Constance Foore "Connee" Boswe… Read Full Bio ↴From Wikipedia, the free encyclopedia
Constance Foore "Connee" Boswell (December 3, 1907 - October 11, 1976) was an American female vocalist born in Kansas City, Missouri but raised in New Orleans, Louisiana. With her sisters, Martha and Helvetia "Vet" Boswell, she performed in the 1930s as The Boswell Sisters and became a highly influential singing group during this period via recordings and radio. Connee herself is widely considered one of the greatest jazz female vocalists and was a major influence on Ella Fitzgerald who said, "My mother brought home one of her records, and I fell in love with it....I tried so hard to sound just like her."[1]
In 1936, Connee's sisters retired and Connee continued on as a solo artist (having also recorded solos during her years with the group).
The Boswells came to be well known locally while still in their early teens, making appearances in New Orleans theaters and radio. They made their first recordings for Victor Records in 1925, which included "Cryin' Blues" where Connee is featured singing in the style of her early influence, the African American singer Mamie Smith. The Boswell Sisters became stage professionals that year when they were tapped to fill in for an act at New Orleans' Orpheum Theatre. They received an invitation to come to Chicago and perform in 1928 and honed their act on the Western Vaudeville Circuit. When their tour ended they traveled to San Francisco. The hotel that had been recommended had a less than savory reputation, and the man at the desk suggested that these three young ladies might be better off in another hotel. That man, Harry Leedy, would later become their manager on a handshake and become a permanent part of Connee's life.
The Boswell Sisters travelled to Los Angeles where they performed on local radio and "side-miked" for the soundies, including the 1930 production "Under Montana Skies." did not attain national attention, however, until they moved to New York City in 1930 and started making national radio broadcasts. After a few recordings with Okeh Records, they made numerous recordings for Brunswick Records from 1931-1935. In 1935, the sisters had a #1 hit with "The Object of My Affection", the biggest of twenty top 20 records they would enjoy.
In 1936, the group signed to Decca Records and after just three releases called it quits (the last recording was February 12, 1936). Connee Boswell continued to have a successful solo career as a singer for Decca.
All through her career with The Boswell Sisters, and well into the 1940s, her name was spelt "Connie". She later changed the spelling to Connee, reputedly because it made it easier to sign autographs.
Connee Boswell was also an arranger (the legendary Boswell Sisters harmony arrangements are hers) and a composer.
Connee sang from a wheelchair - or seated position - during her entire career, due to either a childhood bout with polio or a childhood accident (sources differ). The general public was not aware of her condition although Boswell herself did not keep this secret. During World War II, she tried to get involved with the U.S.O. tours but was not given permission to travel overseas. The "powers that be" apparently thought it might not be a morale-booster to have a "cripple" perform for the troops.
Connee Boswell was a favorite duet partner of Bing Crosby and they frequently sang together on radio as well as recording several hit records as a duo in the 1930s and 1940's. Boswell, Crosby, and Eddie Cantor recorded a version of Alexander's Ragtime Band that was a #1 hit in 1938.In 1939, Crosby and Boswell had three hit duet records that each climbed into the top 12 on Billboard; "An Apple For The Teacher" climbed all the way to #2.
Connee Boswell also had several dozen solo hits, including "Moonlight Moon" in 1942. Boswell's career slackened in the 1950s but she still recorded occasionally and would be featured on a number of television broadcasts including a regular stint on the 1959 series "Pete Kelly's Blues".
Connee Boswell died at age 68 in 1976. A number of her recordings are now available on CD, both as a soloist and part of the Boswell Sisters.
Where Are You?
Connee Boswell Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Where have you gone without me
I thought you cared about me
Where are you
Where's my heart
Where is the dream we started
I can't believe we're parted
Where are you
What had we to gain
When I gave you my love
Was it all in vain
All life through
Must I go on pretending
Where is my happy ending
Where are you
When we said good-bye love
What had we to gain
When I gave you my love
Was it all in vain
All life through
Must I go on pretending
Where is that happy ending
Where are you
Where are you
The song "Where Are You?" by Connee Boswell is a heart-wrenching plea from a person who has been left behind by their lover. The song starts with questions directed towards the missing partner, asking where they have gone and expressing disbelief that they would leave after seemingly having cared for the singer. The second verse of the song delves deeper into the emotions felt by the singer, wondering where their heart and the dream they shared have gone. The chorus repeats the question of where the partner has gone and asks if their love was all in vain. The final verse of the song concludes with the singer questioning if they must continue to pretend everything is okay and asking for a happy ending.
Line by Line Meaning
Where are you
I am desperately searching for you.
Where have you gone without me
You left me alone and I don't know where you are.
I thought you cared about me
I believed that you loved me.
Where's my heart
You took my heart with you when you left.
Where is the dream we started
The dream that we had together seems to have disappeared.
I can't believe we're parted
I am in disbelief that we are no longer together.
When we said good-bye love
When we parted ways, my heart was broken.
What had we to gain
We had nothing to gain from our separation.
When I gave you my love
When I loved you, I gave you everything I had.
Was it all in vain
Did my love mean nothing to you?
All life through
Until the end of my life.
Must I go on pretending
Do I have to keep pretending that I'm okay without you?
Where is my happy ending
I want to be happy again, like we were before.
Where are you
I need you to come back to me.
Lyrics © Universal Music Publishing Group
Written by: LEW POLLACK, LOU DAVIS
Lyrics Licensed & Provided by LyricFind