1. Covenant is a Swedish electronic band formed in Helsingborg in 1988. The band is currently composed of Eskil Simonsson and Joakim Montelius in the studio, while live shows consist of Simonsson along with touring members Daniel Jonasson of Dupont, Andreas Catjar and Daniel Myer of Haujobb.
Their music comprises a mixture of synthpop and electronic body music. They have been releasing music since the early 1990s.
History
In the late 1970s and early 1980s, electronic music and several of its subgenres became a preferred musical style among European underground culture. It gained favor initially within major cities and eventually trickled into the continent's more secluded regions. This new wave of music was discovered at different instances by a group of friends living in Helsingborg, a scenic town in south western Sweden. Eskil Simonsson, Joakim Montelius and Clas Nachmanson, three teenagers with mutual, youthful curiosities for science, philosophy, and matters of existence, were all enthralled by the unique presentation and the emotional content of the music, specifically by that of bands such as Kraftwerk, The Human League, Depeche Mode, Front 242 and Nitzer Ebb. It was after attending the first Front 242 show in Scandinavia that the trio and others familiar to them decided to start a band.
The friends carried this fascination with them to university life in the historic town of Lund, approximately 50 kilometres (31 mi) southeast of Helsingborg. In between their academic endeavors and discussions of worldly affairs, they assembled a small recording studio in Nachmanson's bedroom and began to experiment with their own musical compositions. In 1988, the name "Covenant" was selected for the group—a name derived from the unspoken spiritual bond the trio professed to share.
As Covenant, the three produced their first publicly released track, "The Replicant", by invitation of Swedish record label Memento Materia. "The Replicant" was released on a compilation album in 1992, and the track thrilled label executives, prompting them to ask for a full album. In 1994, the group compiled enough songs to release the album, which became Dreams of a Cryotank. Dreams was well received by critics and fans alike, and with its success, the boyhood friends decided to take their musical efforts more seriously. They upgraded and added more equipment, relocated their studio, and committed to tour.
In 1995, Covenant performed at a festival in Germany at the request of Off-Beat Records. The band impressed Off-Beat's attending A&R representative, who signed them to a record deal the following day. Excited by the prospect of broader exposure, the band members eased further away from their educational pursuits and devoted themselves to completing a new album, 1996's Sequencer. Later in 1996, the band released the "Stalker" single before embarking on a tour with Haujobb and Steril across Germany, Belgium, and Holland.
With Sequencer, the band sought to improve upon the weaknesses they found in Dreams by combining sequencing, diverse melodies, and commanding lyrics. It became an instant classic among many observers, some of whom boldly declared it "the best electro album of the decade." It would go on to be re-released a number of times throughout the world and remains a club favorite in many settings.
Later in the year, San-Francisco-based record label 21st Circuitry agreed to distribute Covenant's albums in the United States, expanding the band's reach in the process. As a result, the group created the Theremin EP in 1997 specifically for North American release and started to accept tour dates throughout the US and Canada.
The trio's third full-length album, Europa, debuted in 1998. Europa carried Covenant's initially aggressive, often distorted brand of music into the beat-driven realm of synth pop, marking the beginning of a gradual evolution in the band's collective sound. In the U.S., the album peaked at #101 on the CMJ Radio Top 200 and reached #3 on the CMJ RPM charts.[8] Also in 1998, they sued the Norwegian black metal/Industrial metal band The Kovenant (then known as Covenant) for the rights to the name "Covenant", arguing that they had established use of the name first and forcing the Norwegian band to change the spelling of their name.
Covenant spent 1999 touring, changing record labels, and on the preparation of another album. Off-Beat Records went out of business, and Dependent was created by former Off Beat employees. Together with a few selected former Off-Beat acts, Covenant joined Dependent. In addition, Covenant were signed with SubSpace Communications in Sweden, effectively ending their tenure with Memento Materia. Meanwhile, 21st Circuitry Records ceased operations, leading the three to find a new home in America with Metropolis Records (Metropolis had bought the rights to the 21st Circuitry back catalogue). Shortly thereafter, the band's first three albums and the Theremin EP were re-issued in the US under the Metropolis label.
United States of Mind was released in 2000, and with it, Covenant's tendencies strayed further into synth pop. Also released that year was a stand-alone single, Der Leiermann. Sung to the tune of the album track Like Tears in Rain, it was a version of the German Art song of the same name. The song was originally a poem by Wilhelm Müller, set to music by Franz Schubert as part of the poem cycle "Die Winterreise". S. Alexander Reed asserts that this point in Covenant's career marks a distinct break from previous work in an attempt to project a sense of the "sublime built on wonder, rather than abjection."
