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Concierto Grossi Op 6. Allegro
Corelli Lyrics

No lyrics text found for this track.

The lyrics are frequently found in the comments by searching or by filtering for lyric videos

Most interesting comments from YouTube:

Chalinolobus Vespertilionidae

4y↑121

Complete Op.6 concerti, movement time-stamps:
0:00:00 = Op.6 / #01 in D [i]
0:02:15 = Op.6 / #01 in D [ii] - Largo
0:03:30 = Op.6 / #01 in D [ii] - [part II - Allegro]
0:04:42 = Op.6 / #01 in D [iii] - Largo
0:07:56 = Op.6 / #01 in D [iv] - Fuga
0:09:51 = Op.6 / #01 in D [v] - Finale

0:11:47 = Op.6 / #02 in F [i]
0:15:42 = Op.6 / #02 in F [ii] - Fuga
0:17:11 = Op.6 / #02 in F [iii] - Grave
0:17:57 = Op.6 / #02 in F [iii] - [part II]
0:18:39 = Op.6 / #02 in F [iv] - Finale

0:20:35 = Op.6 / #03 in c [i]
0:22:36 = Op.6 / #03 in c [ii] - Fuga (Allegro)
0:24:27 = Op.6 / #03 in c [iii] - Grave
0:26:37 = Op.6 / #03 in c [iv] - Vivace
0:28:49 = Op.6 / #03 in c [v] - Finale

0:31:30 = Op.6 / #04 in D [i]
0:34:57 = Op.6 / #04 in D [ii] - Adagio
0:36:07 = Op.6 / #04 in D [iii] - Vivace
0:37:25 = Op.6 / #04 in D [iv] - Finale

0:40:45 = Op.6 / #05 in B♭ [i]
0:41:40 = Op.6 / #05 in B♭ [i] - [part II - Allegro]
0:44:14 = Op.6 / #05 in B♭ [ii] - Adagio
0:45:32 = Op.6 / #05 in B♭ [iii] - Fuga
0:47:25 = Op.6 / #05 in B♭ [iv] - Largo
0:48:46 = Op.6 / #05 in B♭ [v] - Finale (Allegro)

0:50:45 = Op.6 / #06 in F [i]
0:51:44 = Op.6 / #06 in F [ii] - Allegro
0:54:05 = Op.6 / #06 in F [iii] - Largo
0:57:08 = Op.6 / #06 in F [iv] - Vivace
0:59:39 = Op.6 / #06 in F [v] - Finale

1:02:21 = Op.6 / #07 in D [i]
1:04:36 = Op.6 / #07 in D [ii] - Allegro
1:06:31 = Op.6 / #07 in D [iii] - Andante
1:08:36 = Op.6 / #07 in D [iv] - Fuga (Allegro)
1:09:49 = Op.6 / #07 in D [v] - Finale (Vivace)

1:11:08 = Op.6 / #08 in g [i]
1:12:47 = Op.6 / #08 in g [ii] - Allegro
1:14:57 = Op.6 / #08 in g [iii] - Adagio, Allegro, Tempo primo
1:18:08 = Op.6 / #08 in g [iv] - Vivace
1:19:27 = Op.6 / #08 in g [v] - Finale (Allegro)
1:21:14 = Op.6 / #08 in g [v] - [part II - Pastorale, Largo]

1:24:32 = Op.6 / #09 in F [i]
1:25:55 = Op.6 / #09 in F [ii] - Allemanda (Allegro)
1:28:30 = Op.6 / #09 in F [iii] - Corrente (Vivace)
1:30:11 = Op.6 / #09 in F [iv] - Gavotta (Allegro)
1:30:52 = Op.6 / #09 in F [v] - Adagio
1:31:31 = Op.6 / #09 in F [vi] - Finale, minuetto (Vivace)

1:33:20 = Op.6 / #10 in C [i]
1:35:10 = Op.6 / #10 in C [ii] - Allemanda (Allegro)
1:37:35 = Op.6 / #10 in C [iii] - Adagio
1:38:04 = Op.6 / #10 in C [iv] - Corrente (Vivace)
1:40:41 = Op.6 / #10 in C [v] - Finale (Allegro)

