There are multiple artists with t… Read Full Bio ↴For the french punk band, see C.O.M.A.
There are multiple artists with this name:
1) Coma was a Polish alternative rock band, founded in 1998 in Łódź by Dominik Witczak (guitar) and Tomasz Stasiak (drums). They disbanded in 2019.
The first album Pierwsze Wyjście z Mroku was released in 2004. After winning the Rock Festival in Węgorzewo the band became very popular in Poland. The second album, Zaprzepaszczone Siły Wielkiej Armii Świętych Znaków was released in May 2006.
In 2008, after hiring a new drummer, Coma released the double concept album Hipertrofia.
2) Coma is a Cologne-based techno-/electro duo - Georg Conrad and Marius Bubat. After a couple of ambient-like tracks they turned more into the electronical style of music. In early 2008 they got signed by Firm Records/Kompakt and released a 12" played on heavy rotation by famous Techno DJs like Superpitcher, Tobias Thomas and Sascha Funke. (Official Website)
3) Coma is a romanian nu-metal band formed around 1999.
From the very beginning a DIY effort, the band never expected any help from “outside”. In search of a record deal, Coma faced the problem of being a little hard for Romania in a time when easy dance summer hits were at the top of all charts. They were the first band in the Romanian rock landscape who alternated heavy riffs, profound lyrics and screamed and warm vocals. They were the first band to abandon the way old-school rockers used to dress and gave Romania a glimpse of what was happening across its borders.
A record deal landed finally from A&A Records, a Warner Music licensee, and while it didn’t do anything for them, the guys worked hard at promoting their music in the old-fashioned way – as many concert appearances as possible. And the word spread quickly!
Their first video Nu vreau, fetițo, casă (basically a wordplay in speaking, meaning both "Girl, I Don't Want a Home" and "Girl, I don't want to" depending whether you think of "casă" or "ca să"), which appeared in March 2000, was a parody of the Romanian music scene back then and attracted a great deal of attention towards the band. In the meantime, the band was working on their first album, Somn.
When it came to recording new videos COMA turned to Palme d’Or Award Winner Marian Crișan (at that time, just starting out as a director) who directed their subsequent videos: Bruzli Vs. Vandam (a phonetic Romanian transcription of the names Bruce Lee and Van Damme), Stai (tr. Wait) and În mine în șoaptă (tr. In Me In Whisper).
After the first pressing sold out, the band faced the denial of a second pressing, as record labels in Romania did not want to take chances with what they thought was a risky and noncommercial genre. Coma didn’t sell much in comparison with foreign bands (4000 copies) but due to the lack of interest from the record label the fact that they sold out all copies in such a short time is a miracle in itself.
Both the country’s economic factors and the age of the members determined them to take a break and search for other ways to develop a good and stable base for their lives. Although they were on hiatus, the public didn’t forget them, and they appeared as opening acts for Sepultura, Soulfly, Deftones and Born from Pain. Also, during this period they had some club gigs. Their fanbase still supporting them was a catalyst for going back to the studio and finally, work on Nerostitele began.
Nerostitele (tr. The Unspoken), their sophomore album, was released on November 30th 2006, in a special concert held in Bucharest's FIRE CLUB. The album’s first video, Coboară-mă-n Rai (tr. Descend Me Into Heaven), was filmed entirely in infrared and was again directed by their long time director friend and Palme d’Or Award Winner Marian Crișan. Two more videos have been released from this album.
Because the situation with the record labels didn’t improve, Nerostitele is a 100% independent product. Although indie, the album has lots to offer: appearances from Faith No More bassist BILL GOULD, and ADRIAN DESPOT - lead singer of Romanian alternative rock band Vița de Vie and also a collaboration with a Romanian hip hop artist – BRUGNER (B.R.G./Delikt/R.A.N.-S.).
There has also been a second video for Cântă-mi povestea (tr. Sing My Story), but its promotion restricted and hindered by most major labels and tv stations still interested only in commercial music and bands, it was played constantly on original member HEFE's TV show, "BRING THE NOISE".
Outside the band, CĂTĂLIN collaborated, amongst others, with Bucharest hip-hop band DAGGA on their debut album, on "Cum am crescut" (tr. How I Grew Up) while DAN revealed, once again, his screaming skills on Romanian alternative-rap giants, DA HOOD, on a track named "De cate ori" (tr. How Many Times).
3) Coma is a heavy load crustcore band from Sweden, with former members of Born Dead Icons, Autoritar and Mass Genocide Process.
4) Coma was a late 1970s Danish prog-rock band with obvious Zappa-esque style jazzy influences, who released two records, Financial Tycoon (1977) and Amoc (1980).
