Combat 84 were an English punk rock band active during the early 1980s. For… Read Full Bio ↴Combat 84 were an English punk rock band active during the early 1980s. Formed in 1981 in Chelsea, London by skinheads 'Chubby' Chris Henderson and 'Deptford' John Armitage, Combat 84 rose to national prominence after being featured in a controversial 1982 BBC Arena documentary about the skinhead movement.

Career
The band was originally composed of Chris Henderson (vocals), 'Deptford' John Armitage (bass guitar), Jim (guitar) and Brownie (drums) and played their first gig supporting The Last Resort at the Walmer Castle, Peckham. The Last Resort's lead singer, Roi Pearce (later of The 4-Skins) liked the band and agreed to produce a two-song demo tape with them. These sessions resulted in the songs "Soldier" and "Combat 84", which were favourably received in the music press, leading to the band being described as 'the new Sham 69'.

In 1982, the manager of The 4-Skins, Gary Hitchcock attempted to get the band signed to Secret Records, then home to The 4-Skins, The Business, Infa Riot and The Exploited, although the deal fell through at the last minute, prompting Combat 84 to sign to Victory Records for the release of their Orders of the Day EP. Former Business drummer John Fisher replaced Brownie for the recording of the second (1983) EP, Rapist.

More right-leaning, lyrically than many of their punk rock and Oi! peers, Combat 84 received much criticism for recording a song that advocated capital punishment for rapists ("Rapist"), and a song that supported nuclear weapons and criticised the Campaign for Nuclear Disarmament (CND) and reds ("Right to Choose"). Guitarist Jim stated in a 2000 interview that the latter song was intended in a tongue-in-cheek manner, and as a homage to Vietnam War movies. The song Politically Incorrect attacked several targets, including beggars, foreign aid, the Guardian, lesbians and women's liberation. Other lyrical themes included unemployment, inner-city violence, war, and slavish followers of fashion.

Controversy erupted around the band after they were featured in a 1982 BBC Arena documentary, during which Henderson alleged that the police were tougher on White skinheads than they were on Black rioters, said that "there will never be racial harmony" and blamed the Asians for the 1981 Southall riot, during which the band were attacked inside a gig venue. Deptford John briefly made some comments in agreement with Henderson over the riots but, in a later part of the documentary, he said that skinheads should be able to empathise with Blacks when they are denied jobs or entrance to venues, and should remember that, whereas skinheads can change how they look, Blacks cannot change their skin colour. Footage of crowd violence at a gig in Harlow was broadcast at the end of the documentary. This led to the break-up of the band, as their newly earned bad reputation discouraged venues from booking the band. Gigs were then often played under the pseudonym The 7th Cavalry to avoid the stigma of the Combat 84 name.

Victory Records, wanting little to do with the band at this point, compiled an album of studio recordings (intended for the band's debut album) and bootleg-quality live tracks and licensed it to German label Rock-O-Rama Records for release as Send in the Marines in 1984. The record was disowned by the band, which split up soon after.

In the intervening years, Combat 84 were frequently labelled as a neo-Nazi, white power or Rock Against Communism (RAC) band, a charge which has been denied by 'Deptford' John and Jim, noting that the band's songs contained no racist lyrics, nor were they ever aligned with any far-right political party. The band's reputation was made worse by the similarity in name to a neo-Nazi group called Combat 18. 'Deptford' John was able to retain a career by joining The Exploited, whose lyrics on certain issues were different to Combat 84 (e.g. The Exploited were against nuclear weapons), but John noted in a 2001 interview with the "Pissed and Proud" fanzine that he believes in free speech and whilst not supporting it, that RAC music should be allowed a platform – as "people should be allowed to say what they want". In his book, Chris Henderson said that the 84 in the name was a reference to George Orwell's book 1984 and that the band adhered to the philosophy of George Orwell.

Aftermath and reunion
'Deptford' John and Jim went on to roadie for and play with the UK Subs and The Exploited, and John Fisher played with former members of The Last Resort in The Warriors. After retiring from the music business, Chris Henderson became more involved with football hooliganism, and eventually led the Chelsea Headhunters in the mid-to-late 1980s, writing the book Who Wants it? (with Colin Ward) about his experiences. He owned a bar in Pattay, Thailand and died on 31 October 2013. In 2000, the band reformed without Henderson for the release of the Tooled Up EP, released on their own 7th Cavalry record label. 'Deptford' John took over vocal duties, with Jim on guitar, and F.T. and Suds on bass and drums respectively.

Soldier
Combat 84 Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Soldier soldier standing there
Watching your mates march round the square
You're in there without a fight
You could lose your best friend tonite

You're in there without a change
You're in there without a chance
Bring 'em, bring 'em, bring 'em back now

Your country needs you
That's what the poster said

But now there's nothing you can do
Because you're fucking dead

Overall Meaning

The lyrics of Combat 84's song "Soldier" expresses the feeling of a powerless soldier who's forced to watch his comrade marching around the square. The song paints a picture of futility and hopelessness as the soldier is in the middle of the military routine without having any chance or choice. The soldier seems to be aware of the danger of war as he expresses the possibility of losing his friend tonight. The lyrics are reflective of the cruel and unforgiving reality of war and loss.

The chorus of the song reinforces the desperation of the situation. It speaks to the soldier directly and tells him that his country needs him. It reminds him of the patriotic posters that were common during wartime, asking for soldiers to defend their country. However, as the song progresses, it becomes apparent that although the country might need soldiers, they are also expendable. The last line of the song, "Because you're fucking dead" underscores the brutal and unfair nature of war.

Combat 84's "Soldier" is a poignant and thought-provoking song with a powerful message. The lyrics are a reminder of the human cost of war and the devastating loss that it can bring.

Line by Line Meaning

Soldier soldier standing there
The soldier is standing still in a certain location.

Watching your mates march round the square
The soldier is observing his comrades as they march around him.

You're in there without a fight
The soldier is in the army, and has not yet been involved in any battles.

You could lose your best friend tonite
There is a possibility that the soldier might lose his closest companion in the near future.

You're in there without a change
Despite being in the army, the soldier hasn't experienced any opportunities for personal growth or change.

You're in there without a chance
The soldier has not yet had the chance to demonstrate his abilities and potential.

Bring 'em, bring 'em, bring 'em back now
The soldier is demanding the return of his fellow soldiers who have been sent to fight overseas.

Your country needs you
The government has deployed the soldier to serve his country at a time of crisis.

That's what the poster said
The soldier joined the army in response to propaganda posters that called for people to enlist for the war effort.

But now there's nothing you can do
The soldier is trapped in a hopeless situation, and there is no way for him to escape the consequences of his actions.

Because you're fucking dead
The soldier has effectively lost his life due to his participation in the war, even if he hasn't yet been physically killed.

Lyrics © BMG Rights Management
Written by: CHRIS HENDERSON

Lyrics Licensed & Provided by LyricFind

To comment on or correct specific content, highlight it

TRACKS