Born Concetta Rosa Maria Franconero in Newark's Italian Down Neck or Ironbound section of Newark, New Jersey neighbourhood, she is considered the most prolific and popular female rock 'n' roll hit-maker of the early rock era -- the late 1950s to the early 1960s. After an appearance on Startime, Francis was advised to change her name from Franconero to something more easily pronounceable, as well as to quit the accordion and focus on singing.
Francis' first single "Freddy" (1955) met with little success. Her next nine singles were also failures, and she began considering a career in medicine; however, "Who's Sorry Now" (a cover version of a 1923 song) launched her into super-stardom worldwide. Francis recorded the song at what was to have been her final recording session for MGM, as the label was about to drop her since her previous singles had generated little activity. She has said (paraphrased from The Billboard Book of Number One Singles by Fred Bronson) that she recorded it at the suggestion of her father, who convinced her it stood a chance of becoming a hit because it was a song adults already knew and that teenagers would dance to if it were released with a more contemporary arrangement.
The gamble paid off. In April 1958, "Who's Sorry Now" reached No. 1 on the UK Singles Chart (number four in the USA); in 2000, it was named one of the Songs of the Century. On January 1, 1958, she debuted it on Dick Clark's American Bandstand television show; by mid-year over a million copies were sold. This was followed by many other hits over the next decade, as Connie Francis became one of the most popular vocalists in the world.
Francis specialized in downbeat ballads delivered in her trademark "sobbing" style -- such as "My Happiness," "I'm Sorry I Made You Cry," "Among My Souvenirs," "Together," "Breakin' In a Brand New Broken Heart," and the Italian song "Mama," many of which were remakes of old standards. However, she also had success with a handful of more upbeat, rock-and-roll-oriented compositions, such as "Stupid Cupid," "Lipstick On Your Collar," and "Vacation." Among her other notable performances were "In the Summer of His Years" (a tribute to slain U.S. President John F. Kennedy) and Bert Kaempfert's "Strangers In The Night" (although the latter song is more identified with Frank Sinatra). Both "Everybody's Somebody's Fool" and "My Heart Has a Mind of Its Own" went to No.1 on the Billboard music charts in 1960. In 1962 she had another No.1 hit with "Don't Break the Heart That Loves You."
Francis recorded in nine languages during her career, including English, Italian, French, Spanish, German, and even Japanese, and remade many of her hits in foreign languages, including "Everybody's Somebody's Fool" and her signature song, "Where the Boys Are." In fact, her biggest hit album in the U.S. was 1960's Italian Favorites, and she followed it with several more albums of Italian songs over the years, as well as collections of Spanish-language and Jewish songs, among others.
"Where The Boys Are," one of many Neil Sedaka/Howard Greenfield compositions Francis recorded during her career (others included "Stupid Cupid" and "Everybody's Somebody's Fool"), gained wide exposure through its inclusion in the 1960 motion picture with the same title. Francis had a role in the film and sang the title song. During the first half of the 1960s she starred in three additional films -- Follow the Boys (1963) (the title song of which became a No. 17 Billboard single for Francis), Looking for Love (1964) and When the Boys Meet the Girls (1965).
In 1960 Francis became the youngest headliner to sing in Las Vegas, where she played 28 days a year for nine years. In 1961 she was successful in starring in her own television special on ABC television sponsored by Brylcreem titled Kicking Sound Around, singing and acting along-side Tab Hunter, Eddie Foy Jr. and Art Carney. She appeared on the Ed Sullivan Show on July 1, 1962 with French singing star Johnny Hallyday in a show that was taped at the famous Moulin Rouge nightclub in Paris, France. On July 3, 1963 she played a Command performance before Queen Elizabeth II at the Alhambra Theatre in Glasgow, Scotland. By 1967, she had 35 U.S. Top 40 hits, and three number ones.
Connie Francis has always been a great fan of country music and recorded several albums of country standards during her pop career. In 1969 she had a modest country hit with "The Wedding Cake" and made the country charts again in 1982 with "There's Still a Few Good Love Songs Left in Me." Several country singers found chart success remaking Francis' pop hits for the country market, including Marie Osmond ("Who's Sorry Now" in 1975), Susan Raye ("My Heart Has a Mind of Its Own" in 1972), Margo Smith ("Don't Break The Heart That Loves You" in 1978), and Debby Boone.
During the height of the Vietnam War in 1967, Connie Francis performed for U.S. troops.
Francis ended her recording career in 1969. She returned in 1973 with "The Answer," a song written just for her, and soon began performing again. Her son Joey was born in 1974. Tragedies followed soon after. In 1974 she was sexually assaulted in a hotel following a performance in Westbury, New York. Nasal surgery to correct a sensitivity to air conditioning deprived her of her ability to sing professionally for four years. Her brother was murdered in 1981.