1:44:19 = Op.6 / #11 in B♭ [i]
1:46:03 = Op.6 / #11 in B♭ [ii] - Allemanda (Allegro)
1:48:48 = Op.6 / #11 in B♭ [iii] - Adagio
1:49:12 = Op.6 / #11 in B♭ [iv] - Largo
1:50:03 = Op.6 / #11 in B♭ [v] - Sarabanda (Largo)
1:51:05 = Op.6 / #11 in B♭ [vi] - Finale: Giga (Vivace)

1:52:17 = Op.6 / #12 in F [i]
1:54:07 = Op.6 / #12 in F [ii] - Allegro
1:56:26 = Op.6 / #12 in F [iii] - Adagio
1:57:17 = Op.6 / #12 in F [iii] - [part II - cadence]
1:57:35 = Op.6 / #12 in F [iv] - Sarabanda (Vivace)
1:58:44 = Op.6 / #12 in F [v] - Finale: Giga (Allegro)

YapLapWombat

5y↑20

0:00:00 = Op.6 / #1 in D [i]
0:02:15 = Op.6 / #1 in D [ii] - Largo
0:03:30 = Op.6 / #1 in D [ii] - [part II - Allegro]
0:04:42 = Op.6 / #1 in D [iii] - Largo
0:07:56 = Op.6 / #1 in D [iv] - Fuga
0:09:51 = Op.6 / #1 in D [v] - Finale

0:11:47 = Op.6 / #2 in F [i]
0:15:42 = Op.6 / #2 in F [ii] - Fuga
0:17:11 = Op.6 / #2 in F [iii] - Grave
0:17:57 = Op.6 / #2 in F [iii] - [part II]
0:18:39 = Op.6 / #2 in F [iv] - Finale

0:20:35 = Op.6 / #3 in c [i]
0:22:36 = Op.6 / #3 in c [ii] - Fuga (Allegro)
0:24:27 = Op.6 / #3 in c [iii] - Grave
0:26:37 = Op.6 / #3 in c [iv] - Vivace
0:28:49 = Op.6 / #3 in c [v] - Finale

0:31:30 = Op.6 / #4 in D [i]
0:34:57 = Op.6 / #4 in D [ii] - Adagio
0:36:07 = Op.6 / #4 in D [iii] - Vivace
0:37:25 = Op.6 / #4 in D [iv] - Finale

0:40:45 = Op.6 / #5 in B♭ [i]
0:41:40 = Op.6 / #5 in B♭ [i] - [part II - Allegro]
0:44:14 = Op.6 / #5 in B♭ [ii] - Adagio
0:45:32 = Op.6 / #5 in B♭ [iii] - Fuga
0:47:25 = Op.6 / #5 in B♭ [iv] - Largo
0:48:46 = Op.6 / #5 in B♭ [v] - Finale (Allegro)

0:50:45 = Op.6 / #6 in F [i]
0:51:44 = Op.6 / #6 in F [ii] - Allegro
0:54:05 = Op.6 / #6 in F [iii] - Largo
0:57:08 = Op.6 / #6 in F [iv] - Vivace
0:59:39 = Op.6 / #6 in F [v] - Finale

1:02:21 = Op.6 / #7 in D [i]
1:04:36 = Op.6 / #7 in D [ii] - Allegro
1:06:31 = Op.6 / #7 in D [iii] - Andante
1:08:36 = Op.6 / #7 in D [iv] - Fuga (Allegro)
1:09:49 = Op.6 / #7 in D [v] - Finale (Vivace)

1:11:08 = Op.6 / #8 in g [i]
1:12:47 = Op.6 / #8 in g [ii] - Allegro
1:14:57 = Op.6 / #8 in g [iii] - Adagio, Allegro, Tempo primo
1:18:08 = Op.6 / #8 in g [iv] - Vivace
1:19:27 = Op.6 / #8 in g [v] - Finale (Allegro)
1:21:14 = Op.6 / #8 in g [v] - [part II - Pastorale, Largo]

1:24:32 = Op.6 / #9 in F [i]
1:25:55 = Op.6 / #9 in F [ii] - Allemanda (Allegro)
1:28:30 = Op.6 / #9 in F [iii] - Corrente (Vivace)
1:30:11 = Op.6 / #9 in F [iv] - Gavotta (Allegro)
1:30:52 = Op.6 / #9 in F [v] - Adagio
1:31:31 = Op.6 / #9 in F [vi] - Finale, minuetto (Vivace)

