James was only 18-years old when he captured the attention of guitar legend Stevie Ray Vaughan, who marveled at this prodigious guitar talent, and immediately decided to take him on the road through the Canadian prairies, and later the United States. It wasn't long after that the young musician began opening for the likes of John Lee Hooker, ZZ Top, Steve Winwood and Keith Richards, Colin's 1988 self-titled debut Colin James was the fastest-selling album in Canadian music history featuring the smash hits "Why'd You Lie?”, “Voodoo Thing” and “Five Long Years". It featured a team of three top producers, including Tom Dowd (Eric Clapton, Lynyrd Skynyrd, The Allman Brothers), Danny Kortchmar (Bon Jovi, Billy Joel, Daryl Hall & John Oates, Stevie Nicks, Neil Young) and Bob Rock (Jann Arden, Michael Bublé, Bush, The Cult, Loverboy, Sarah McLachlan, Metallica).
James followed up his record-breaking debut with a strong 1990 release, Sudden Stop, which was produced by Joe Hardy (.38 Special, Steve Earle, The Jeff Healey Band, ZZ Top ). This release has two top forty radio hits: "Just Came Back" and, "Keep On Loving Me Baby", and features Bonnie Raitt singing backing vocals on "Give It Up". This sophomore album further helped established Colin's integrity as an artist to lookout for.
James formed The Little Big Band in early 1990's and would eventually release a trilogy of CDs fronting this 1930's-50's style punchy horn section band, playing classics and originals featuring his stellar guitar fills and confident vocals. The first Colin James and The Little Big Band was released in 1993, and it was produced by Chris Kinsley (The Cult, Duran Duran, Psychedelic Furs, The Rolling Stones). The second Colin James and The Little Big Band II was released in 1998 on Warner Music, while the third, Colin James & The Little Big Band 3 was distributed on Maple Music in Canada and Universal Music Group globally in 2006, and he would eventually do a fourth with the band, a holiday album Colin James & The Little Big Band Christmas.
In 2008 he took home three Maple Blues Awards (Toronto Blues Society), which included Entertainer of the Year, while his release Limelight also went gold in Canada.
James released his twelfth album Rooftops and Satellites on October 6th, 2009, and it was a return to his guitar Blues-Rock roots. The album was primarily co-written by Tom Wilson (Junkhouse, Blackie and The Rodeo Kings, Lee Harvey Osmond) and Thomas "Tawgs" Salter, co-writer and producer of Lights' debut and Josh Groban's Awake, and it has generated four Canadian radio singles, “Man’s Gotta Be A Stone”, “Lost Again”, “Wavelength” and “Johnny Coolman.”
2011's 'Take It From The Top: The Best Of’ pays tribute to James's career's first 23 years and serves as a celebration of Colin’s return back where he started his recordings, Virgin/EMI. This Greatest Hits collection also features two newly recorded tracks, “It’s Gonna Be Alright“ as well as an innovative cover of the Buddy Miles' classic “Them Changes”, that were recorded in Vancouver with veteran producer Bob Rock (Michael Bublé, Metallica), reuniting the two after almost twenty years.
On June 12th, 2012, James released his fifteenth album, appropriately entitled Fifteen, which was produced by Joe Hardy (ZZ Top, Brooks & Dunn, Jeff Healey, Steve Earle), who had handled three of Colin's previous album productions including his successful sophomore release. Colin co-writes with Gordie Johnson (Big Sugar, Grady) on the opener “Sweets Gone Sour” and the rocker “I Need You Bad.” Colin also re-teamed with Tom Wilson and Thomas “Tawgs” Salter on four high-octane tracks, including the bluesy “No Time to Get There” and the driving “Stone Faith,” the album’s first single.
Fifteen also features two beautiful co-writes with Ron Sexsmith that reveal Colin’s seductive side: “Finally Wrote a Song for You”, a soulful love ballad; and “Shoulder to Cry On,” a moving acoustic number that highlights his vocal range, while closing the album. The disc also features some inspiring covers, including John Lennon's "Jealous Guy", Peter Green's (Fleetwood Mac) "Oh Well", [artis]Foy Vance’s gospel-tinged “Shed A Little Light,” and Allen Toussaint's funky "Sneakin' Sally Through The Alley", which has perhaps become best known by Robert Palmer's cover.
On February 3, 2015, James released Hearts On Fire which was produced by Colin Linden at House of Blues Studios in Nashville, and this twelve track collection is distributed by Universal Music. The title track and all but two of the songs were written or co-written by Colin.
