These members played together since 1959, first as The Blue Velvets, then as The Golliwogs. Their musical style encompassed the roots rock, swamp rock, and blues rock genres. They played in a Southern rock style, despite their San Francisco Bay Area origin, with lyrics about bayous, catfish, the Mississippi River, and other popular elements of Southern United States iconography, as well as political and socially conscious lyrics about topics including the Vietnam War. The band performed at the 1969 Woodstock Festival in Upstate New York.
The group disbanded acrimoniously in late 1972 after four years of chart-topping success. Tom Fogerty had officially left the previous year, and his brother John was at odds with the remaining members over matters of business and artistic control, all of which resulted in subsequent lawsuits among the former bandmates. Fogerty's ongoing disagreements with Fantasy Records owner Saul Zaentz created further protracted court battles, and John Fogerty refused to perform with the two other surviving members at CCR's 1993 induction into the Rock and Roll Hall of Fame.
Creedence Clearwater Revival's music is still a staple of US radio airplay; the band has sold 26 million albums in the United States alone. Rolling Stone ranked them 82nd on its Rolling Stone's 100 Greatest Artists of All Time list.
John Fogerty, Doug Clifford, and Stu Cook met at Portola Junior High School in El Cerrito, California. Calling themselves the Blue Velvets, the trio began playing instrumentals and "juke box standards", as well as backing Fogerty's older brother Tom at live gigs and in the recording studio. Tom soon joined the band, and in 1964 they signed with Fantasy Records, an independent jazz label in San Francisco that had released Cast Your Fate To The Wind, a national hit for jazz pianist Vince Guaraldi. The record's success was the subject of a National Educational Television special, which prompted budding songwriter John Fogerty to contact the label. For the band's first release, Fantasy co-owner Max Weiss renamed the group the Golliwogs (after the children's literary character, Golliwogg).
Bandmembers' roles and the instruments they played changed during this period. Stu Cook switched from piano to bass guitar and Tom Fogerty from lead vocals to rhythm guitar; John became the band's lead vocalist and primary songwriter. In Tom Fogerty's words: "I could sing, but John had a sound!".
Call It Pretending
Creedence Clearwater Revival Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Just turn and walk out on you
And leave you standing there
Pretending I don't care
When you know as well as I
That would be nowhere
Shouldn't I be with you
After I walk away
Would it be the end
Or just a second wind
For the good old song that we use to call pretending
Shouldn't I be with you
It's not the first time that you had me turn away
I don't know it won't be the last time
But you got to say you got to
Should we make a brand new start
Or are you gonna break my heart
And leave me standing there
Pretending I don't care
When you know as well as I
That would get us nowhere
Will it be the end
Or just a second wind
For the good old song that we use to call pretending
Shouldn't I be with you
Shouldn't I be with you
The lyrics to Creedence Clearwater Revival's song Call It Pretending speak to a sense of uncertainty and apprehension within a relationship. The singer is asking their partner what they want them to do - leave or stay - but ultimately acknowledges that walking away would get them nowhere. There's a sense of frustration in the repetition of the phrase "Pretending I don't care," as if the singer is tired of playing games or hiding their emotions. The line "Shouldn't I be with you" seems to be both a question and a statement, a declaration of the singer's desire to be with their partner but also an admission of uncertainty about whether they should stay or go. The song concludes with a final question: "Should we make a brand new start / Or are you gonna break my heart?" The ambiguity of this line speaks to the uncertainty that permeates the entire song; it's clear that the relationship is at a crossroads, but it's unclear which direction it will take.
One interesting fact about this song is that it was written by John Fogerty, the lead singer and primary songwriter of Creedence Clearwater Revival. Fogerty wrote most of the band's songs, but he often wrote under pseudonyms or credited the entire band with songwriting in order to avoid legal disputes with Fantasy Records, the label that owned the rights to the band's music. Another interesting fact is that the song was released in 1972 as the B-side to "Someday Never Comes," which became CCR's last Top 40 hit. "Call It Pretending" was never released as a single in the United States, but it did receive airplay on some radio stations.
