Clinton Darryl "Clint" Mansell, (born 7 January 1963) is an English musicia… Read Full Bio ↴Clinton Darryl "Clint" Mansell, (born 7 January 1963) is an English musician, composer, and former lead singer and guitarist of the band Pop Will Eat Itself.
After the disbanding of Pop Will Eat Itself in 1996, Mansell was introduced to film scoring when director Darren Aronofsky, hired him to score his debut film, π. Mansell then wrote the score for the next Aronofsky film, Requiem for a Dream, which has been well received. Mansell's composition for The Fountain was nominated for Best Original Score at the 64th Annual Golden Globe Awards. His other notable film scores include Moon, Smokin' Aces, The Wrestler, and Black Swan. Mansell's score for Darren Aronofsky's π was followed up by his score for Aronofsky's next film, Requiem for a Dream, which became a cult hit. Since their first collaboration in 1996, Mansell has composed the music to every Aronofsky film. Other notable achievements include the theme for the film The Hole, the music for the pilot episode of CSI: NY, and the score for Aronofsky's later films The Fountain, which was nominated for Best Original Score in the 64th Annual Golden Globe Awards, and The Wrestler. Mansell has also contributed the score to HBO's Voyeur. The song was also used as the base theme for the song "Throw It Up" by Lil Jon. His most recent work has been on the soundtrack for Black Swan in 2010. Mansell's theme tune for sci-fi movie Moon also appears on the trailer for the film The Iron Lady. Mansell also contributed music to Lord of the Rings. The trailer for The Lord of the Rings: The Two Towers contained a rearranged version of the track "Lux Æterna", using a full orchestra and choir. The piece, named "Requiem for a Tower", was recorded especially for the trailer. The orchestration was arranged by Simone Benyacar, Dan Nielsen, and Veigar Margeirsson. "Lux Æterna" has since become popular, with both the original and the "Requiem for a Tower" version having appeared in a wide variety of advertisements and trailers, including the trailer for the Red Sox–Yankees games in the 2007 Major League Baseball season, and trailers for the films Zathura, The Da Vinci Code, Sunshine, Babylon A.D. and the TV series Lost and Top Gear. It was also used on Sky Sports News and as the theme for Soccer Saturday from 2007-2009. In 2006, the theme was used in EuroSport LIVE trailers. The theme was also used by America's Got Talent as an introduction of the judges before being changed slightly. The new variant is now a regular piece on the show. Another well known trailer cue is "Death Is the Road to Awe" from the score for The Fountain which was featured in a trailer for the 2007 film I Am Legend, the trailer for the film The Mist, as well as the trailer for the film Frost/Nixon, and toward the end of 2007 The Final Cut trailer for Blade Runner.
Scoring credits
Pi, 1998
Requiem for a Dream, 2000
World Traveler, 2001
The Hole, 2001
Knockaround Guys, 2001
Rain, 2001
Abandon, 2002
Murder by Numbers, 2002
Sonny, 2002
The Hire: Ticker, 2002
11:14, 2003
Suspect Zero, 2004
Sahara, 2005
Doom, 2005
The Fountain, 2006
Trust the Man, 2006
Smokin' Aces, 2006
Wind Chill, 2007
In The Wall, 2007
Definitely, Maybe, 2008
The Wrestler, 2008
Blood: The Last Vampire, 2009
Moon, 2009
L'affaire Farewell, 2009
The Rebound, 2010
Black Swan, 2010
Last Night, 2010
Faster, 2010
United, 2011
Mass Effect 3, 2012 (TBA)
Filth, 2013
http://www.clintmansell.com
After the disbanding of Pop Will Eat Itself in 1996, Mansell was introduced to film scoring when director Darren Aronofsky, hired him to score his debut film, π. Mansell then wrote the score for the next Aronofsky film, Requiem for a Dream, which has been well received. Mansell's composition for The Fountain was nominated for Best Original Score at the 64th Annual Golden Globe Awards. His other notable film scores include Moon, Smokin' Aces, The Wrestler, and Black Swan. Mansell's score for Darren Aronofsky's π was followed up by his score for Aronofsky's next film, Requiem for a Dream, which became a cult hit. Since their first collaboration in 1996, Mansell has composed the music to every Aronofsky film. Other notable achievements include the theme for the film The Hole, the music for the pilot episode of CSI: NY, and the score for Aronofsky's later films The Fountain, which was nominated for Best Original Score in the 64th Annual Golden Globe Awards, and The Wrestler. Mansell