There are multiple artists with t… Read Full Bio ↴For the french punk band, see C.O.M.A.
There are multiple artists with this name:
1) Coma was a Polish alternative rock band, founded in 1998 in Łódź by Dominik Witczak (guitar) and Tomasz Stasiak (drums). They disbanded in 2019.
The first album Pierwsze Wyjście z Mroku was released in 2004. After winning the Rock Festival in Węgorzewo the band became very popular in Poland. The second album, Zaprzepaszczone Siły Wielkiej Armii Świętych Znaków was released in May 2006.
In 2008, after hiring a new drummer, Coma released the double concept album Hipertrofia.
2) Coma is a Cologne-based techno-/electro duo - Georg Conrad and Marius Bubat. After a couple of ambient-like tracks they turned more into the electronical style of music. In early 2008 they got signed by Firm Records/Kompakt and released a 12" played on heavy rotation by famous Techno DJs like Superpitcher, Tobias Thomas and Sascha Funke. (Official Website)
3) Coma is a romanian nu-metal band formed around 1999.
From the very beginning a DIY effort, the band never expected any help from “outside”. In search of a record deal, Coma faced the problem of being a little hard for Romania in a time when easy dance summer hits were at the top of all charts. They were the first band in the Romanian rock landscape who alternated heavy riffs, profound lyrics and screamed and warm vocals. They were the first band to abandon the way old-school rockers used to dress and gave Romania a glimpse of what was happening across its borders.
A record deal landed finally from A&A Records, a Warner Music licensee, and while it didn’t do anything for them, the guys worked hard at promoting their music in the old-fashioned way – as many concert appearances as possible. And the word spread quickly!
Their first video Nu vreau, fetițo, casă (basically a wordplay in speaking, meaning both "Girl, I Don't Want a Home" and "Girl, I don't want to" depending whether you think of "casă" or "ca să"), which appeared in March 2000, was a parody of the Romanian music scene back then and attracted a great deal of attention towards the band. In the meantime, the band was working on their first album, Somn.
When it came to recording new videos COMA turned to Palme d’Or Award Winner Marian Crișan (at that time, just starting out as a director) who directed their subsequent videos: Bruzli Vs. Vandam (a phonetic Romanian transcription of the names Bruce Lee and Van Damme), Stai (tr. Wait) and În mine în șoaptă (tr. In Me In Whisper).
After the first pressing sold out, the band faced the denial of a second pressing, as record labels in Romania did not want to take chances with what they thought was a risky and noncommercial genre. Coma didn’t sell much in comparison with foreign bands (4000 copies) but due to the lack of interest from the record label the fact that they sold out all copies in such a short time is a miracle in itself.
Both the country’s economic factors and the age of the members determined them to take a break and search for other ways to develop a good and stable base for their lives. Although they were on hiatus, the public didn’t forget them, and they appeared as opening acts for Sepultura, Soulfly, Deftones and Born from Pain. Also, during this period they had some club gigs. Their fanbase still supporting them was a catalyst for going back to the studio and finally, work on Nerostitele began.
Nerostitele (tr. The Unspoken), their sophomore album, was released on November 30th 2006, in a special concert held in Bucharest's FIRE CLUB. The album’s first video, Coboară-mă-n Rai (tr. Descend Me Into Heaven), was filmed entirely in infrared and was again directed by their long time director friend and Palme d’Or Award Winner Marian Crișan. Two more videos have been released from this album.
Because the situation with the record labels didn’t improve, Nerostitele is a 100% independent product. Although indie, the album has lots to offer: appearances from Faith No More bassist BILL GOULD, and ADRIAN DESPOT - lead singer of Romanian alternative rock band Vița de Vie and also a collaboration with a Romanian hip hop artist – BRUGNER (B.R.G./Delikt/R.A.N.-S.).
There has also been a second video for Cântă-mi povestea (tr. Sing My Story), but its promotion restricted and hindered by most major labels and tv stations still interested only in commercial music and bands, it was played constantly on original member HEFE's TV show, "BRING THE NOISE".
Outside the band, CĂTĂLIN collaborated, amongst others, with Bucharest hip-hop band DAGGA on their debut album, on "Cum am crescut" (tr. How I Grew Up) while DAN revealed, once again, his screaming skills on Romanian alternative-rap giants, DA HOOD, on a track named "De cate ori" (tr. How Many Times).
3) Coma is a heavy load crustcore band from Sweden, with former members of Born Dead Icons, Autoritar and Mass Genocide Process.
4) Coma was a late 1970s Danish prog-rock band with obvious Zappa-esque style jazzy influences, who released two records, Financial Tycoon (1977) and Amoc (1980).