5) Coma is a Psuedonym for Jerusalem-based Shai Yehezkelli. He has released 3 LP's through the years 1999-2002, under the moniker Coma, on the Israeli indie label Fact: Poem for the Lowest Common Denominator (1999), Coma (2001), and Asuuann (2002).
6) Coma is an 1980s Japanese post-punk band that took heavy influences from Killing Joke.
7) Coma was a Swedish sludge metal band that was greatly inspired by Neurosis, Isis & Alice In Chains.
8) Coma is an acoustic project of Spencer Mertel based in Seattle, Washington.
9) Coma is a Finish progressive / indie-rock band.
10) Coma is an alternate ego of Simon Rees who released an Ambient-IDM album called "Chronoglide" under the moniker Astral Engineering on Worm Interface Recordings in the mid 90s. The drum and bass side-project Coma turns up via a few remixes and also on the first "Alt.Frequencies" compilation on Worm Interface with the track "Zero".
11) Coma is solo orchestral-ambience project from Adelaide, Australia.
12) Coma was a former Slovak rock quaternion consisting of Miroslav Feher (guitar), Jozef Tomašovič (drums and vocal), František Vizváry (bass guitar) and Peter Tomašovič (vocal). Their only one album was issued in 1992 under label Tak sa mám.
13) Coma is swedish crustcore band. They released split 7ep w/ Mass genocide process and s/t LP on Insane society recs. Currently inactive.
14) Coma is an alternative band from Windsor, Ontario, Canada. Coma was Brendan Hickey (guitars, boomerang), Christien Gagnier (guitars, analogue synthesizer, organ, lapsteel w/ebow, voice), Stewart Adamson (bass), Ryan Fields (percussion), James Tiller (production)
15) Coma is a Black Metal band from Germany. They formed in 2004 and have released two demos.
16) Coma is a Melodic Death-Black Metal band from Italy.
17) Coma was a thrash metal band from Poland.
18) Coma was a Technical Grind / Death metal band from Romania.
19) Coma was a thrash metal band from Washington, USA.
20) Coma is no-metal band in Brooklyn/Albany, NY/San Francisco, USA.
21) coma is a post-rock band in Georgetown, Penang Malaysia.
Coma hails from a two-block radius in Albany, NY (a city with deadly low self-esteem, but I digress). They practice in a spooky warehouse across the river. The three boys performing under the name Coma have spent the last almost-decade playing their little hearts out in musical outfits of tiny personal successes (Zahnarzt, Lincoln Money Shot, Amazing Plaid) and retarded, cringe-inducing failures (Starts With A 'B' Ends With An 'H').
Coma sounds like a nihilistic ghost trapped in the body of a friendly robot. It's wicked reductive to compare 'x' to 'y', but that's what you're interested in, right? Well, the boys like to listen to Scott Walker, Bobby Conn, the Screamers, the Birthday Party, David Bowie and the fun Brian Eno records. They enjoy cozy living rooms, bottomless dark nights of monumental personal reflection, drinking with friends and listening to dubstep. Their turn-offs include old people and tacky coupons.
22) CoMa
CoMa is U.S. born female vocalist and producer residing in Los Angeles, also known as Nicole Marie:
She participates in many collaborations, such as CoMa & Owsey and has worked with Stumbleine: The Beat My Heart Skips (ft CoMa)
Facebook band pageSoundcloud
23) Coma is stoner doom band from Pittsburgh, Pennsylvania, United states
Bandcamp
Dionizos
Coma Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Ze spacerowego intelektualnego na
Bardziej zdecydowany
W przypływie zdecydowania
Poszedłem do Żabki najbliżej
W celu zakupienia ćwiartki
Wódki żurawinowej w celu
Podkreślenia tego nastroju
Rodzaju ofiarowania
A czy można ów gest połączyć
Linią bezpośrednich skojarzeń
Ze starożytnym obyczajem świąt dionizyjskich
Dionizos
Wielkich Dionizji
Przypadających na nasz
Czas wiosenny
Mimo że jesień
Kiedy to miałem jesienną
Wypić żurawinową wódkę
