate 10 years of music from Stone Premonitions. Lots of unreleased recorded and live material in the archives!
The album 'Gateway to the Seventh Dimension' was released as a special collectors' item and features a lavish 32 page booklet with great artwork by world renowned artist John Pitre. The band are currently working on a new album which features Tom Space from the band 'Psychedelic Shag' and also features Lee Limerick on vocals.
Bandleader John Simms says this is a departure from their last studio album and hails a return to the raw rock format of their early sound.
Originating from Acton, London, the original line-up of Clear Blue Sky was a trio consisting of John Simms, Ken White and Mark Sheather. The three were childhood friends, even attending the same school (The Duhig brothers who would go on to form Jade Warrior also attended the same school). Their musical roots lay in the blues infused rock that had popularised in the United Kingdom by veteran bluesmen such as Alexis Korner.
The first band that they formed was called Jug Blues and they started to tour the college and club circuit. Band names changed from Jug Blues to Matuse and then X and the group even toured Germany thus gaining a considerable amount of experience. Apart from the usual chore of cover version the group also started writing its own material which started to be introduced into the live sets, and was well received.
The band's breakthrough came when they won the marquee Club talent contest and were immediately snapped up by Donovan's manager Ashley Kozak. The fact that they had such a high-profile manager enabled the band to be increase their profile, thus obtaining better gigs as well as securing a record contract. With everything falling in place the band hooked up with the Vertigo label, a label known for its recruitment of new bands that were creating (still) experimental sounds ranging from heavy blues to progressive rock. A record contract also meant a change of name and Clear Blue Sky was born.
Thus in spring 1970, the band entered Island studios, next door to Led Zeppelin who were busy recording Led Zeppelin II. Production was entrusted to one of the hottest producers at that time, Patrick Campbell-Lyons, who had played with Nirvana (the UK band) a few years previously. The band were still barely eighteen, but the music they created was innovative in that it combined that heavy blues edge with the free flowing forms of psychedelia and the complexity of progressive rock. The album artwork was done by Roger Dean, one of the earliest pieces of work to be done by the now legendary artist. Thus Clear Blue Sky (Vertigo 6360 013, gatefold sleeve, spiral label, value BS 35.00) was released in January 1971, alongside releases by bands such as Black Sabbath and Juicy Lucy. The album would be issued in Europe under a different name, Play It Loud as well as with different artwork.
The group toured extensively and made a name for themselves with their style that was harder and heavier than many of the bands in circulation, yet they were continuously open to experimentation and improvisation. In fact their recordings were made live in the studio with a minimal amount of takes. The band were also featured on a Vertigo compilation Heads Together/Round One (Vertigo 6360 045, 2-LP, gatefold sleeve, spiral label, Value BS20.00) as well as on the compilation The Vertigo Trip with the track Birdcatcher included.
However the continuous touring had its toll on the band, whose members were still teenagers when the album was released and in 1975, John Simms decided to disband the group and join Tangerine Peel. Mark Sheather got married and disappeared from the musical scene, but Simms would later team up with Ken White and Smith Campbell (Hokus Poke) to form The Needle, backed by the Who's John Entwhistle. The Needle would also be disbanded with Simms going on to join fusion group Separate Energy, then as lead vocalist and guitarist forThe Ginger Baker Band and then formKarizma (with Ginger Baker's son Kofi, Kraznet Montpelier on bass, and Maxine Marten on lead vocals).
Thus the mid-seventies and the whole of the eighties came and went by without any news from Clear Blue Sky. However the nineties brought about renewed interest in the band, whose debut (and only) album was still selling healthily via independent record labels such as Repertoire,Universal, Akarma & Si-Wan. Furthermore, there had long been a rumour circulating amongst the band's fans that there lay within the vaults two unreleased albums by the band. 1990 was the year that Clear Blue Sky fans were waiting for as a new album was released. No new material was recorded, but instead material recorded in the seventies was given a brush up and an album released. The album was called Destiny (Saturn SRLP 101, Value BS 10.00) and was released in limited quantities on vinyl and cassette on the Saturn label.