5) Coma is a Psuedonym for Jerusalem-based Shai Yehezkelli. He has released 3 LP's through the years 1999-2002, under the moniker Coma, on the Israeli indie label Fact: Poem for the Lowest Common Denominator (1999), Coma (2001), and Asuuann (2002).
6) Coma is an 1980s Japanese post-punk band that took heavy influences from Killing Joke.
7) Coma was a Swedish sludge metal band that was greatly inspired by Neurosis, Isis & Alice In Chains.
8) Coma is an acoustic project of Spencer Mertel based in Seattle, Washington.
9) Coma is a Finish progressive / indie-rock band.
10) Coma is an alternate ego of Simon Rees who released an Ambient-IDM album called "Chronoglide" under the moniker Astral Engineering on Worm Interface Recordings in the mid 90s. The drum and bass side-project Coma turns up via a few remixes and also on the first "Alt.Frequencies" compilation on Worm Interface with the track "Zero".
11) Coma is solo orchestral-ambience project from Adelaide, Australia.
12) Coma was a former Slovak rock quaternion consisting of Miroslav Feher (guitar), Jozef Tomašovič (drums and vocal), František Vizváry (bass guitar) and Peter Tomašovič (vocal). Their only one album was issued in 1992 under label Tak sa mám.
13) Coma is swedish crustcore band. They released split 7ep w/ Mass genocide process and s/t LP on Insane society recs. Currently inactive.
14) Coma is an alternative band from Windsor, Ontario, Canada. Coma was Brendan Hickey (guitars, boomerang), Christien Gagnier (guitars, analogue synthesizer, organ, lapsteel w/ebow, voice), Stewart Adamson (bass), Ryan Fields (percussion), James Tiller (production)
15) Coma is a Black Metal band from Germany. They formed in 2004 and have released two demos.
16) Coma is a Melodic Death-Black Metal band from Italy.
17) Coma was a thrash metal band from Poland.
18) Coma was a Technical Grind / Death metal band from Romania.
19) Coma was a thrash metal band from Washington, USA.
20) Coma is no-metal band in Brooklyn/Albany, NY/San Francisco, USA.
21) coma is a post-rock band in Georgetown, Penang Malaysia.
Coma hails from a two-block radius in Albany, NY (a city with deadly low self-esteem, but I digress). They practice in a spooky warehouse across the river. The three boys performing under the name Coma have spent the last almost-decade playing their little hearts out in musical outfits of tiny personal successes (Zahnarzt, Lincoln Money Shot, Amazing Plaid) and retarded, cringe-inducing failures (Starts With A 'B' Ends With An 'H').
Coma sounds like a nihilistic ghost trapped in the body of a friendly robot. It's wicked reductive to compare 'x' to 'y', but that's what you're interested in, right? Well, the boys like to listen to Scott Walker, Bobby Conn, the Screamers, the Birthday Party, David Bowie and the fun Brian Eno records. They enjoy cozy living rooms, bottomless dark nights of monumental personal reflection, drinking with friends and listening to dubstep. Their turn-offs include old people and tacky coupons.
22) CoMa
CoMa is U.S. born female vocalist and producer residing in Los Angeles, also known as Nicole Marie:
She participates in many collaborations, such as CoMa & Owsey and has worked with Stumbleine: The Beat My Heart Skips (ft CoMa)
Facebook band pageSoundcloud
23) Coma is stoner doom band from Pittsburgh, Pennsylvania, United states
Bandcamp
Świadkowie schyłku czasu królestwa wiecznych chłopców
Coma Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
że podgatunek nasz oto wymiera jak fantastyczne baśniowe stworzenia.
My jednorożce współczesnej epoki, w kościele ze złudzeń
wraz z nim rozpadamy się w pył.
jutro... gdy zabraknie poezji
jutro... zimne słońce nauki zmrozi krew
jutro... przestaniemy być piękni
Świadkowie schyłku czasu
królestwa wiecznych chłopców.
Wszystko co po nas przyjdzie niechybnie
na pewno będzie dobre, ale brzydkie.
Na tę wojnę nikt nie pójdzie wydobywać feniksy z popiołów.
Barwne ptaki już suną tłumnie w roztańczone ogniska historii.
Artyści to raczej grabarze kultury,
wytwórcy masowej zagłady dla piękna sprzed lat.
To pomniki upadku 'Królestwa Nadziei' i wiem o czym mówię,
bo dziś jednym z nich jestem ja.
jutro... gdy zabraknie poezji
jutro... zimne słońce nauki zmrozi krew
jutro... przestaniemy być piękni
jutro... lecz dzisiaj ostatni chwalmy dzień!