1:33:20 = Op.6 / #10 in C [i]
1:35:10 = Op.6 / #10 in C [ii] - Allemanda (Allegro)
1:37:35 = Op6 / #10 in C [iii] - Adagio
1:38:04 = Op.6 / #10 in C [iv] - Corrente (Vivace)
1:40:41 = Op.6 / #10 in C [v] - Finale (Allegro)

1:44:19 = Op.6 / #11 in B♭ [i]
1:46:03 = Op.6 / #11 in B♭ [ii] - Allemanda (Allegro)
1:48:48 = Op.6 / #11 in B♭ [iii] - Adagio
1:49:12 = Op.6 / #11 in B♭ [iv] - Largo
1:50:03 = Op.6 / #11 in B♭ [v] - Sarabanda (Largo)
1:51:05 = Op.6 / #11 in B♭ [vi] - Finale: Giga (Vivace)

1:52:17 = Op.6 / #12 in F [i]
1:54:07 = Op.6 / #12 in F [ii] - Allegro
1:56:26 = Op.6 / #12 in F [iii] - Adagio
1:57:17 = Op.6 / #12 in F [iii] - [part II - cadence]
1:57:35 = Op.6 / #12 in F [iv] - Sarabanda (Vivace)
1:58:44 = Op.6 / #12 in F [v] - Finale: Giga (Allegro)

All comments from YouTube:

Eric Wyness

3y↑57

Handel, Bach, Vivaldi and Francois Couperin (and many more - those were just the obvious names that come to mind immediately) all thought Corelli a genius, a true master to be studied and emulated. I didn't hear any Corelli until I was 18 - and I will always remember that day, and was amazed that I'd never come across him before.

Chalinolobus Vespertilionidae

4y↑121

Electronic Pizza Parlor

Top comment, wish they would pin these to top

P V

Thank you!

Yana Akopova

Thank you!!!! appreciate

Matteo Biagiotti

THAAAAANKS!

BigBrotherMateyka

2y↑1

You're doing God's work, sir.

7 More Replies...

Алексей Светлов

4y↑31

это те высшие сферы, которые хранит солнечный свет давая себя потрогать сквозь молодую листву берез, которые звучат в линиях тела Давида во Флоренции,в тишине, когда мы смотрим в окно ....это высокие божественные смыслы и чувства дарованные нам, чтобы дарить друг другу

Viggo 111

2y↑2

Исключительно красивая музыка!🕊🌿🙏✨🌷🌷🌷

George Tate

8y↑93

This is their early recording and it IS sublime! I have studied and played these Concerto Grossi and I simply cannot listen to them enough - particularly 1-6. These are the Concerto Grossi that Bach and Vivaldi studied BEFORE they did much of their string music. They are exciting . . . my suggestion is to get a copy of the scores (do just one of them) and follow along and note what is written and what you hear. I LOVE their sound.
Many of my students found a love of "old" music in learning to play these pieces - some have gone on to get advanced degrees in ancient music. I have one student who went on to begin a viol ensemble that plays professionally.
You cannot listen to these Concerto Grossi too much - particularly if you study the score to discover what can be done with the notation! So much of it is invented by the players.

Lorraine Trout Mask

@Majka Kozova what about Telemann? His recorder suite in A minor is stunning, memorable and VERY fast! Also his string works are wonderful. Easily as enjoyable as Vivaldi, and Bach!

Elaine Blackhurst

Not really sure about the relevance of Bach and Vivaldi; far more important followers in the area of the string concerto grosso would be Locatelli and Geminiani, and especially Handel - who knew Corelli’s in Rome - and who wrote the only set that could be said to match Corelli’s brilliant Opus 6 set.

Elaine Blackhurst

3y↑1

@Marcin Smyczek Vivaldi went down a different path, but following Corelli, you’re right about Geminiani whose arrangements of Corelli’s Opus 5 Violin Sonatas are fantastic; add on Locatelli and Handel as well as a string of others as followers.