A live album, Synergy, was released later in the year which featured tracks from the band's first four albums. The group continued with 2002's Northern Light, which they portrayed as having a more sombre, cold sound in comparison to their earlier offerings. In another transition between labels, the European release of Northern Light was handled by Sony Music's Ka2 division rather than Dependent or Subspace. (The US release was through Metropolis.)
Whilst they continued to produce music together, Montelius and Simonsson took up residence in separate countries; Montelius residing in Barcelona, Spain, and Simonsson living in Berlin, Germany. Nachmanson remained in Helsingborg.
Covenant released their sixth studio album, Skyshaper, in March 2006 to an overall positive reception. The band toured Europe prior to the album's release and toured the United States beginning in September 2006.
In March 2007, Covenant announced that Nachmanson would not be touring with the band and his replacement would be Daniel Myer of Haujobb. In an interview with Side-Line magazine Covenant's Joakim Montelius said he was not sure if Clas would still continue with Covenant.
In October 2007, Covenant released the road movie "In Transit" on DVD. It contained material from the world tour undertaken in support of the album "Skyshaper" and documented the band's travels in Europe, North America, South America and across Russia over a period of 18 months. The band confirmed Clas' departure in the DVD documentary.
In January 2011, Covenant released their seventh studio album, Modern Ruin — the first album by the band with Myer as a core member. The band released a new EP, "Last Dance" in June 2013. The band released their new album, titled "Leaving Babylon" in September 2013.
In April 2015, the band embarked on a North American tour to promote their eighth album, Leaving Babylon. The band, joined on tour by an opening band called "The Labrynth," performed in approximately 20 cities, including Los Angeles, New York, Washington, D.C, and Austin. Slug Magazine favorably reviewed the 6 April show in Salt Lake City, describing Covenant's stage presence as "exquisite" and "just as powerful as their music."
In October 2015, Covenant headlined the Gothic Meets Klassik festival in Leipzig, Germany, along with British synthpop band Mesh and songwriter and electronic musician Anne Clark.
In November 2016, they released their ninth studio album The Blinding Dark. It was accompanied by a tour in Europe and, in 2018, the UK. and the United States.
In February 2019, the band commenced a ten-city tour through Germany, starting in Berlin on 7 February. The "Fieldworks Tour 2019" show stops offered a new extended play record called the "Fieldworks: Exkursion EP". The EP features five tracks, each written by a member of the band, and one song in collaboration with French electro-industrial newcomer Grabyourface, who also performed opening sets during the band's German tour that year. According to the band's Facebook page, this EP is intended to be the first of an upcoming cycle of records associated with the "Fieldworks" theme. The new music was inspired in part by sounds collected at an electricity plant, according to an interview conducted by a writer for the magazine Zero. "This time we wanted to use the sounds we have collected for many years, from exotic places on the six continents we have visited as a band, as well as the mundane hum of everyday life, as stepping stones for the songs," Joakim Montelius explained in an interview published on Gruftbote.
The band headlined the final day of the Terminus Festival in Calgary on 28 July 2019 and then embarked on a set of five U.S. shows in Seattle (30 July), Portland (31 July), Los Angeles (2 August), Oakland (4 August), and Denver (6 August), respectively.
2. Covenant, now known as The Kovenant, was a Norwegian band which has evolved from a melodic symphonic black metal band to industrial metal/harsh industrial on more recent albums. The band changed the name due to a dispute with the Swedish band that shared the same name.
3. Covenant is also the name of the progressive rock project of Dave Gryder, ex-drummer of metal band Rotting Corpse. So far, he has released one album under the Covenant moniker: 1992’s Nature’s Divine Reflection, on which he plays all the keyboards and drums.
4. Covenant is a Christian rock band from Worcester, Massachusetts. www.covenantrock.net
5. The Covenant is a Modern (blues) Rock/Grunge Band from Holland. http://www.myspace.com/thecovenant.nl
Riot
Covenant Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I like the smell of burning kerosene
I'm feeding on the thrill of primal fear
I want my share of fluid endorphine
It seems they just sit and wait for sleep
I really need to see if there is something more
In danger I perceive my world so clear
I force myself to stretch the envelope
We'll all be here dancing underground
There's a riot going on
We'll all be here dancing underground
There's a riot going on
There's a riot going on
We'll all be here
There's a riot going on
There's a riot going on
We'll all be here
There's a party going on
We'll all be here dancing underground
There's a riot going on
We'll all be here dancing underground
There's a party going on
We'll all be here dancing underground
There's a riot going on
We'll all be here dancing underground
I'm freezing to the bone on the arctic storms
Naked in the cold I'm feeling so alive
I'm searching for the last uncharted land
I hope to find someone else like me
Don't listen to the fools that hold you back
For you will achieve what they can only dream
Now escape the grip of good old common sense
And trust yourself for reaching further on
There's a party going on
We'll all be here dancing underground
There's a riot going on
We'll all be here dancing underground
There's a party going on
We'll all be here dancing underground
There's a riot going on
We'll all be here dancing underground
The lyrics of Covenant's "Riot" are quite dark and filled with a sense of danger and adrenaline. The singer seems to be waiting for a deadly plane crash, even reveling in the idea of burning kerosene. The theme of fear continues as he talks about feeding on the "thrill of primal fear" and wanting to experience the rush of endorphins. In contrast to the waiting and fear, there is a sense of rebellion and underground celebration. The singer speaks of dancing and partying in the face of danger, asserting independence and making the most of the moment.