Świadkowie schyłku czasu
królestwa wiecznych chłopców.
Wszystko co po nas przyjdzie niechybnie
na pewno będzie dobre, ale brzydkie.
The lyrics of Coma's song "Świadkowie schyłku czasu królestwa wiecznych chłopców" are reflective and introspective, pointing to the idea that the human species is in danger of becoming extinct, just like the mythical creatures from fantastical stories. The song speaks about witnessing the decline of society and the downfall of culture. The lyrics hint at a feeling of deep sadness and despair for the current state of humanity, and the loss of beauty and hope that comes with it.
The song seems to be a commentary on the present day, and how the current generation is gradually losing touch with beauty and the artistic value of things. The lyrics remind us that today is the one day we can praise and cherish before it slips away, just like everything else. The song also suggests the inevitability of change, where things that come after us might be better or worse, but they will always be different.
Overall, Coma's "Świadkowie schyłku czasu królestwa wiecznych chłopców" carries a message of reflection and self-awareness about the gradual disappearance of human culture in modern society, and how important it is to appreciate everything we have now because it won't be there tomorrow.
Line by Line Meaning
Przyjacielu, czy zrozumiesz to co czuję i to o czym mówię, że podgatunek nasz oto wymiera jak fantastyczne baśniowe stworzenia.
Addressing a friend, the singer wonders if his feelings about their situation will be understood. He compares their group to fantastical creatures from fairy tales. He fears their kind is dying out.
My jednorożce współczesnej epoki, w kościele ze złudzeń wraz z nim rozpadamy się w pył.
The singer metaphorically likens their group to modern-day unicorns. He suggests they share their fate with illusions, wasting away into nothingness.
jutro... gdy zabraknie poezji
Tomorrow, when poetry is no more,
jutro... zimne słońce nauki zmrozi krew
Tomorrow, the cold sun of knowledge will freeze our blood,
jutro... przestaniemy być piękni
Tomorrow, we will no longer be beautiful,
jutro... lecz dzisiaj ostatni chwalmy dzień!
But today, let's celebrate our final day!
Świadkowie schyłku czasu królestwa wiecznych chłopców.
Witnesses of the end of time, of the kingdom of eternal boys.
Wszystko co po nas przyjdzie niechybnie na pewno będzie dobre, ale brzydkie.
Everything that comes after us will undoubtedly be good, but ugly.
Na tę wojnę nikt nie pójdzie wydobywać feniksy z popiołów.
No one will go to this war to unearth the phoenixes from the ashes.
Barwne ptaki już suną tłumnie w roztańczone ogniska historii.
Colorful birds already soar in droves towards the dancing fires of history.
Artyści to raczej grabarze kultury, wytwórcy masowej zagłady dla piękna sprzed lat.
Artists are rather gravediggers of culture, creators of mass destruction for the beauty of past times.
To pomniki upadku 'Królestwa Nadziei' i wiem o czym mówię, bo dziś jednym z nich jestem ja.
These are the monuments of the downfall of the 'Kingdom of Hope,' and the singer knows this all too well, for he is one of them today.
Contributed by Juliana W. Suggest a correction in the comments below.
paragonzwarzywniaka
Bardzo dobry teledysk :) fajnie wkomponowane sceny, najbardziej podobał mi się motyw z Dodą i Kupichą oraz moment odbierania nagrody przez Roguca. Pozdrawiam :)
MrJenzzor
Przyjacielu, czy zrozumiesz, to co czuję i to o czym mówię, Wszystko, co po nas przyjdzie niechybnie na pewno będzie dobre, ale brzydkie. .... lecz dzisiaj ostatni chwalmy dzień! Wstawki są strzałem w 10-kę Artyści to raczej grabarze kultury, - Doda wytwórcy masowej zagłady dla piękna sprzed lat. - Kupicha
Wookation
Chopie, pełen szacun! To było coś ! ;) Idealnie zrobiony teledysk, wkomponowany w jakże soczyście piękną pieśń !
Marzena Augustyniak
pamiętam ten pamiętny dzień ,kiedy to radio Centrum puściło Feela....i trzeba się było z eską rock przeprosić......
cubuserr
świetne:) naprawde:) zróbv jeszcze kilka innych Comy:) PROSZĘ:):):)
Marta Mordon
Mój faworyt! :D Przemuh- świetna robota ;)
anusiela
przemuh świetnie Ci to wyszło
zuzannab01
ahh ciężko dziś o taki tekst !
Marcin Nowak
Rewelka.😎😎.Zajebisty utwór
Dominika Gawlowska
swietne .! i mam pytaniee .. te urywkii jakby z filmu to z czego to?