Constance Foore "Connee" Boswe… Read Full Bio ↴From Wikipedia, the free encyclopedia
Constance Foore "Connee" Boswell (December 3, 1907 - October 11, 1976) was an American female vocalist born in Kansas City, Missouri but raised in New Orleans, Louisiana. With her sisters, Martha and Helvetia "Vet" Boswell, she performed in the 1930s as The Boswell Sisters and became a highly influential singing group during this period via recordings and radio. Connee herself is widely considered one of the greatest jazz female vocalists and was a major influence on Ella Fitzgerald who said, "My mother brought home one of her records, and I fell in love with it....I tried so hard to sound just like her."[1]
In 1936, Connee's sisters retired and Connee continued on as a solo artist (having also recorded solos during her years with the group).
The Boswells came to be well known locally while still in their early teens, making appearances in New Orleans theaters and radio. They made their first recordings for Victor Records in 1925, which included "Cryin' Blues" where Connee is featured singing in the style of her early influence, the African American singer Mamie Smith. The Boswell Sisters became stage professionals that year when they were tapped to fill in for an act at New Orleans' Orpheum Theatre. They received an invitation to come to Chicago and perform in 1928 and honed their act on the Western Vaudeville Circuit. When their tour ended they traveled to San Francisco. The hotel that had been recommended had a less than savory reputation, and the man at the desk suggested that these three young ladies might be better off in another hotel. That man, Harry Leedy, would later become their manager on a handshake and become a permanent part of Connee's life.
The Boswell Sisters travelled to Los Angeles where they performed on local radio and "side-miked" for the soundies, including the 1930 production "Under Montana Skies." did not attain national attention, however, until they moved to New York City in 1930 and started making national radio broadcasts. After a few recordings with Okeh Records, they made numerous recordings for Brunswick Records from 1931-1935. In 1935, the sisters had a #1 hit with "The Object of My Affection", the biggest of twenty top 20 records they would enjoy.
In 1936, the group signed to Decca Records and after just three releases called it quits (the last recording was February 12, 1936). Connee Boswell continued to have a successful solo career as a singer for Decca.
All through her career with The Boswell Sisters, and well into the 1940s, her name was spelt "Connie". She later changed the spelling to Connee, reputedly because it made it easier to sign autographs.
Connee Boswell was also an arranger (the legendary Boswell Sisters harmony arrangements are hers) and a composer.
Connee sang from a wheelchair - or seated position - during her entire career, due to either a childhood bout with polio or a childhood accident (sources differ). The general public was not aware of her condition although Boswell herself did not keep this secret. During World War II, she tried to get involved with the U.S.O. tours but was not given permission to travel overseas. The "powers that be" apparently thought it might not be a morale-booster to have a "cripple" perform for the troops.
Connee Boswell was a favorite duet partner of Bing Crosby and they frequently sang together on radio as well as recording several hit records as a duo in the 1930s and 1940's. Boswell, Crosby, and Eddie Cantor recorded a version of Alexander's Ragtime Band that was a #1 hit in 1938.In 1939, Crosby and Boswell had three hit duet records that each climbed into the top 12 on Billboard; "An Apple For The Teacher" climbed all the way to #2.
Connee Boswell also had several dozen solo hits, including "Moonlight Moon" in 1942. Boswell's career slackened in the 1950s but she still recorded occasionally and would be featured on a number of television broadcasts including a regular stint on the 1959 series "Pete Kelly's Blues".
Connee Boswell died at age 68 in 1976. A number of her recordings are now available on CD, both as a soloist and part of the Boswell Sisters.
Why Don
Connee Boswell Lyrics
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Why don't you fall in love with me,
You're drivin' me crazy, baby, try to be gay
Will you tell me no, or will you tell me yea,
You gotta go overboard for someone someday
Believe it or not, it's bound to be
As long as you're not in love with anyone else,
The lyrics to Connee Boswell's song 'Why Don't You All Fall In Love With Me?' are a plea for someone to give the singer a chance at love. The first line sets the stage for the request, asking if the person is single and not in love with anyone else. The next line reveals that the singer is smitten with the person, but they are not reciprocating the affection. The third line shows the singer's desperation, as they ask the person to try to be happy and open to the idea of love with them. The final line poses the question, asking the person to consider saying yes to the singer's proposal.
The second verse goes on to explain why the singer feels they deserve a chance at love. They assert that everyone needs to throw caution to the wind and take a chance on someone someday. The line "Believe it or not, it's bound to be" suggests that the person may not currently see themselves with the singer, but the future is uncertain and anything could happen. The final line of the verse echoes the chorus by asking again why the person shouldn't fall in love with the singer if they are available.
Overall, the song is a sweet and simple plea for love, with an upbeat melody and charming vocals from Connee Boswell.
Line by Line Meaning
As long as you're not in love with anyone else,
If you're not already in love with someone else,
Why don't you fall in love with me,
Why not consider falling in love with me,
You're drivin' me crazy, baby, try to be gay
You're making me feel crazy, baby, so try to be happy and open to the idea,
Will you tell me no, or will you tell me yea,
Will you reject me, or will you accept me,
You gotta go overboard for someone someday
You need to go all in for someone at some point in your life,
Believe it or not, it's bound to be
Whether you believe it or not, it's inevitable,
As long as you're not in love with anyone else,
If you're single and not already in love with someone,
Why don't you fall in love with me,
Why not consider falling in love with me,
Lyrics © BMG Rights Management
Written by: AL LEWIS, MABEL WAYNE
Lyrics Licensed & Provided by LyricFind