Born Concetta Rosa Maria Franconero in Newark's Italian Down Neck or Ironbound section of Newark, New Jersey neighbourhood, she is considered the most prolific and popular female rock 'n' roll hit-maker of the early rock era -- the late 1950s to the early 1960s. After an appearance on Startime, Francis was advised to change her name from Franconero to something more easily pronounceable, as well as to quit the accordion and focus on singing.
Francis' first single "Freddy" (1955) met with little success. Her next nine singles were also failures, and she began considering a career in medicine; however, "Who's Sorry Now" (a cover version of a 1923 song) launched her into super-stardom worldwide. Francis recorded the song at what was to have been her final recording session for MGM, as the label was about to drop her since her previous singles had generated little activity. She has said (paraphrased from The Billboard Book of Number One Singles by Fred Bronson) that she recorded it at the suggestion of her father, who convinced her it stood a chance of becoming a hit because it was a song adults already knew and that teenagers would dance to if it were released with a more contemporary arrangement.
The gamble paid off. In April 1958, "Who's Sorry Now" reached No. 1 on the UK Singles Chart (number four in the USA); in 2000, it was named one of the Songs of the Century. On January 1, 1958, she debuted it on Dick Clark's American Bandstand television show; by mid-year over a million copies were sold. This was followed by many other hits over the next decade, as Connie Francis became one of the most popular vocalists in the world.
Francis specialized in downbeat ballads delivered in her trademark "sobbing" style -- such as "My Happiness," "I'm Sorry I Made You Cry," "Among My Souvenirs," "Together," "Breakin' In a Brand New Broken Heart," and the Italian song "Mama," many of which were remakes of old standards. However, she also had success with a handful of more upbeat, rock-and-roll-oriented compositions, such as "Stupid Cupid," "Lipstick On Your Collar," and "Vacation." Among her other notable performances were "In the Summer of His Years" (a tribute to slain U.S. President John F. Kennedy) and Bert Kaempfert's "Strangers In The Night" (although the latter song is more identified with Frank Sinatra). Both "Everybody's Somebody's Fool" and "My Heart Has a Mind of Its Own" went to No.1 on the Billboard music charts in 1960. In 1962 she had another No.1 hit with "Don't Break the Heart That Loves You."
Francis recorded in nine languages during her career, including English, Italian, French, Spanish, German, and even Japanese, and remade many of her hits in foreign languages, including "Everybody's Somebody's Fool" and her signature song, "Where the Boys Are." In fact, her biggest hit album in the U.S. was 1960's Italian Favorites, and she followed it with several more albums of Italian songs over the years, as well as collections of Spanish-language and Jewish songs, among others.
"Where The Boys Are," one of many Neil Sedaka/Howard Greenfield compositions Francis recorded during her career (others included "Stupid Cupid" and "Everybody's Somebody's Fool"), gained wide exposure through its inclusion in the 1960 motion picture with the same title. Francis had a role in the film and sang the title song. During the first half of the 1960s she starred in three additional films -- Follow the Boys (1963) (the title song of which became a No. 17 Billboard single for Francis), Looking for Love (1964) and When the Boys Meet the Girls (1965).
In 1960 Francis became the youngest headliner to sing in Las Vegas, where she played 28 days a year for nine years. In 1961 she was successful in starring in her own television special on ABC television sponsored by Brylcreem titled Kicking Sound Around, singing and acting along-side Tab Hunter, Eddie Foy Jr. and Art Carney. She appeared on the Ed Sullivan Show on July 1, 1962 with French singing star Johnny Hallyday in a show that was taped at the famous Moulin Rouge nightclub in Paris, France. On July 3, 1963 she played a Command performance before Queen Elizabeth II at the Alhambra Theatre in Glasgow, Scotland. By 1967, she had 35 U.S. Top 40 hits, and three number ones.
Connie Francis has always been a great fan of country music and recorded several albums of country standards during her pop career. In 1969 she had a modest country hit with "The Wedding Cake" and made the country charts again in 1982 with "There's Still a Few Good Love Songs Left in Me." Several country singers found chart success remaking Francis' pop hits for the country market, including Marie Osmond ("Who's Sorry Now" in 1975), Susan Raye ("My Heart Has a Mind of Its Own" in 1972), Margo Smith ("Don't Break The Heart That Loves You" in 1978), and Debby Boone.
During the height of the Vietnam War in 1967, Connie Francis performed for U.S. troops.
Francis ended her recording career in 1969. She returned in 1973 with "The Answer," a song written just for her, and soon began performing again. Her son Joey was born in 1974. Tragedies followed soon after. In 1974 she was sexually assaulted in a hotel following a performance in Westbury, New York. Nasal surgery to correct a sensitivity to air conditioning deprived her of her ability to sing professionally for four years. Her brother was murdered in 1981.
Francis' autobiography, Who's Sorry Now? was published in 1984. Francis was diagnosed with bipolar disorder, a mental disease which includes severe depressions and manic highs. She uses the drug Lithium to balance out the emotional highs and lows caused by the disease. Connie Francis resumed her career in 1989 after discovering the drug and has continued singing and recording since then. Francis still holds a world-wide appeal shown through continued music sales and sold-out appearances.
Her latest CD The American Tour contains performances from recent shows. In late December 2004, Francis headlined in Las Vegas for the first time since 1989.
In March of 2007, Francis performed to a sold-out crowd -- composed of gay urbanites and conservative suburbanites -- in San Francisco. The "little diva" belted out versions of her "woebegone ballads . . . in full force," according to the San Franciso Chronicle's music critic.
