Born Concetta Rosa Maria Franconero in Newark's Italian Down Neck or Ironbound section of Newark, New Jersey neighbourhood, she is considered the most prolific and popular female rock 'n' roll hit-maker of the early rock era -- the late 1950s to the early 1960s. After an appearance on Startime, Francis was advised to change her name from Franconero to something more easily pronounceable, as well as to quit the accordion and focus on singing.
Francis' first single "Freddy" (1955) met with little success. Her next nine singles were also failures, and she began considering a career in medicine; however, "Who's Sorry Now" (a cover version of a 1923 song) launched her into super-stardom worldwide. Francis recorded the song at what was to have been her final recording session for MGM, as the label was about to drop her since her previous singles had generated little activity. She has said (paraphrased from The Billboard Book of Number One Singles by Fred Bronson) that she recorded it at the suggestion of her father, who convinced her it stood a chance of becoming a hit because it was a song adults already knew and that teenagers would dance to if it were released with a more contemporary arrangement.
The gamble paid off. In April 1958, "Who's Sorry Now" reached No. 1 on the UK Singles Chart (number four in the USA); in 2000, it was named one of the Songs of the Century. On January 1, 1958, she debuted it on Dick Clark's American Bandstand television show; by mid-year over a million copies were sold. This was followed by many other hits over the next decade, as Connie Francis became one of the most popular vocalists in the world.
Francis specialized in downbeat ballads delivered in her trademark "sobbing" style -- such as "My Happiness," "I'm Sorry I Made You Cry," "Among My Souvenirs," "Together," "Breakin' In a Brand New Broken Heart," and the Italian song "Mama," many of which were remakes of old standards. However, she also had success with a handful of more upbeat, rock-and-roll-oriented compositions, such as "Stupid Cupid," "Lipstick On Your Collar," and "Vacation." Among her other notable performances were "In the Summer of His Years" (a tribute to slain U.S. President John F. Kennedy) and Bert Kaempfert's "Strangers In The Night" (although the latter song is more identified with Frank Sinatra). Both "Everybody's Somebody's Fool" and "My Heart Has a Mind of Its Own" went to No.1 on the Billboard music charts in 1960. In 1962 she had another No.1 hit with "Don't Break the Heart That Loves You."
Francis recorded in nine languages during her career, including English, Italian, French, Spanish, German, and even Japanese, and remade many of her hits in foreign languages, including "Everybody's Somebody's Fool" and her signature song, "Where the Boys Are." In fact, her biggest hit album in the U.S. was 1960's Italian Favorites, and she followed it with several more albums of Italian songs over the years, as well as collections of Spanish-language and Jewish songs, among others.
"Where The Boys Are," one of many Neil Sedaka/Howard Greenfield compositions Francis recorded during her career (others included "Stupid Cupid" and "Everybody's Somebody's Fool"), gained wide exposure through its inclusion in the 1960 motion picture with the same title. Francis had a role in the film and sang the title song. During the first half of the 1960s she starred in three additional films -- Follow the Boys (1963) (the title song of which became a No. 17 Billboard single for Francis), Looking for Love (1964) and When the Boys Meet the Girls (1965).
In 1960 Francis became the youngest headliner to sing in Las Vegas, where she played 28 days a year for nine years. In 1961 she was successful in starring in her own television special on ABC television sponsored by Brylcreem titled Kicking Sound Around, singing and acting along-side Tab Hunter, Eddie Foy Jr. and Art Carney. She appeared on the Ed Sullivan Show on July 1, 1962 with French singing star Johnny Hallyday in a show that was taped at the famous Moulin Rouge nightclub in Paris, France. On July 3, 1963 she played a Command performance before Queen Elizabeth II at the Alhambra Theatre in Glasgow, Scotland. By 1967, she had 35 U.S. Top 40 hits, and three number ones.
Connie Francis has always been a great fan of country music and recorded several albums of country standards during her pop career. In 1969 she had a modest country hit with "The Wedding Cake" and made the country charts again in 1982 with "There's Still a Few Good Love Songs Left in Me." Several country singers found chart success remaking Francis' pop hits for the country market, including Marie Osmond ("Who's Sorry Now" in 1975), Susan Raye ("My Heart Has a Mind of Its Own" in 1972), Margo Smith ("Don't Break The Heart That Loves You" in 1978), and Debby Boone.
During the height of the Vietnam War in 1967, Connie Francis performed for U.S. troops.
Francis ended her recording career in 1969. She returned in 1973 with "The Answer," a song written just for her, and soon began performing again. Her son Joey was born in 1974. Tragedies followed soon after. In 1974 she was sexually assaulted in a hotel following a performance in Westbury, New York. Nasal surgery to correct a sensitivity to air conditioning deprived her of her ability to sing professionally for four years. Her brother was murdered in 1981.