Marcin Smyczek

5y↑2

You guys all talk about Vivaldi and Corelli, but what about Geminiani? To me he's an absolute master of classical music.

gda295

5y↑4

and it is a " period " recording...much better than modern instruments/old approach

6 More Replies...

Алим Сунчале

3y↑5

Благодарю, исцеляюсь🙏👏👏👏

Michael Blanga Gubbay

3y↑2

Every time I listen to Corelli I think of his key contribution to baroque music, how much other composers got inspired by him, and how much this is often neglected. In terms of sonorities I find the Concerto Grosso No.12 in F major the most striking, we can easily see (or better hear) Corelli's influences on some of his contemporary baroque composers. "He Was Despised", from Handel's Messiah reminds very much he Preludio - Adagio of the Concerto Grosso 12. While the Allegro non molto from the Inverno/Winter of Vivaldi (the very beginning of the concerto) is surprisingly similar to the second Adagio of the same Concerto Grosso by Corelli.

Sandya Narayanswami

5y↑13

Exquisite music with emotion, grandeur, elegance, and depth. I love Corelli, and his concerti grossi are among my favorites. This music brings tears to my eyes.

Янна Гуцкалова

5y↑20

Очень красиво,спасибо большое.

Ольга Полынкина-Морокова

3y↑7

Благодарю! Если жить только один день, то стоит жить на фоне этой музыки! Тогда и остальные дела будут выбраны достойными последнего дня!

Tatiana Malysheva

5y↑8

Музыка умиротворяет и гармонизирует. А для чего же она еще нужна?
Спасибо большое!

Jerome Weingart

5y↑4

This is a superb performance, beautifully recorded.

Bart Voskulen

4y↑3

Beautifully performed and recorded. Thanks so much.

cestmarrant1

6y↑7

I adore these and listen to them over and over again. They ground me, soothe me, and delight me.

Gérard Begni

6y↑12

The op. 6 of Corelli, mythic through the entire baroque Europe, which caused so many discusssions about the Italian style !!!!! It is perfectly palyed by the Europa Galante and its soloists. A gem.

Elaine Blackhurst

3y↑1

@Dònal Brügge
Corelli’s Opus 6 conquered virtually the whole of Europe; they were massively influential and seminal works.

Published in 1714, Corelli had been polishing them for years, and he himself knew they were that important.

Its interesting to note that Haydn when he visited London in the 1790’s, found Corelli was still being played there regularly, along with of course Handel.

Fredrik Wallinder

4y↑21

That music was a legend in his own time, well done.

borgtennis

His music is truly refreshing!

herodotus53

4y↑14

1:14:57 is featured in the soundtrack to Peter Weir's outstanding 2003 film "Master and Commander: The Far Side of the World." Based on a series of historical adventure novels by Patrick O'Brien, Russell Crowe plays Royal Navy Captain Jack Aubrey at the height of the naval war against Napoleon in 1805. Aubrey also had the foresight to bring his cello to sea with him and in the course of the film plays several excerpts from some Boccherini duets with his ship's surgeon, as well as some of J.S. Bach's first cello suite. I can't recommend the film highly enough for lovers of naval or military history, Classical music, or those simply yearning for a visually stunning, fast-paced, and thrilling adventure yarn.

Hold fast, shipmates!

Jonathan D.S. Mehrer

6y↑4

Utterly Beautiful! Could anyone tell me where I might find this entire work as done by Fabio Biondi & Europa Galante?

MEugenia RL

6y↑3

Maravilloso de principio a fin , Corelli es la esencia del Barroco , escucharlo es viajar al paraíso . Fabio Biondi y Europa Galante , soberbios . Bravo !!

Jean Lanz

2y↑1

Gorgeous music. Thank you! God bless you!

Miguel Angel Rivera Hernandez

4y↑1

Nada como el ciclo barroco, el inicio de las mejores obras

Андрей Кузнецов

Hello! Thanks to our team for this video, for the beautiful and wonderful music. This is the Best work in the world of Classical Music. Peace and blessings to all. With all Respect Andrey:

Marc Aurele

5y↑2

Cette musique fait du bien à l'âme . Le Baroque sans Corelli ne serait pas ! Et Biondi mène tout cela avec verve , légèreté et sensibilte . Que c'est beau !

Dopecello

6y↑7

1:14:57 One of the finest, simplest, most genius Adagios ever created.