The contrast between danger and rebellion is further emphasized by the mentions of being "naked in the cold" and searching for uncharted lands. The lyrics suggest a desire to break free from the constraints of society and common sense and to push boundaries, even if it means taking risks. There's a sense of living in the moment, of not waiting for life to happen but taking control and experiencing it to the fullest.
Line by Line Meaning
I'm waiting for the plane to crush and burn
I am eagerly anticipating a catastrophic event, finding pleasure in the destruction that comes with it.
I like the smell of burning kerosene
The scent of burning kerosene is exciting and enticing to me.
I'm feeding on the thrill of primal fear
The exhilaration that comes with the fear of the unknown is what I crave.
I want my share of fluid endorphine
I desire the natural chemicals in my brain that make me feel pleasure and happiness.
It seems they just sit and wait for sleep
Others seem content to live a mundane life, waiting for the inevitable end.
I really need to see if there is something more
I have a deep desire to explore beyond the monotony of everyday life, to find my own purpose.
In danger I perceive my world so clear
I feel more alive and aware when I am taking risks and putting myself in danger.
I force myself to stretch the envelope
I challenge myself to push past my comfort zone, to see what I am truly capable of.
There's a party going on
Despite the dangers and risks, there is still a sense of excitement and enjoyment in living a life on the edge.
We'll all be here dancing underground
Together we will embrace this lifestyle and live it to the fullest, despite it being frowned upon by society.
I'm freezing to the bone on the arctic storms
Even in the most extreme and harsh environments, I am able to feel alive and invigorated.
Naked in the cold I'm feeling so alive
Without the trappings of modern society, I feel a pure sense of vitality and pride in my accomplishments.
I'm searching for the last uncharted land
My desire to explore and discover the unknown is never fully quenched, as there is always something more to be found.
I hope to find someone else like me
I long to find others who share my sense of adventure and desire for a life beyond the ordinary.
Don't listen to the fools that hold you back
The naysayers in life will try to stop me from following my dreams and living on the edge, but I must ignore their negativity.
For you will achieve what they can only dream
I will succeed where others have failed, achieving my own goals and living the life that others only dream of.
Now escape the grip of good old common sense
I must be willing to abandon traditional thinking and embrace a more unconventional lifestyle in order to truly live.
And trust yourself for reaching further on
I must have faith in myself and my abilities in order to continue on this path and find true fulfillment.
Lyrics © Warner Chappell Music, Inc.
Written by: JOAKIM MONTELIUS, SIMONSSON ESKIL, SIMONSSON ESKIL SIMONSSON ESKIL
Lyrics Licensed & Provided by LyricFind
Gwen Korinek
This is a gemstone! A Covenant classic with fiery energy and rebellious spirit. Just brilliant.
ace eksΓeγ tord
not rebellious at all
Gwen Korinek
Interpretation is always subjective, of course. Definitely rebellious for me personally. How do you come to your conclusion?
Gwen Korinek
Interpretation is always subjective, of course. Definitely rebellious for me personally. How do you come to your conclusion?
ace eksΓeγ tord
This is far right music. Rebellion is far left. I know many goth fans didn't get this, but their loss.
Thanks for your polite response, bye ;)
Gwen Korinek
+ace tord I have no idea where you get that interpretation from. The band is unpolitical. Besides, anyone can rebel.
I don't see how this text is political at all.
I definitely don't think it was the intentions of the artists to make this a "far right" piece.
Also, saying goodbye before you even engage in discussion gives others the impression that you are unwilling or unable to have a good discussion.
Lostariael
It's the simple things in life I really enjoy. Like turning up the volume in time with the music at 0:11-0:14.
Gwen Korinek
To erase any confusion about the political direction of Covenant, here's a short statement from Joakim Montelius:
"Our Riot is inspired by The Clash. Covenant is unpolitical except that we're strongly opposed to all forms of extremism, political as well as religious. Feel free to quote me on that."
- Joakim Montelius, 5/5/2016