The chords for "Call It Pretending" are:
Verse:
G D Am C
G D Am C
G D Am C
G D Am C
Chorus:
C G Am F
C G Am F
C G Am F
C G Am F
Another interesting fact about this song is that it features a strings section, which was relatively unusual for Creedence Clearwater Revival. The band's music was known for its stripped-down, bluesy sound, but they experimented with different instrumentation on some of their later albums. Another unusual aspect of the song is the frequent use of the word "pretending," which is repeated ten times throughout the lyrics. This repetition creates a sense of unease and suggests that the singer is tired of pretending or hiding their true feelings.
"Call It Pretending" is not one of Creedence Clearwater Revival's most well-known songs, but it offers a window into the band's later period, when they were experimenting with different sounds and styles. The lyrics hint at the tension and uncertainty that can arise within a relationship, and the song's uncertain tone reflects the difficult choices that the singer is facing.
Line by Line Meaning
What would you have me do
What action do you want me to take
Just turn and walk out on you
Should I leave you without any explanation or reason
And leave you standing there
Should I abandon you and leave you standing alone
Pretending I don't care
Acting as if I don't have any feelings for you
When you know as well as I
You are aware that my actions are not genuine
That would be nowhere
It wouldn't lead us anywhere meaningful or beneficial
Shouldn't I be with you
Wouldn't it be better for us to be together
What would you have me say
What do you want me to speak
After I walk away
Once I've left our situation behind
Would it be the end
Is this the final chapter for us
Or just a second wind
Or is there still hope that our relationship can be revived
For the good old song that we use to call pretending
For what we called 'pretending' in the past
It's not the first time that you had me turn away
This isn't the first instance where you convinced me to abandon you
I don't know it won't be the last time
I'm uncertain if this will be the final occasion either
But you got to say you got to
You need to make your intentions clear
Should we make a brand new start
Do we have the possibility to start over from scratch
Or are you gonna break my heart
Will you ultimately shatter my emotions
And leave me standing there
Cause me to be left standing by myself
Pretending I don't care
Making it appear as though I don't have any feelings for you
When you know as well as I
It's plain to see that my demeanor is false
That would get us nowhere
It wouldn't advance our relationship together
Will it be the end
Will this be the conclusion that we have been dreading
Or just a second wind
Or will we be given one last chance to make it work
For the good old song that we use to call pretending
For what we once referred to as 'pretending'
Shouldn't I be with you
Aren't we meant to be together in this journey of life
Lyrics ÂĐ CONCORD MUSIC PUBLISHING LLC, Warner Chappell Music, Inc.
Written by: DOUGLAS R. CLIFFORD, JOHN CAMERON FOGERTY, RICHARD FOGERTY THOMAS, STU COOK, THOMAS RICHARD FOGERTY
Lyrics Licensed & Provided by LyricFind
geocs58
One of the weirdest (and best) "lost" tunes that a major band ever released... It's not really a Golliwogs (ie; British Invasion influenced) tune, nor a Creedence (R&B/ Swamp Rock) tune, either. It kind of stands alone in the CCR catalog.
John South
Has a Motown / R&B feel to it!
Tonytotalify
Great song! Love it
jay thomy
lovely song...thank god for having beautiful group like creedence
breffnipark
Absolutely Love CCR  !
John Fogerty for President !!!
Zoran Marijanac
Amazing song even 1967!! God bless guys!!ðð
chezsunset
Thanks Pauley!! Never heard this before and really like it. I guess I need to get that boxed set. I often wonder about the stuff they did that John didn't think was good enough at the time [and threw away]. I'm sure it was better than most bands' released stuff.
Renat Ibrahimov
Fantastic song, awesome, it's burnin my blood
Jerry Foster
Damn, I cannot get enough of this song. John's voice is just awesome on this. Definitely not Tom on vocals here.
Ronda Knorr
<3 CCR and this song is one of their best!