In 2016, James was named an inductee into the Western Canadian Music Hall of Fame presented by FACTOR (The Canadian Foundation Assisting Canadian Talent on Recordings). In addition to this honour, Colin headlined the Western Canadian Music Awards Show at Casino Regina on October 13th, 2016, kicking off BreakOut West’s 14th year of celebrating Western Canada’s talent.
James's studio album Blue Highways features thirteen Classic Blues covers from guitar-hero greats like Blind Willie McTell, Freddie King, Peter Green, and Robert Johnson. The CD was released on October 16th, 2016. Recording and Production was primarily handled in Vancouver by Colin James and Dave Meszaros, with recording and mixing assistance from Eric Mosher, Chris Stringer and Jason Jaknunas. Blue Highways is being distributed by True North Records, and iTunes.
Over his illustrious career, James has earned 16 Maple Blues Awards, and he has worked and toured with the 'who’s who' in the international music scene (in alphabetical order): Luther Allison, Jann Arden, The Chieftains, Albert Collins, Robert Cray, Tom Dowd, Buddy Guy, Johnny Hallyday, John Hammond Jr., Gordie Johnson, Albert King, Bobby King and Terry Evans, Danny Kortchmar, Lenny Kravitz, Little Feat, The Memphis Horns, Craig Northey, Bill Payne, Bonnie Raitt, Keith Richards, Bob Rock, The Rolling Stones, Roomful Of Blues, Carlos Santana, Mavis Staples, Roebuck "Pops" Staples, Stevie Ray Vaughan, Tom Wilson, Betty Wright and ZZ Top. In addition to writing most of his own material, his music has been covered by artists like Maria Muldaur, Johnny Halliday and Lucinda Williams.
Milk Cow Calf Blues
Colin James Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Ooo ooo, milk cow, what on earth is wrong with you?
Now, you left your calf, hoo hoo, and your milk is turnin' blue
Oh your calf is hungry and I believe he needs a suck
Lord, your calf is hungry and I believe he needs a suck
But your milk is turnin' blue, hoo hoo, I believe he's outta luck
I feel like churnin' and my milk won't turn
I'm cryin', please, please, don't do me wrong
If you see my milk cow, baby, now-how, please, drive her home
My milk cow been ramblin', hoo hoo, for miles around
My milk cow been ramblin', hoo hoo, for miles around
Well how can you suck on some other man's bull cow,
Hoo hoo, with the same man in town
The song "Milk Cow Calf Blues" by Colin James is a blues song that tells the story of a disappointed and frustrated farmer who is unable to get his milk cow to produce milk. The farmer is exasperated and confused as to what is wrong with his milk cow. He calls out to the cow, asking her what is wrong with her, and laments that the cow has left its calf behind, so the calf is left hungry and the milk is turning blue. The farmer feels like milking, but his cow won't come close enough to him.
The chorus of the song repeats the theme of the calf being hungry and the milk being blue. The farmer sings about his desire to milk, and churn his milk, but his cow won't produce any milk. He pleads with the cow not to "do him wrong" and asks anyone who sees his milk cow to drive her home.
Line by Line Meaning
Tell me, milk cow, what on earth is wrong with you?
Asking the cow why it has abandoned its calf and let its milk spoil.
Ooo ooo, milk cow, what on earth is wrong with you?
Repeating the question, pleading with the cow to explain its behavior.
Now, you left your calf, hoo hoo, and your milk is turnin' blue
Observing that the cow has neglected its offspring, resulting in spoiled milk.
Lord, your calf is hungry and I believe he needs a suck
Noting that the calf is in need of food and attention from its mother.
But your milk is turnin' blue, hoo hoo, I believe he's outta luck
Realizing that the calf will not be able to drink its mother's milk due to its spoiling.
Now, I feel like milkin' and my cow won't come
Expressing frustration that the cow, unlike the performer, is unwilling to produce or contribute.
I feel like churnin' and my milk won't turn
Feeling like putting in effort without success, similar to producing butter from milk without the milk solidifying.
I'm cryin', please, please, don't do me wrong
Pleading with the cow not to let down the performer in the way it has let down its calf by neglecting its duties.
If you see my milk cow, baby, now-how, please, drive her home
Asking for help from others to find and return the wayward cow.
My milk cow been ramblin', hoo hoo, for miles around
Describing the cow as wandering aimlessly over a large area.
Well how can you suck on some other man's bull cow,
Hoo hoo, with the same man in town
Questioning the cow's choice to abandon its own calf and milk and seek sustenance from another farmer's bull cow, which is also nearby.
Contributed by Elizabeth J. Suggest a correction in the comments below.