J Julian

@Ben Wiltshire concerto grosso in g minor op 6 n8, or christmas concert you find it

Helen Lauer

Strangely modern, romantic, narratival. Totally out of the period to my ear. But I don't know much.

Ben Wiltshire

5y↑1

what is the name of it?

Frederico Martins

6y↑7

Este diálogo de instrumentos tem origem no maravilhoso criador de todas as coisas is beautiful is wonderful

Simone Piqué

5y↑16

This is mind blowing!!! I'm proud of being italian.

Jay

You can be...

Giulio Grifi

@Redcoat‘s Return ...I'm italian, too and I think the mixture of people is fascinating !...I would like to have, in my blood, cells of african, albanian, asian, british, dutch, flemish, french, german, greek, irish, polish, portuguese, romanian, scottish, slavic, spanish, turkish, viking, welsh and so on...blood !!!...I WOULD BE SO MUCH MORE RICH !!!

fiortrackers

auant't

Redcoat‘s Return

4y↑1

I am part Italian, my mother‘s family name was Carlo. That name goes back to the 1600s in England...but...I know we came from Italy. There were many Italian craftsmen hired by the churches and monasteries in England in from the 1600s to the1700s because only they had the skills fir the ceilings, staines glass, masonry etc. Many were from around Milan, Verona and Venice. I went to Verona and know....my ancestor came from there. I feel it deep...deep in my bones when I hear this music, Vivaldi, Scarlatti, Salieri and so many others. I too...am proud of this ancient ancestry! I also think Italian food is the best in the World! 😉

MonogramistaML

5y↑11

congratulations to being italian, it must have been a result of your great effort

Redcoat‘s Return

4y↑1

Beautiful!!! Thank you so much 👏👏👏😊

Тетяна Люта

4y↑5

Щиро дякуємо за можливість почути чудову музику у витонченому виконанні!

Patricio Rebolledo

De verdad la música culta me acerca a la harmonía del cielo

Nikolay

Замечательно!

Pavka 12345678

4y↑1

НЕОПИСУЕМАЯ КРАСОТА. ИТАЛЬЯНЦЫ ВЕЛИКАЯ НАЦИЯ

Kadir

3y↑7

That music allows me to go deep into my soul.

Oriyahu yahyah Kadmon

אמרו חכמי ישראל לפני בערך 2000 שנה שמוסיקה מסוגלת להחזיר בתשובה . סגנון הבארוק במקום ראשון ביכולת להחזיר בתשובה ( מוסיקאי מקצועי לשעבר)

Galina Karpinskaya

Какая чудесная и лучезарная музыка

Athanasios Markopoulos

7y↑4

Excellent performance

Noe Berengena

5y↑9

Thanks for this. It would be very instructive to know the time cues for the beginning of each concerto grosso. Is it possible to add that info to the notes?

mattia begali

@YapLapWombat thanks, you are great!

Giulio Grifi

@YapLapWombat ...Good job !!!

YapLapWombat

5y↑20

Black Cat 22

Almost painfully beautiful 😍

shadboltbill

5y↑6

As great as Handel was, this old Handel fan has to say that the Corelli originals are superior. Corelli's refinement, grace and sheer beauty are unsurpassed in the form he created and exemplified.

John Walzer

3y↑1

@Bob Zoeller I agree re: Handel vs. Corelli. Many's the time I have listened to Handel's Op. 6 at one sitting because the amazing variety in the music never gets old. Corelli's Op. 6, on the other, hand I enjoy - but I can't listen to more than 2 or 3 of the concerti at a time because there is a far greater degree of "sameness" - to a modern ear the endless succession of sequential modulations and suspensions can grow tedious.

Elaine Blackhurst

3y↑1

@Bob Zoeller It’s not a competition; Corelli’s Opus 6 and Handel’s Opus 6 are the two greatest sets of Baroque string concerti grossi - best just to leave it at that!

Bob Zoeller

With all due respect, and of course this is all so subjective, I don't think Corelli could ever match the richness of Handel's music. He was the best of the era. In my opinion, the best of all time.

Alberto Gatti

5y↑3

Mr Handel was inspired by the genius and the inventive harmony of Arcangelo. A landmark of baroque!