Francis' autobiography, Who's Sorry Now? was published in 1984. Francis was diagnosed with bipolar disorder, a mental disease which includes severe depressions and manic highs. She uses the drug Lithium to balance out the emotional highs and lows caused by the disease. Connie Francis resumed her career in 1989 after discovering the drug and has continued singing and recording since then. Francis still holds a world-wide appeal shown through continued music sales and sold-out appearances.
Her latest CD The American Tour contains performances from recent shows. In late December 2004, Francis headlined in Las Vegas for the first time since 1989.
In March of 2007, Francis performed to a sold-out crowd -- composed of gay urbanites and conservative suburbanites -- in San Francisco. The "little diva" belted out versions of her "woebegone ballads . . . in full force," according to the San Franciso Chronicle's music critic.
Connie's fan club: www.conniefrancis.com
In the Good Old Summertime
Connie Francis Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Strolling through the shady lane with your baby mine
You hold her hand and she holds yours and that's a very good sign
That she's your tootsie wootsie in the good old summertime
In the good old summertime, in the good old summertime
Strolling through the shady lane with your baby mine
You hold her hand and she holds yours and that's a very good sign
In the good old summertime, in the good old summertime
Strolling through the shady lane with your baby mine
You hold her hand and she holds yours and that's a very good sign
That she's your tootsie wootsie in the good old summertime...
Connie Francis's song "In the Good Old Summertime" is a classic love song that captures the essence of summer romance. The lyrics take the listener on a stroll through a shady lane with a loved one, holding hands and enjoying the warmth of the sun. The repetition of the first four lines of each verse creates a sense of familiarity and nostalgia, reminiscent of the joy and simple pleasures of summer.
The phrase "That she's your tootsie wootsie" is a term of endearment that speaks to the intimacy and affection between the two lovers. It's a playful and lighthearted way of expressing love, common in the early 20th century. The song takes us back to a simpler time, where holding hands and walking in the sun was enough to make two people happy.
Overall, "In the Good Old Summertime" is a feel-good song that reminds us of the warmth and wonder of summer, and the joy of spending time with someone we love. It encapsulates the spirit of the season and the nostalgia of a bygone era.
Line by Line Meaning
In the good old summertime, in the good old summertime
During the pleasant summer months, when everything seems to be more peaceful and easygoing.
Strolling through the shady lane with your baby mine
Enjoying a leisurely walk down a cool and refreshing path accompanied by your loved one.
You hold her hand and she holds yours and that's a very good sign
This simple gesture of mutual affection is a sign of a strong bond between two people.
That she's your tootsie wootsie in the good old summertime
This affectionate term for a significant other is a clear indication of the deep connection between two people during the carefree summer season.
Lyrics © PAUL RODRIGUEZ MUSIC LTD.
Lyrics Licensed & Provided by LyricFind
jakre10
Love songs you can sign along with. This used to be a thing people did. Glad Connie did this album
DIRTY CARPET
this is a love song? ohh ok , i just got introduced to Connie and i like it.
Susan
There's a time in each year
That we always hold dear,
Good old summer time;
With the birds and the trees-es,
And sweet scented breezes,
Good old summer time,
When your day's work is over
Then you are in clover,
And life is one beautiful rhyme,
No trouble annoying,
Each one is enjoying,
The good old summer time.
In the good old summer time,
In the good old summer time,
Strolling thro' the shady lanes
With your baby mine;
You hold her hand and she holds yours,
And that's a very good sign
That she's your tootsie wootsie
In the good old summer time.
To swim in the pool,
You'd play "hooky" from school,
Good old summer time;
You'd play "ring-a-rosie"
With Jim, Kate and Josie,
Good old summer time,
Those days full of pleasure
We now fondly treasure,
When we never thought it a crime
To go stealing cherries,
With face brown as berries,
Good old summer time.
In the good old summer time,
In the good old summer time,
Strolling thro' the shady lanes
With your baby mine;
You hold her hand and she holds yours,
And that's a very good sign
That she's your tootsie wootsie
In the good old summer time.
Clarissa Hulm
I love this song
solarius12345
Those times will never comeback and neither will her voice.
Jeonghee Judy Jang
so good.
frankie hunter
Great singalong.
MzFlowerchild
Super tune, wonderful sound, thank you for sharing & for keeping the music alive, I appreciate the effort you take to add these wonderful tunes to YouTube.
DIRTY CARPET
were you in high school when you first heard this song ? what area of the country did you grow up in? just curious, i wanted to know what other kinds of music were out at the time, because you called this song a supertune. thanks.