The low voice of the partido-alto singer Clementina de Jesus was only disco… Read Full Bio ↴The low voice of the partido-alto singer Clementina de Jesus was only discovered outside her community when she was 62. Immediately acknowledged both nationally and internationally as a highly expressive singer, she still had time to participate in historic events like the Rosa de Ouro, Zicartola (at the Teatro Opinião), Noitada de Samba, and others. She has recorded and performed with artists of stature such as Nelson Cavaquinho, Turíbio Santos, Pixinguinha, João da Baiana, and many others. As a child, Clementina de Jesus listened to folkloric and religious music (jongo, partido-alto, ladainhas, etc.) sung by her mother. She remained an amateur for decades, participating in Carnaval blocos, and singing in church choirs and rodas de samba (samba get-togethers). After 20 years working as a maid, her career was launched in December 1964 by the classical guitarist Turíbio Santos at Kleber Santos' Teatro Jovem (Rio de Janeiro) in the show O Menestrel. A few months later, in 1965 when she was 63, Clementina de Jesus had her definitive public consecration after being featured in Hermínio Bello de Carvalho's musical Rosa de Ouro at the same theater. Performances, which also featured Araci Cortes, Paulinho da Viola, and Elton Medeiros, followed in Bahia and São Paulo. De Carvalho's first album was this live show, released in the same year as Rosa de Ouro, Vol. 1, followed by a second volume released two years later. On this album, Clementina de Jesus presented the virtually unknown genre of jongo with songs like "Benguelê" (Pixinguinha/Gastão Vianna) and "Boi Não Berra." She also performed sambas like "Sementes do Samba" (Hélio Cabral) and "Nasceste de Uma Semente" (José Ramos), and the lundu "Bate Canela." In August 1983 she was paid tribute by the Brazilian state government at Rio de Janeiro's Teatro Municipal. The gala event attracted many artists like Elizeth Cardoso, Beth Carvalho, Orquestra Sinfônica Brasileira, João Nogueira, Paulinho da Viola, Gilberto Gil, Dona Zica, Dona Neuma, accompanied by the bateria (percussion section) of the Mangueira samba school. In 1985 de Jesus was decorated by the French government. Also known as Quelé (a corrupted use of her name) and as Rainha Ginga (Ginga Queen), she had her majesty truly expressed through this award.

In 1966 she represented Brazil together with Paulinho da Viola, Elizeth Cardoso, and Elton Medeiros at the Black Arts Festival in Dakar and Senegal. In the same year she performed at the Cecília Meireles Hall (in Rio) José Maria Neves' Missa de São Benedito, for tamba (Hélcio Milito) and voice. Also in that year she recorded her first individual LP, Clementina de Jesus. Together with Pixinguinha and João da Baiana, she participated in the album Gente da Antiga, produced by Odeon in 1968. In the same year she also appeared on the LP Mudando de Conversa, a recording of the show of the same name, along with Ciro Monteiro and Nora Ney, produced at the Teatro Santa Rosa (Rio de Janeiro). In 1970 she had another LP released, Clementina Cadê Você?, edited by the Museu da Imagem e do Som (Sound and Image Museum, Rio de Janeiro), with corimás, jongos, modas, and sambas. In 1973 she had thrombosis, but five months later recorded the LP Marinheiro Só, which had songs by Paulinho da Viola and adaptations of popular songs like "Fui Pedir Às Almas Santas," "Atraca, Atraca," and "Incelença." In that year she also participated in Milton Nascimento's Milagre dos Peixes, recording "Escravo de Jó" (Milton Nascimento/Fernando Brant). In 1982 she was paid tribute by the Lins Imperial samba school, with the play Clementina -- Uma Rainha Negra. In the next year she recorded with Doca and Geraldo Filme the LP Canto dos Escravos, in which she interpreted slave songs from Minas Gerais collected by the researcher Aires da Mata Machado Filho. In 1985 she recorded Clementina e Convidados, which had her composition "Laçador" (co-written by Catoni). The album also had as guests Clara Nunes, João Bosco, Roberto Ribeiro, Martinho da Vila, Ivone Lara, Adoniram Barbosa, and Carlinhos Vergueiro. De Jesus also performed live with Nelson Cavaquinho in São Paulo, upstate Rio de Janeiro, and in Curitiba, Paraná. Her last live performance was in 1987 at the Teatro Carlos Gomes (Rio de Janeiro).

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Embala eu
Clementina De Jesus Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Embala eu, embala eu
Menininha do Gantois
Embala pra lá, embala pra cá
Menininha do Gantois

Oh, dá-me a sua benção
Menininha do Gantois
Livrai-me dos inimigos
Menininha do Gantois

Dá-me a sua proteção
Menininha do Gantois
Guiai os meus passos
Por onde eu caminhar
Vira os olhos grandes
De cima de mim
Pras ondas do mar

Overall Meaning

The lyrics of Clementina De Jesus's song "Embala eu" are about a young girl from Gantois, who is being comforted and protected by the spirit of Menininha, a powerful spiritual entity of the Candomblé religion. Embala eu means "rock me" in Portuguese, and it refers to the soothing power that Menininha can provide to those who call for her help. The first two lines of the song are repetitious, as if emphasizing the importance of the ritual of being cradled, which is considered both a blessing and a way of connecting with the divine.

As the song goes on, the singer asks for Menininha's blessing and protection against enemies. It is important to note that in Candomblé, enemies are not just people who want to harm you, but also negative energies or spirits that can affect your life. By invoking Menininha's name, the singer is seeking assistance in avoiding these harmful forces. Moreover, the singer requests that Menininha guides her footsteps wherever she goes, emphasizing the importance of faith and trust in her spiritual guide. Finally, Clementina De Jesus sings about the comforting presence of Menininha above her, watching over her and protecting her from the waves of the sea. This imagery adds to the sense of security and protection that the singer is seeking through this ritual.

Line by Line Meaning

Embala eu, embala eu
Rock me, rock me

Menininha do Gantois
Young girl from Gantois

Embala pra lá, embala pra cá
Rock me back and forth

Oh, dá-me a sua benção
Oh, give me your blessing

Livrai-me dos inimigos
Deliver me from my enemies

Dá-me a sua proteção
Give me your protection

Guiai os meus passos
Guide my steps

Por onde eu caminhar
Wherever I walk

Vira os olhos grandes
Turn your big eyes

De cima de mim
From above me

Pras ondas do mar
To the waves of the sea

Contributed by Kaitlyn T. Suggest a correction in the comments below.

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Comments from YouTube:

@paulorobertoferreirasilva3423

36w↑1

Tia Clementina de Jesus ❤❤❤❤ SALVE AS VOVÓS E VOVÔS CELESTIAIS 🎉🎉🎉🎉

UMA LUZ NA ETERNIDADE ✨️🕊🕯

@jucielrobertf.kennedyalves7667

2y↑4

As duas grandes lendas da música de todos os tempos e grandes mães de santos Clementina de Jesus A maior partideira do país e a lendária Clarinha Nunes. Amo essas duas.