Birgitta Rundqvist

Wonderful music

monica cantele

5y↑3

Delizia. Grazie!
Peccato non aver abbinato un quadro dei pittori barocchi italiani 🖤

Giulio Grifi

...Perchè ?

The Kid

8y↑20

God,this is gorgeous

KER JI

5y↑1

j'adore !

BAxitorCH

8y↑3

Very fine performance. I appreciate it as much as Pinnock's.

sophian berdouk

juste sublime.

Alfredo Rosas

La publicidad es sencillamente grosera. Qué pena, porque la música es maravillosa.

Apex Vinnie

My favorite part
1:12:47

Antoni Plebański

5y↑5

Lovely music BUT would be even more beautiful without so many adverts... :(

Steg

Use Adblock free!

Carlos venegas

youtube premium...

Stanislav Didenko

4y↑1

чет скрипок доталого прям. напрягает местами (но не так упорота как Вивальди). а так - зачетный трек.

Ludovico Maletti

7y↑1

Is it only me or in the movement starting at 9:51 you can hear, precisely at 10:08 and then repeated later on, a theme similar to that in the last movement of Mozart's piano quartet K.478 in G minor ?

François Couperin

7y↑27

00:31:25 – nº 4
01:02:20 – nº 7
01:11:08 – nº 8

Ubiquitary

poewhite Well done!

Το Ροδι

απλα ΜΑΓΕΥΤΙΚΟ ΥΠΕΡΟΧΟ ΤΕΛΕΙΟΟΟΟΟ ΕΥΧΑΡΙΣΤΩ

Elena Cherepenkp

6y↑9

Nice to hear here peaceful flow of normal human life not influencing by politics and propaganda. Really soul feel liberty.

remi Bridges

5y↑2

I love this ❤️ kind of music

Aftrn walk

5y↑1

If it's Baroque....don't fix it.

W Duane

5y↑13

Always, Corelli.

Stephane Belizaire

2y↑1

BRAVO !

Oscar Sanchez Diaz

Por qué no siento que me transmita nada? Me da la sensación de que cuando he escuchado media hora ya nada me va a sorprender.

Tony Vent

7y↑5

meravigliosa musica Grazieeee

SanaderJePichka

2y↑1

Wunderschöne Musik..besonderes in diese interpretazion! Bravo und danke!

Гульнара Мамарахимова

👏👏👏

Paul Frederick

5y↑1

A man about 4 centuries ahead of his times.

Juan Carlos

Belleza!..

grendo44

4y↑10

12:55
17:10
24:27
1:11:20
1:30:52
1:48:47

Empire total war soundtrack

neithi88

4y↑35

The painting is called: Landscape with the Marriage of Isaac and Rebekah, from Claude Lorrain.

-시라소니

3y↑1

the greatest

Luiz Ribas

6y↑1

Grazie mille!
Complimenti!

Αδμήτη

Ευτυχώς, Ευγενικές ψυχές κόσμησαν τη Γη μας!

sergio garcia fontse

Hace años oí, en casa de un amigo las aburidísimas " Cuatro estaciones" en una versión de F Biondi y Europa Galante. Desde entonces ya no me parecen tan aburridas

Asaad Naeem

Very cool

Bill Miller

7y↑5

Thanks for posting -- but how about some timing marks for the various movements?

Mario

4y↑1

La quintessenza della cultura italiana.

Elaine Blackhurst

Puoi dirlo forte!

Giulio Grifi

...Chi si loda si sbroda !

Gabriel_024_

1:19:27 = Op. 6 / #08 in g - Finale (Allegro)

Agostini Alfredo

Italia sei il centro della musica dell'arte della cultura faro per il mondo di civilizzazione ricordiamoci che mentre da noi fioriva l'arte la cultura la magna Grecia gli etruschi poi Roma con il suo impero l'Europa viveva ancora sotto le grotte grazie a noi vi è arrivata la civilta

ironmaz1

Love the bit from 25:00 ish :'O

Christian Laurin

9y↑30

@Iris Leussink: It's a painting by Claude Lorrain, who was a French painter, draughtsman and engraver of the Baroque era.

MimiDaisyandFreckles

Life was so nice then when each person is enjoying the landscape, the surrounding and each other's company and not be totally engrossed with texting on social media sites on the smart phone that everyone has at least one.....

