Na Linha do Mar
Clementina De Jesus Lyrics
Jump to: Overall Meaning | Line by Line Meaning
Céu azulou na linha do mar
Vou-me embora desse mundo de ilusão
Quem me ver sorrir
Não há de me ver chorar...... Bis
Flechas sorrateiras, cheias de veneno
Querem atingir o meu coração
Mas o meu amor sempre tão sereno
Serve de escudo pra qualquer ingratidão
Galo cantou, galo cantou às quatro da
Manhã..............
The song "Na Linha do Mar" by Clementina de Jesus is a beautiful and thought-provoking song that is full of emotion and meaning. The opening lyrics of "Galo cantou às quatro da manhã, Céu azulou na linha do mar" set the tone for the rest of the song, describing the early morning and the rising of the sun over the ocean. The imagery of the blue sky meeting the sea creates a calming and peaceful atmosphere, which is quickly juxtaposed with the next line as the singer declares her intention to leave behind the world of illusion and those who may see her smile but not her tears.
Throughout the rest of the song, Clementina sings about the challenges she faces and the love that sustains her. She notes that there are many who would seek to harm her with their words and actions, but she refuses to let their negativity break her spirit. Her love is a protective shield that keeps her safe and strong, even in the face of adversity. The song ends with the repetition of the opening line, reminding us of the cyclical nature of life and the hope that comes with each new day.
Overall, "Na Linha do Mar" is a beautiful and powerful song that speaks to the resilience of the human spirit and the power of love to overcome any obstacle.
Line by Line Meaning
Galo cantou às quatro da manhã
The rooster sang at four in the morning.
Céu azulou na linha do mar
The sky turned blue on the horizon of the sea.
Vou-me embora desse mundo de ilusão
I'm leaving this world of illusions.
Quem me ver sorrir
Those who see me smile
Não há de me ver chorar...... Bis
Won't see me cry... (repeat)
Flechas sorrateiras, cheias de veneno
Sneaky arrows, full of poison
Querem atingir o meu coração
They want to hit my heart
Mas o meu amor sempre tão sereno
But my love is always so serene
Serve de escudo pra qualquer ingratidão
It serves as a shield for any ingratitude
Galo cantou, galo cantou às quatro da
The rooster sang, the rooster sang at four in the
Manhã..............
Morning...
Contributed by Victoria P. Suggest a correction in the comments below.
In 1966 she represented Brazil together with Paulinho da Viola, Elizeth Cardoso, and Elton Medeiros at the Black Arts Festival in Dakar and Senegal. In the same year she performed at the Cecília Meireles Hall (in Rio) José Maria Neves' Missa de São Benedito, for tamba (Hélcio Milito) and voice. Also in that year she recorded her first individual LP, Clementina de Jesus. Together with Pixinguinha and João da Baiana, she participated in the album Gente da Antiga, produced by Odeon in 1968. In the same year she also appeared on the LP Mudando de Conversa, a recording of the show of the same name, along with Ciro Monteiro and Nora Ney, produced at the Teatro Santa Rosa (Rio de Janeiro). In 1970 she had another LP released, Clementina Cadê Você?, edited by the Museu da Imagem e do Som (Sound and Image Museum, Rio de Janeiro), with corimás, jongos, modas, and sambas. In 1973 she had thrombosis, but five months later recorded the LP Marinheiro Só, which had songs by Paulinho da Viola and adaptations of popular songs like "Fui Pedir Às Almas Santas," "Atraca, Atraca," and "Incelença." In that year she also participated in Milton Nascimento's Milagre dos Peixes, recording "Escravo de Jó" (Milton Nascimento/Fernando Brant). In 1982 she was paid tribute by the Lins Imperial samba school, with the play Clementina -- Uma Rainha Negra. In the next year she recorded with Doca and Geraldo Filme the LP Canto dos Escravos, in which she interpreted slave songs from Minas Gerais collected by the researcher Aires da Mata Machado Filho. In 1985 she recorded Clementina e Convidados, which had her composition "Laçador" (co-written by Catoni). The album also had as guests Clara Nunes, João Bosco, Roberto Ribeiro, Martinho da Vila, Ivone Lara, Adoniram Barbosa, and Carlinhos Vergueiro. De Jesus also performed live with Nelson Cavaquinho in São Paulo, upstate Rio de Janeiro, and in Curitiba, Paraná. Her last live performance was in 1987 at the Teatro Carlos Gomes (Rio de Janeiro).
RICK RIO DE JANEIRO
Galo cantou às quatro da manhã
céu azulou na linha do mar
vou-me embora desse mundo de ilusão
quem me ver sorrir
não há de me ver chorar...... Bis
flechas sorrateiras, cheias de veneno
querem atingir o meu coração
mas o meu amor sempre tão sereno
serve de escudo pra qualquer ingratidão
galo cantou, galo cantou às quatro da manhã..............
Sergio Alcides
Dino Sete Cordas: gênio!
Pedro Lomar
Música popular com conteúdo ultra sofisticado... Cantora essencial que deveria se mais bem conhecida pelas novas gerações. Ver vídeos assim me deixam a esperança de que nosso país vai dar certo - O brasil é muito rico
Rodrigo Pereira De Deus
D.Clementina será o enredo da Mocidade Alegre para o carnaval 2021 ...❤️💚❤️💚
Erika Silva
Apaixonada por ela😍
Conheci ela através da Clara Nunes
Arnaldo Araujo Dias
Música não tem idade, principalmente quando é de qualidade. Ouço Clementina, Chiquinha Gonzaga, Dorival Caymmi, João Gilberto, B B King, Pink Floyd e uma infinidade de grandes artistas
Kaligiane Crispim
Sensacional
Jovanka Leal
Que maravilha! Chega dá um frio nas costas escutar Clementina de Jesus! Nossas raízes musicais são lindas.
Vitoria C.C.S
Arrepiada, muito lindo
fabiana CDA
Clementina de Jesus.. uma cantora maravilhosa que deixou saudades
Daniel Paulo Rizzo de Souza
Sensacional! Viva a cultura brasileira! Ah, e gratidão a quem postou o vídeo.