Francis' autobiography, Who's Sorry Now? was published in 1984. Francis was diagnosed with bipolar disorder, a mental disease which includes severe depressions and manic highs. She uses the drug Lithium to balance out the emotional highs and lows caused by the disease. Connie Francis resumed her career in 1989 after discovering the drug and has continued singing and recording since then. Francis still holds a world-wide appeal shown through continued music sales and sold-out appearances.
Her latest CD The American Tour contains performances from recent shows. In late December 2004, Francis headlined in Las Vegas for the first time since 1989.
In March of 2007, Francis performed to a sold-out crowd -- composed of gay urbanites and conservative suburbanites -- in San Francisco. The "little diva" belted out versions of her "woebegone ballads . . . in full force," according to the San Franciso Chronicle's music critic.
Connie's fan club: www.conniefrancis.com
High Hopes
Connie Francis Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
There a lot to be learned, so look around
Just what makes that little old ant
Think he'll move that rubber tree plant
Anyone knows an ant, can't
Move a rubber tree plant
He's got high apple pie, in the sky hopes
So any time your gettin' low
'stead of lettin' go
Just remember that ant
Oops there goes another rubber tree plant
When troubles call, and your back's to the wall
There a lot to be learned, that wall could fall
Once there was a silly old ram
Thought he'd punch a hole in a dam
No one could make that ram, scram
He kept buttin' that dam
'Cause he had high hopes, he had high hopes
He had high apple pie, in the sky hopes
So any time your feelin' bad
'stead of feelin' sad
Just remember that ram
Oops there goes a billion kilowatt dam
All problems just a toy balloon
They'll be bursted soon
They're just bound to go pop
Oops there goes another problem kerplop
The lyrics to Connie Francis's song "High Hopes" illustrate the power of hope and the importance of perseverance in the face of adversity. The song tells the story of an ant who is trying to move a rubber tree plant, and a ram who is attempting to punch a hole in a dam. Although both the ant and the ram face seemingly impossible challenges, they both have "high hopes" and refuse to give up. The chorus repeats the phrase "he's got high hopes, he's got high apple pie, in the sky hopes," emphasizing the idea that with optimism and determination, anything is possible.
The ant and ram are metaphors for the listener, encouraging us to keep trying even when it seems like we might fail. The song's uplifting message is particularly relevant during difficult times, reminding us that there is always something to be learned from our struggles and that progress is possible if we maintain a positive outlook.
"High Hopes" was originally composed by Sammy Cahn and Jimmy Van Heusen for the 1959 film "A Hole in the Head," and it was later popularized by Frank Sinatra. Connie Francis's cover of the song was released in 1960 and became a hit, reaching the top 40 on the US charts.
Line by Line Meaning
Next time your found, with your chin on the ground
If you find yourself defeated and feeling dejected
There a lot to be learned, so look around
Take a moment to look around and learn from your surroundings
Just what makes that little old ant
Have you ever wondered
Think he'll move that rubber tree plant
Why an ant would try to move a rubber tree plant?
Anyone knows an ant, can't
It's a well-known fact that an ant cannot
Move a rubber tree plant
Move a rubber tree plant
But he's got high hopes, he's got high hopes
Despite this, he has high hopes
He's got high apple pie, in the sky hopes
He has high, almost impossible hopes and dreams
So any time your gettin' low
Whenever you're feeling down
'stead of lettin' go
Instead of giving in
Just remember that ant
Think of the ant
Oops there goes another rubber tree plant
As he perseveres, he is able to move the seemingly immovable
When troubles call, and your back's to the wall
When trouble arises, and you feel trapped with no escape
There a lot to be learned, that wall could fall
Take this as an opportunity to learn, and to realize that the wall may not be as high and solid as it seems
Once there was a silly old ram
There was a ram who was foolish and naive
Thought he'd punch a hole in a dam
He thought he could destroy a dam by headbutting it
No one could make that ram, scram
Nobody was able to make him leave or give up his task
He kept buttin' that dam
He kept headbutting the dam
'Cause he had high hopes, he had high hopes
Despite the impossible task, he had hope and ambition
He had high apple pie, in the sky hopes
He had very high, almost unrealistic hopes and dreams
So any time your feelin' bad
Whenever you are feeling down
'stead of feelin' sad
Rather than giving in to sadness
Just remember that ram
Remember the foolish ram
Oops there goes a billion kilowatt dam
Through his persistence, he is able to accomplish the impossible
All problems just a toy balloon
Problems are like toy balloons
They'll be bursted soon
They will be easily resolved
They're just bound to go pop
They are destined to disappear
Oops there goes another problem kerplop
Just like that, the problem is solved and gone
Lyrics © O/B/O APRA AMCOS
Written by: Jimmy Van Heusen, Sammy Cahn
Lyrics Licensed & Provided by LyricFind
CHARLES PUPPI
I like this album. Thanks Kevin