Connie's fan club: www.conniefrancis.com
On Top of Old Smokey
Connie Francis Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
All covered with snow
I lost my true lover
For a courting to slow
Yes courting's a pleasure
And parting is grief
And a false hearted lover
She'll kiss you, she'll hug you
And tell you more lies
Than the cross ties on a railroad
Or the stars in the sky
Let me tell you 'bout my baby
She's like bad brandy wine
The first time I kissed her
She drove me out my mind
She's a Baltimore special
Got a fine brown frame
When you see her in motion
Evil woman is her name
Did I tell you 'bout the Eastman
Lord what a shame
He run off with my baby
And scandalized my name
Well I went up on a mountain top
To call my baby back
She was gone with that Eastman
Down that lonesome railroad track
If I ever see that Eastman
I'll shoot him with my gun
I'll cut him with my long Jones
And dare that pimp to run
Little Liza, little Liza
I couldn't sleep last night
Come on back home baby
Everything will be all right
Let me tell you, let me tell you
I don't care what you say
If my woman ever comes back
I'll give my life away
If you ever see a dark cloud
A-rollin' in the sky
It's my woman gone to heaven
With a tear drop in her eye
On top of old Smokey
All covered with snow
I lost my true lover
For a-courting to slow
The song "On Top of Old Smokey" is a traditional folk song that has been covered by numerous artists, including Connie Francis. The song is about a person who has lost their true lover due to their own mistakes, particularly moving too slowly in their courting. The first verse sets the scene on top of the Smoky Mountains, which are covered with snow, emphasizing the coldness and emptiness the singer feels due to their loss.
The next two verses are about the nature of courting and parting. The singer emphasizes that although courting can be pleasurable, parting is an excruciating grief, especially when it is due to a false-hearted lover who is worse than a thief. In the following verse, the singer talks about their own lover, who lies more than the cross ties on a railroad and the stars in the sky. The singer knows that their lover is not to be trusted, but they are still hypnotized by her charms.
The final verses of the song are about the singer's experiences with the Eastman, a man who stole their lover and scandalized their name. The singer, driven to madness by the loss, went up on a mountain top to call their lover back, but she was gone with the Eastman down the railroad track. The singer swears to get revenge, even if it means giving up their life to get their woman back. The song ends on a mournful note, with the singer imagining their lost love travelling to heaven with a tear in her eye.
Line by Line Meaning
On top of old Smokey
On the snowy mountain top
All covered with snow
Completely covered with snow
I lost my true lover
My beloved left me forever
For a courting to slow
Because I courted too slowly
Yes courting's a pleasure
Courting can be enjoyable
And parting is grief
But separation can be heartbreaking
And a false hearted lover
And a deceitful partner
Is worse than a thief
Is more despicable than a thief
She'll kiss you, she'll hug you
She'll shower you with affection
And tell you more lies
And deceive you repeatedly
Than the cross ties on a railroad
More than the number of railroad tracks
Or the stars in the sky
Or the countless stars in the sky
Let me tell you 'bout my baby
Let me tell you about my girlfriend
She's like bad brandy wine
She's like a cheap brand of wine
The first time I kissed her
When we first kissed
She drove me out my mind
She made me feel crazy
She's a Baltimore special
She's unique and special
Got a fine brown frame
Has a great physique
When you see her in motion
She's sexy and attractive
Evil woman is her name
She's a bad person
Did I tell you 'bout the Eastman
Did I mention the man named Eastman?
Lord what a shame
It was truly unfortunate
He run off with my baby
He took my girlfriend with him
And scandalized my name
And caused me public embarrassment
Well I went up on a mountain top
So I went to a high place
To call my baby back
To call my girlfriend to come back to me
She was gone with that Eastman
She went with that man named Eastman
Down that lonesome railroad track
On that lonely railroad track
If I ever see that Eastman
If I ever come across Eastman
I'll shoot him with my gun
I'll shoot him with my firearm
I'll cut him with my long Jones
I'll cut him with my weapon
And dare that pimp to run
And challenge him to run away
Little Liza, little Liza
Dear Liza, dear Liza
I couldn't sleep last night
I had trouble sleeping last night
Come on back home baby
Please come back to me
Everything will be all right
Everything will be okay
Let me tell you, let me tell you
Listen to me, listen to me
I don't care what you say
I don't care what anyone says
If my woman ever comes back
If my girlfriend ever returns
I'll give my life away
I'll be willing to sacrifice for her
If you ever see a dark cloud
If you see a dark cloud
A-rollin' in the sky
Rolling in the sky
It's my woman gone to heaven
It means my girlfriend has passed away
With a tear drop in her eye
With a tear rolling down her face
On top of old Smokey
On the mountain top
All covered with snow
Completely covered in snow
I lost my true lover
I lost my beloved
For a-courting to slow
Because I took too long to court her
Lyrics © O/B/O APRA AMCOS
Written by: Pete Seeger
Lyrics Licensed & Provided by LyricFind
frankie hunter
New to me. As always Mrs Francis sings impeccably.
Eugene Lombard
Brings back memories of the good old days.
kumpe Lolo
I was searching it.. Thx God.. I found this song
Bill Bickley
Great
Walt Eb
Hi Bill Bickley, Connie has a beautiful voice, thanks for the comment.
Victor Velazquez
I disagree Connie. A thief is worse. 😀
jeffs
Thieves take property which is replaceable, heartache and wasted time not.
Snowy Owel
Beautiful voice 💕
bernadette morgan
Lovely voice. Such a sad song