W celu podkreślenia
Metafizycznej tęsknoty za
Niewyjaśnionym zjawiskiem
Które poczęło obezwładniać
Moje miasto i w ogóle myśli
Myślałem że tak
Tak właśnie pomyślałem
Że w nadnaturalnym instynkcie
Człowieka duchowego mocno
Związanego z rzemiosłem sztuki życia i w ogóle
Że jakoś zgodnie z naturą i historią
Ja posiadłem albo dosiadłem był właśnie
Dostęp rozpięty do tegoż natchnienia
Z czasów Grecji starożytnej
Z czasów sprzed Sokratesa Platona
Gdy się śpiewało
Historię i życie łącząc funkcje
Użytkowe
Z estetycznymi w jedno
Z konieczności przechowywania życia w wierszu
I właśnie ten dostęp posiadłszy
Myślałem
Wódkę wypiję
By dostęp poszerzyć
I uczcić swoje Dionizje dostępu
Jak też zrobiłem
Rano bolała mnie głowa i byłem zły
Żyło się mniej
Bo miałem nie pić
W końcu choróbsko
W końcu lekarstwa
Trzy dni później znów byłem chory
I to poważnie
Jak mówią wschodnie medycyny
Z duszy mi zaczął wnikać
W głowę jad
I już nic nie można było
Ze sobą powiązać
Jakieś ciśnienie samorzutne
Jak na granicy jawy czy snu
Jak w owym czasie z kumplami
Na męskiej imprezie wieczorze
Co mi jakiegoś główna kawaler sypnął
Kawalerskim
A potem mnie głosy sprawdzały
Dusza mi na drugą stronę
Jak worek po ziemniakach
Zaczęła wywracać się i mówić
Dusza mi na drugą stronę
Jak worek po ziemniakach
Zaczęła wywracać się i mówić
The lyrics of Coma's song "Dionizos" explore the singer's decision to change their approach to life. They describe how the singer, in a moment of determination, decides to go to the nearest store to buy a bottle of cranberry vodka to enhance their mood. The lyrics then question if this gesture can be connected to the ancient customs of Dionysian festivities, referring to Dionysos, the Greek god of wine, fertility, and celebration. The mention of the Dionysian traditions, which typically took place in the spring, highlights the paradox of the singer's action occurring in the autumn. The singer contemplates the metaphysical longing for an unexplained phenomenon that has been overpowering their thoughts and their city in general.
The lyrics continue by delving into the singer's thoughts about the supernatural instinct of a spiritually connected artist, comparing it to the history and nature of ancient Greece. They believe they possess or have grasped access to this inspiration, which combines the utilitarian and aesthetic functions of storytelling and integrates them into poetry. With this newfound access, the singer decides to drink the vodka to widen their inspiration and pay homage to their personal Dionysian celebration.
However, the next morning, the singer wakes up with a headache and a feeling of anger, realizing they have been living less fully because of their decision to drink. The lyrics suggest that the singer should not have indulged in alcohol due to their illness and should have taken medicine instead. But three days later, the singer falls ill again, and their condition worsens.
The lyrics then depict the singer's state of confusion and disconnection. They compare their experience to the influence of an Eastern medicine, where toxins infiltrate the soul and affect the mind. The pressure they feel resembles the border between waking and dreaming. The lyrics further allude to a previous evening with friends, where they were perhaps drugged by a bachelor friend, only to have their sanity tested afterwards.
In the final lines, the lyrics describe the singer's soul as being flipped inside out, metaphorically resembling a bag of potatoes, which speaks and expresses itself. This metaphor signifies the singer's soul pushing to express emotions and thoughts that have been suppressed or hidden.
Overall, "Dionizos" explores the themes of introspection, self-discovery, the consequences of choices made in a moment of determination, and the struggle between the desires of the spirit and the limits of the physical body.
