Chenier, a Creole French-speaking native of Opelousas, Louisiana, was an eminent performer and recording artist of Zydeco, which arose from Cajun and Creole music, with rhythm & blues, jazz, and blues influences. He won a Grammy Award in 1983. In 1984 he was honored as a National Heritage Fellow and in 1989 he was inducted posthumously into the Blues Hall of Fame.
He was known as the 'King of Zydeco', and also billed as the 'King of the South'.
Chenier began his recording career in 1954, when he signed with Elko Records and released Clifton's Blues, a regional success. His first hit record was soon followed by "Ay 'Tite Fille (Hey, Little Girl)" (a cover of Professor Longhair's song). This received some mainstream success. With the Zydeco Ramblers, Chenier toured extensively. He also toured in the early days with Clarence Garlow, billed as the 'Two Crazy Frenchmen'. Chenier was signed with Chess Records in Chicago, followed by the Arhoolie label.
In April 1966, Chenier appeared at the Berkeley Blues Festival on the University of California campus and was subsequently described by Ralph J. Gleason, Jazz critic of the San Francisco Chronicle, as "... one of the most surprising musicians I have heard in some time, with a marvelously moving style of playing the accordion .. blues accordion, that's right, blues accordion."
Chenier was the first act to play at Antone's, a blues club on Sixth Street in Austin, Texas. Later in 1976, he reached a national audience when he appeared on the premiere season of the PBS music program Austin City Limits.[8] Three years later in 1979 he returned to the show with his Red Hot Louisiana Band.[9]
Chenier's popularity peaked in the 1980s, and he was recognized with a Grammy Award in 1983 for his album I'm Here.[1] It was the first Grammy for his new label Alligator Records. Chenier followed Queen Ida as the second Louisiana Creole to win a Grammy.
Chenier is credited with redesigning the wood and crimped tin washboard into the frottoir, an instrument that would easily hang from the shoulders. Cleveland Chenier, Clifton's older brother, also played in the Red Hot Louisiana Band. He found popularity for his ability to manipulate the distinctive sound of the frottoir by rubbing several bottle openers (held in each hand) along its ridges.
During their prime, Chenier and his band traveled throughout the world.
Chenier suffered from diabetes which eventually forced him to have a foot amputated and required dialysis because of associated kidney problems.
He died of diabetes-related kidney disease in December 1987 in Lafayette, Louisiana, and was buried in All Souls Cemetery in Loreauville, Iberia Parish, Louisiana.
Since 1987 his son, C. J. Chenier, has carried on the Zydeco tradition by touring with his father's band and recording albums.
In 1989, Chenier was inducted posthumously into the Blues Hall of Fame.
Rory Gallagher wrote a song in tribute to Chenier entitled "The King of Zydeco". Paul Simon mentioned Chenier in his song "That Was Your Mother", from his 1986 album Graceland. John Mellencamp refers to "Clifton" in his song "Lafayette", about the Louisiana city where Chenier often performed. The song is on Mellencamp's 2003 album Trouble No More. Zachary Richard mentioned Chenier in his song "Clif's Zydeco" (on Richard's 2012 album Le Fou).
The jam band Phish often covers Chenier's song "My Soul" in live performances.
Chenier is the subject of Les Blank's 1973 documentary film, Hot Pepper.
All Night Long
Clifton Chenier Lyrics
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73 Night Vision
Mama Just Wants To Barrelhouse All Night Long (4: 1
i was up the road on easy street
watching everybody stand around and cheat
a man comes up and says "move along
down to the corner where you belong"
but mama just wants to barrelhouse all night long
i hear the city singing like a siren choir
some fool tried to set this town on fire
tv preacher screams "come on along"
i feel like fay wray face to face with king kong
but mama just wants to barrelhouse all night long
sometimes i wonder what i am
i feel like i'm living in a hologram
it doesn't seem to matter what's right or wrong
everybody's grabbing and coming on strong
but mama just wants to barrelhouse all night long
(jan. 19/73 Toronto)
(.where else?)
The song "All Night Long" by Clifton Chenier is an upbeat and lively tune about wanting to let loose and have a good time despite the chaos and negativity that may be present. The singer watches as people around him cheat and take part in questionable activity, but he just wants to listen to the music and dance. He describes the city's noise as a "siren choir" and compares himself to Fay Wray, a reference to the classic film "King Kong," suggesting that he feels small and helpless in the face of all that is going on around him. Despite this, the singer's mother just wants to "barrelhouse," or play energetic piano music, all night long.
The lyrics touch on themes of escapism, rebellion, and unity through music. By focusing on the mother's desire to enjoy herself regardless of the circumstances, the song encourages listeners to find joy and release in difficult situations. The line "everybody's grabbing and coming on strong" suggests a sense of competition and conflict among the people in the city, but the singer and his mother find a sense of community through their love of music.
Line by Line Meaning
i was up the road on easy street
I was in a comfortable position
watching everybody stand around and cheat
Observing people doing unethical things
a man comes up and says "move along
A man orders me to leave
down to the corner where you belong"
Go to the place where you are expected to be
but mama just wants to barrelhouse all night long
My mother wants to party all night long
i hear the city singing like a siren choir
The city is full of noise and activity
some fool tried to set this town on fire
Someone tried to cause havoc in the city
tv preacher screams "come on along"
A televangelist urges people to join him
i feel like fay wray face to face with king kong
I feel overwhelmed and vulnerable
but mama just wants to barrelhouse all night long
My mother wants to enjoy herself without worry
sometimes i wonder what i am
I question my identity
i feel like i'm living in a hologram
I feel like my reality is not genuine
it doesn't seem to matter what's right or wrong
Ethical actions are not valued
everybody's grabbing and coming on strong
People are aggressive and forceful
but mama just wants to barrelhouse all night long
My mother wants to party despite these issues
Writer(s): Clifton Chenier Copyright: Venice Music
Contributed by Eva T. Suggest a correction in the comments below.