That same year the band were invited to play at the 20th Anniversary of the Isle Of Wight Festival. This was the perfect excuse for the band to reform and play material that had not been heard live in close to twenty years. Furthermore in October of that year, Vertigo released the compilation album Vertigo Classics And Rarities which also featured Rocket Ride, taken from the band's debut album.
Following further touring, the band began to attract interest from record companies and they were signed to the Aftermath label, which immediately released the Destiny album on CD (AFT 1005) with new artwork by Phil Schmee. Not only was the interest in the band coming from record companies, but fans from all around the world were clamouring for new releases from the band.
However before this was done, the group had to change radically. The power trio, that was so popular in the late sixties/early seventies, was expanded to a quintet to include a keyboardist (Adam Lewis) and a female backing vocalist, lyricist and percusiionist, Maxine Marten from Karizma. This move allowed the band to explore further the dimensions of rock music and move into the realms of space rock as well as maintain their heavy blues style. The new album was also a concept album and was titled Cosmic Crusader, based on a science fiction theme and was released in 1996. The Ginger Baker link was also revived with the artwork entrusted to his ex-wife Elizabeth Finch.
In 1998, the new album also received a mention by Barry "Mr Vertigo" Winton in the liner notes to the new Polygram 2-CD compilation Still Dizzy After All These Years that included My Heaven. The new millennium also saw the band celebrating their thirtieth anniversary and this was done with the band going into the studio to record a new album as well as release an album of live and unreleased tracks.
Thus Out Of Blue (AFT 1009) was released in 2000 featuring unreleased tracks from the pre-vertigo years (1968-69) as well as four live tracks.A couple of these tracks were also featured on a compilation from Audio Archives entitled, 'Downer-Rock Genocide'.2001 saw the band releasing Mirror Of The Stars, a new album with new material which delighted the band's numerous fans.
Another compilation featured Clear Blue Sky's version of 'The Moon' which got much airplay. This album was released to commemorate 10 years of music from Stone Premonitions. Lots of unreleased recorded and live material in the archives!
The album 'Gateway to the Seventh Dimension' was released as a special collectors' item and features a lavish 32 page booklet with great artwork by world renowned artist John Pitre. The band are currently working on a new album which features Tom Space from the band 'Psychedelic Shag' and also features Lee Limerick on vocals.
Bandleader John Simms says this is a departure from their last studio album and hails a return to the raw rock format of their early sound.
Man Of Stone
Clear Blue Sky Lyrics
We have lyrics for 'Man Of Stone' by these artists:
Battlecross Take a skilled man's trade and leave it all to…
Hans-A-Plast Man of Stone like a whiskey egg Yeah, what a chin,…
Husky Rescue All these bitter 'round Their fear of own conquered See th…
John Mayall It could have been a million years ago or maybe…
John Mayall & The Bluesbreakers It could have been a million years ago or maybe…
John Mayall John Mayall & The Bluesbreakers It could have been a million years ago or maybe…
Matthew Thiessen And The Earthquakes The time came when you had to hit the pavement You…
Nathan Wagner Always missing you so badly But I never choose to call Too…
Rachel Cousins You say goodnight like nothing ever happened You say it's fi…
Tall Heights Wearing the name on my body Painting the faith on my…
Those Hounds man of stone he don't move man of stone he don't…
We have lyrics for these tracks by Clear Blue Sky:
Birdcatcher Early in the morning, about the break of day That is…
My Heaven A silhouette will pass me by I know it’s in the…
Road To Nowhere Some would say i had everything i need in life A…
The Rocket Ride Looking at a death black bat I know, it’s true Seeing…
Tool of My Trade Drifting in the air with no words to spare A passing…
You Mystify With your love swarming around You think you’ll find a way…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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