In 1950, McPhatter joined Billy Ward & the Dominoes, and was present for the recording of "Sixty Minute Man", which was a huge hit in 1951, and was one of the earliest rock and roll records. After several more hits, McPhatter quit the group in 1953 because he made little money and gained virtually no fame, in spite of his voice being the lead on most of the group's songs. McPhatter then signed to Atlantic Records after forming a group, The Drifters. "Money Honey", "Such a Night", "Honey Love", "White Christmas" and "Whatcha Gonna Do" became huge hits.
In 1954, McPhatter was drafted but was assigned in the U.S., allowing him to continue recording. He soon left The Drifters and launched a solo career. His first solo hit occurred just after being discharged - "Love Has Joined Us Together" (with Ruth Brown). He released several R&B hits in the next few years, but only made one serious dent in the pop charts with the Brook Benton penned song "A Lovers Question", which made it to #6 in 1958. White groups usually covered his best compositions and achieved more widespread mainstream success. In spite of this, McPhatter became one of the most popular black musicians among white listeners. His 1956 recording of "Treasure of Love" saw him enjoy just one week in the UK singles chart. The lack of any subsequent entry gave him the unenviable tag there of being a one hit wonder
McPhatter soon signed to MGM Records, and released several more hits. "I Told Myself a Lie" and "Think Me a Kiss" (1960) became minor pop hits, as was "Ta Ta", his first single for Mercury Records. "I Never Knew" and "Lover Please" (1962) became even bigger pop hits, but his career started suffering due to his alcoholism. Other black artists were following McPhatter's blueprint into pop audiences, including Rudy Lewis, Johnny Moore, Sam Cooke and an all new line-up of The Drifters. McPhatter's unreliability kept him from maintaining his career in the face of this competition. As the 1960s wore on, McPhatter's career kept falling in spite of a few minor hits.
In the early 1970s, McPhatter spent some time living in England, where he still had a significant audience, but this was short-lived. Back again in America, Clyde McPhatter died of a heart attack in 1972, at the age of 39.
In 1987, he was inducted into the Rock and Roll Hall of Fame. His pioneering contribution to the genre has been recognized by the Rockabilly Hall of Fame.
You're Moving Me
Clyde McPhatter Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And tell you I'm you're lover man
And if I smile (smile), smile (smile)
Smile (smile), smile
You know you're movin' me
(You know you're movin' me)
If I ask you for a kiss
When I say yeah (yeah), yeah (yeah)
Yeah (yeah), Oh yeah!
You know you're movin' me
(You know you're movin' me)
You're movin' my hands
You make me feel so good
You're movin' my feet
I know they fly, they could
You're movin' my soul
I wanna sing and shout
Baby you knock me out
The way you talk that pretty talk, oh yeah
The way you walk that pretty walk, walk on
When I say oh (oh), oh (oh)
Oh (oh), Whoa!
You know you're movin' me
(You know you're movin' me)
You're movin' my hands
You make me feel so good
You're movin' my feet
I know they fly, they could
You're movin' my soul
I wanna sing and shout
Baby you knock me out
The way you talk that pretty talk, oh yeah
The way you walk that pretty walk, walk on
When I say oh (oh), oh (oh)
Oh (oh), Whoa!
You know you're movin' me
(You know you're movin' me)
You know you're movin' me
(You know you're movin' me)
Oh! you know you're movin' me
Whoa, you know you're movin' me
(You know you're movin' me)
Whoa, you know you're movin' me
(You know you're movin' me)
Keep on movin' me, pretty babe
(You know you're movin' me)
Keep on movin' me
In Clyde McPhatter's "You're Moving Me," the singer is expressing how his love interest is having an intense effect on him. He proclaims that she makes him feel so good that she is "moving" him physically, mentally, and emotionally. Throughout the song, he uses metaphors to further describe how she is affecting him, including moving his hands, feet, and soul. The chorus repeats the line "you know you're moving me" to emphasize the impact of her actions on him.
The lyrics suggest a certain level of submission and vulnerability on the part of the singer, as he is letting himself be swept away by his love interest. The song's upbeat, rhythmic melody matches the joyful tone of the lyrics, creating an overall feeling of infatuation and excitement.
Line by Line Meaning
If I take you by the hand
If I take your hand in mine
And tell you I'm you're lover man
And I say that I am your lover
And if I smile (smile), smile (smile)
And if I smile multiple times
You know you're movin' me
You know you're affecting me emotionally
If I ask you for a kiss
If I request a kiss from you
Pretty baby, don't resist
My pretty baby, please don't refuse
When I say yeah (yeah), yeah (yeah)
When I say yeah repeatedly
You know you're movin' me
You know you're having an effect on me
You're movin' my hands
You're making my hands move
You make me feel so good
You make me feel great
You're movin' my feet
You're making my feet move
I know they fly, they could
I feel like they could fly
You're movin' my soul
You're having an emotional impact on me
I wanna sing and shout
I want to express my emotions loudly
Baby you knock me out
You're overwhelming me with your impact
The way you talk that pretty talk, oh yeah
The way you speak so beautifully, oh yeah
The way you walk that pretty walk, walk on
The way you walk so gracefully
When I say oh (oh), oh (oh)
When I say oh multiple times
Oh (oh), Whoa!
Oh, Whoa!
You know you're movin' me
You know you're affecting me
You know you're movin' me
You know you're having an effect on me
Oh! you know you're movin' me
Oh! you know you're affecting me
Whoa, you know you're movin' me
Whoa, you know you're having an effect on me
Keep on movin' me, pretty babe
Continue to have an impact on me, my beautiful baby
(You know you're movin' me)
(You know you're having an effect on me)
Writer(s): brook benton, clyde otis
Contributed by Luke G. Suggest a correction in the comments below.