Line by Line Meaning
Tylko krok zmieniłem
I just took a step
Ze spacerowego intelektualnego na
From a leisurely intellectual
Bardziej zdecydowany
To more decisive
W przypływie zdecydowania
In a surge of determination
Poszedłem do Żabki najbliżej
I went to the nearest Żabka store
W celu zakupienia ćwiartki
To buy a quarter
Wódki żurawinowej w celu
Of cranberry vodka in order
Podkreślenia tego nastroju
To emphasize that mood
Totalnego w celu jakiegoś
Completely for some
Rodzaju ofiarowania
Kind of offering
A czy można ów gest połączyć
And can this gesture be connected
Linią bezpośrednich skojarzeń
With a line of direct associations
Ze starożytnym obyczajem świąt dionizyjskich
With the ancient custom of Dionysian feasts
Dionizos
Dionysus
Wielkich Dionizji
Great Dionysia
Przypadających na nasz
Falling upon our
Czas wiosenny
Springtime
Mimo że jesień
Despite being autumn
Kiedy to miałem jesienną
When I had the autumn
Wypić żurawinową wódkę
To drink cranberry vodka
W celu podkreślenia
In order to emphasize
Metafizycznej tęsknoty za
Metaphysical longing for
Niewyjaśnionym zjawiskiem
Unexplained phenomenon
Które poczęło obezwładniać
Which began to overpower
Moje miasto i w ogóle myśli
My city and my thoughts altogether
Myślałem że tak
I thought so
Tak właśnie pomyślałem
That's exactly what I thought
Że w nadnaturalnym instynkcie
That in supernatural instinct
Człowieka duchowego mocno
Of a spiritual man strongly
Związanego z rzemiosłem sztuki życia i w ogóle
Associated with the craft of the art of life and all
Że jakoś zgodnie z naturą i historią
That somehow in accordance with nature and history
Ja posiadłem albo dosiadłem był właśnie
I possessed or have ridden precisely
Dostęp rozpięty do tegoż natchnienia
Access extended to this inspiration
Z czasów Grecji starożytnej
From the times of ancient Greece
Z czasów sprzed Sokratesa Platona
From the times before Socrates and Plato
Gdy się śpiewało
When people sang
Historię i życie łącząc funkcje
Combining the functions of history and life
Użytkowe
Utility
Z estetycznymi w jedno
With the aesthetic in one
Z konieczności przechowywania życia w wierszu
Of the necessity of preserving life in verse
I właśnie ten dostęp posiadłszy
And having possessed this access
Myślałem
I thought
Wódkę wypiję
I will drink vodka
By dostęp poszerzyć
To broaden the access
I uczcić swoje Dionizje dostępu
And celebrate my Dionysian access
Jak też zrobiłem
As I did
Rano bolała mnie głowa i byłem zły
In the morning my head hurt and I was angry
Żyło się mniej
Life was less
Bo miałem nie pić
Because I wasn't supposed to drink
W końcu choróbsko
Finally, the illness
W końcu lekarstwa
Finally, the medicine
Trzy dni później znów byłem chory
Three days later, I was sick again
I to poważnie
And it was serious
Jak mówią wschodnie medycyny
As eastern medicines say
Z duszy mi zaczął wnikać
From my soul began to penetrate
W głowę jad
A poison into my head
I już nic nie można było
And nothing could be done anymore
Ze sobą powiązać
To connect with each other
Jakieś ciśnienie samorzutne
Some spontaneous pressure
Jak na granicy jawy czy snu
As on the border of waking or dreaming
Jak w owym czasie z kumplami
Like at that time with friends
Na męskiej imprezie wieczorze
At a male party event
Co mi jakiegoś główna kawaler sypnął
What some main bachelor threw at me
Kawalerskim
In a bachelor way
A potem mnie głosy sprawdzały
And then voices were checking on me
Dusza mi na drugą stronę
My soul on the other side
Jak worek po ziemniakach
Like a bag of potatoes
Zaczęła wywracać się i mówić
It began to overturn and speak
Dusza mi na drugą stronę
My soul on the other side
Jak worek po ziemniakach
Like a bag of potatoes
Zaczęła wywracać się i mówić
It began to overturn and speak
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
krz gwo
Kurde... Po kilku latach, ten album nawet jest niezły... Jeden z tych albumów które z biegiem lat nabierają głębi
neutral
Słucham sobie zawsze przed piciem napojów alkoholowych, tak o - dla przestrogi ;)
Łukasz Patalas
Mega się przy tym biega. Super radocha :-)
Antonina Lazar
Niesamowita piosenka 😱
Sylwia Gdynia
rewelacja , po prostu ...
Tam gdzie znikają złe emocje
mam nadzieje że to sarkazm
Sylwia Gdynia
Andrzej Bereza nie sarkazm a moja opinia i nie musi sie Tobie podobać ale mam do niej prawo , kupuje Come , ooznaje ja caly czas , uczę sie , odkrywam , slyszalam podobne do Twojej opinie , masz prawo ale nic na siłę ...
Tam gdzie znikają złe emocje
Pewnie że masz, tak samo jak ja mam do swojej. To nie muzyka która mnie porywa i na którą czekałem tyle lat. Można było to wydać pod inną nazwą. Z pewnością znalazłoby odbiorców. Dla mnie Coma to synonim muzyki jakiej szukam, słucham i lubię więc nie dziw się mojej opinii na temat tego tworu. Pozdrawiam.
Sylwia Gdynia
Andrzej Bereza szanuje , ok , nie jestem opozycją Twojej opinii , tylko uważam, ze Artystę kupuję sie takim jaki jest w całości , ale rozumiem tez Ciebie , ja zaś jestem takim odbiorcą , który rowniez zaczął słuchać Roguckiego jako osobną muzę i co Pan na to ? :-)
Tam gdzie znikają złe emocje
Ano to że szukasz Roguckiego, a nie Comy.