has also contributed the score to HBO's Voyeur. The song was also used as the base theme for the song "Throw It Up" by Lil Jon. His most recent work has been on the soundtrack for Black Swan in 2010. Mansell's theme tune for sci-fi movie Moon also appears on the trailer for the film The Iron Lady. Mansell also contributed music to Lord of the Rings. The trailer for The Lord of the Rings: The Two Towers contained a rearranged version of the track "Lux Æterna", using a full orchestra and choir. The piece, named "Requiem for a Tower", was recorded especially for the trailer. The orchestration was arranged by Simone Benyacar, Dan Nielsen, and Veigar Margeirsson. "Lux Æterna" has since become popular, with both the original and the "Requiem for a Tower" version having appeared in a wide variety of advertisements and trailers, including the trailer for the Red Sox–Yankees games in the 2007 Major League Baseball season, and trailers for the films Zathura, The Da Vinci Code, Sunshine, Babylon A.D. and the TV series Lost and Top Gear. It was also used on Sky Sports News and as the theme for Soccer Saturday from 2007-2009. In 2006, the theme was used in EuroSport LIVE trailers. The theme was also used by America's Got Talent as an introduction of the judges before being changed slightly. The new variant is now a regular piece on the show. Another well known trailer cue is "Death Is the Road to Awe" from the score for The Fountain which was featured in a trailer for the 2007 film I Am Legend, the trailer for the film The Mist, as well as the trailer for the film Frost/Nixon, and toward the end of 2007 The Final Cut trailer for Blade Runner.
Scoring credits
Pi, 1998
Requiem for a Dream, 2000
World Traveler, 2001
The Hole, 2001
Knockaround Guys, 2001
Rain, 2001
Abandon, 2002
Murder by Numbers, 2002
Sonny, 2002
The Hire: Ticker, 2002
11:14, 2003
Suspect Zero, 2004
Sahara, 2005
Doom, 2005
The Fountain, 2006
Trust the Man, 2006
Smokin' Aces, 2006
Wind Chill, 2007
In The Wall, 2007
Definitely, Maybe, 2008
The Wrestler, 2008
Blood: The Last Vampire, 2009
Moon, 2009
L'affaire Farewell, 2009
The Rebound, 2010
Black Swan, 2010
Last Night, 2010
Faster, 2010
United, 2011
Mass Effect 3, 2012 (TBA)
Filth, 2013
http://www.clintmansell.com
Leaving Earth
Clint Mansell Lyrics
Instrumental
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krix pop
Kotor ? better than ME 1, 2, 3 ?
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Oh wait! You guys ARE serious !
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ha
Callum Kristofer
This is honestly why i prefer Mass Effect's story telling to Halo's... Halo is a very bleak universe. Yet the games are so grandiose. Almost all the time. I feel like those very few sad moments. Don't do how bleak it really is, justice. What it does have, is iconic. Sure... but really? I think what you see in ME 3's intro, is better than what you get in Halo. Save for maybe the deaths and glassing scenes in Reach. But it still feels underwhelming. Barely scratching the surface. While Mass Effect really does the bleakness of it's universe justice.
Halo 3 lets you know that humanity only has most of Earth left. From some dialogue in a scene.
Mass Effect 3 shows you how humanity loses everything but a few scraps of their own species.
Halo Reach and a few scenes in the other games. Are the only things in the games. That barely even scratch the surface of just how fucked up everything is... The games don't tell you about the flood cannibal cults... the games don't really even tell you just how many people died in the human covenant war... etc... that's all in the books.
Crimson queen
Playing the legendary edition is like meeting an old friend
Kirby Krios
Legendary Mass Erect (^_^)/
Neil Rickoff
Fucking facts, thank you for saying that
alexander
@The Acid Tongued Conservative same here its like changing history i still have 1,2,3 on my 360 so i just play that
The Acid Tongued Conservative
They censored Miranda. No buy from me.
Phil Battiste
Playing the legendary trilogy was like seeing old friends again, then feeling the heartache of having to say goodbye again.
ToastTitan
This music is the most “we’ve already lost” sounding music of all time
Trippy_Liberty
Broke my brain with this comment... Damn........
Abysswalker
Well Yh the reapers took earth in like what 5 10 minutes
evey0259
@The Spartan-Sangheili I'd say the music from Lone Wolf is perhaps as sad and hopeless as this, but there's acceptance in it.