MimiDaisyandFreckles

It is nice to have these pieces of facts but how can one make a living by being an art historian, or a modern landscape painter?

Lennart de Visser

We just talked about this in my history class! I think the title is "Isaac and Rebekah".

Karen Rogers

..... painting reminds me of an early Fredricks from the USA, but not quite enough color that Fredricks would have used.

Bob Zoeller

Thanks!

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Angus Spencer

Joyous lilting enchantment.

梅雨潭

来自天堂的美妙音乐🎶😍！

Proclus

6y↑3

No. 9 1:24:30 ... No. 10 1:33:18

globalman

6y↑6

Exquisitely beautiful. Thank you.
Pity you have blocked from saving.

Warm sunset 62

5y↑8

Love these paintings. They show a SLOWER life. Better.

Paul met Debbie

🙏❤️

- F#B -

Arcadic dream!

Thomas C

Thank you!

村田精一郎

5y↑1

美しい音色古楽はいいね, 楽しいです。バックタイトル画素敵ですね

Iris Leussink

9y↑4

Which painting is used for the background?

lovidebatea

7y↑9

"Landscape With The Marriage Of Isaac And Rebekah" Claude Lorrain (circa 1600 - 1682)

Jose Manuel Guerrero C.

ALABADO SEA JESUCRISTO

EDI DELIC

5y↑6

This time tehnocrats and revolutionaries called a dark age, I think that humanizam of those age is never repetead again in human history,especially xx century which is enermous setback of humans.

grendo44

4y↑4

Favourites

31:30

Darkcore

I'm planning on visiting A. Corelli's grave next month

akmroberts

Not that it's all that important, but it's one concerto grosso, many concerti grossi - so it's 'Concerto grosso No. 1' etc.

Ekvitarius

5y↑4

You can hear the influence on Händel

Elaine Blackhurst

Corelli’s Opus 6 was a seminal work that influenced many composers all over Europe such as Locatelli and Geminiani.
You are quite right that Corelli was the sole model for Handel’s magnificent Opus 6, which is the only set that matches that of Corelli.

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ZapdoZ

31:45 is what most of you probably came for

Ubiquitary

11, mvt. 2 at 1:46:01.

Spleen deParis

6y↑1

Summa della musica barocca concertistica del XVII secolo

alex9920

5y↑45

I was born in the wrong era...

Heimrik01

alex9920
We are several in that case ;-)

Heimrik01

@Bravozulu That's not so sure, there were many people who lived old in that time as well.

Bravozulu

alex9920 ...maybe so...but let’s agree that what you state has been predicted since the 1960’s...With the first Flower Power era...down in San Francisco...

alex9920

@Bravozulu who cares? Because greed of capitalism, politicians and billionaires the life conditions on Earth will be destroyed in 20-30 years and we will be doomed to be more sick than alive and to have again a life span of 30-40 years old.

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Oriyahu yahyah Kadmon

אמרו חכמי ישראל לפני בערך 2000 שנה שמוסיקה מסוגלת להחזיר בתשובה. סגנון הבארוק במקום ראשון ביכולת להחזיר בתשובה. ( מוסיקאי מקצועי לשעבר)

Anne Sepulchre

holy absolute fucking hell this is soooooooooooooooooo loooooooooooooooooooonnnnnnnnngggggggggggggggggg

vlysky

7y↑3

No 9:
https://youtu.be/UNsrdjzLrzM?t=1h24m30s
No 10:
https://youtu.be/UNsrdjzLrzM?t=1h33m19s

Tougeron CFD

5y↑6

Music wonderful, but advertising awful....

michael david Rubin

I've mentioned the Opera browser, using it for other purposes - it seems to block ads.

Miguel Adolfo Romero Blanco

4y↑1

Sometimes it sounds like Pachabel´s canon.

Elaine Blackhurst

@Lorenzo Gialluca There is no ‘copying’; the sequence of notes in the ground bass is little more than a Baroque commonplace, and the chances of Corelli knowing anything of Pachelbel are zero!
Opus 6 No 12 is a brilliant set of variations on ‘La Folia’ - but this is entirely different.

Lorenzo Gialluca

because it does, Corelli in some parts of his Concertos "copied" (takes inspiration) from the Pachabel's canon (In the Christmas one there's an example)