Crimpshrine's origins are traced back to S.A.G. S.A.G. was formed in Berkeley, CA during the summer of 1982 by Jesse Michaels (of later Operation Ivy fame) (just 12 at the time) and Aaron Cometbus. The band mostly did just tape dubs with Jesse and Aaron trading off on instruments. It wasn't a functioning band until 1983 when Jeff Ott (at 12 years old) was brought in. Jeff played drums (even though they only had one drum). Jesse only sung, and Aaron played a guitar with only 3 strings. Later, they had changed their name to Revolution Through Apathy. S.A.G. had split up in early 1984. There were some rumors that Jesse was kicked out for smoking too much pot, so Jesse went one way and Aaron and Jeff went another. Jesse was Crimpshrine's original vocalist until he was not in the band. However, years later he came back and did some live backup vocals with Crimpshrine. There may be some tape dubs floating around, but other than that, the only released material that can be found by S.A.G. was one song- "I Had To Kill Some Ants Today" on Aaron Cometbus's "Lest We Forget" compilation. It was released in 1991 on tape by BBT Tapes. Other than that song, no other songs are known to be released by S.A.G. However, some S.A.G. lyrics were used in Operation Ivy in the end of Plea for Peace and some other songs such as Steppin' out.
After S.A.G.'s breakup, Aaron and Jeff switched off on instruments. Sometimes Aaron would play guitar and Jeff would play the synthesizer or piano or they would both play guitar. Eventually, Isaac (unsure of his last name) joined the band, first on violin, and then synthesizer. Lint from Operation Ivy played bass for a little while. This was the start of Crimpshrine. Finally, Crimpshrine became Jeff on guitar and Aaron playing drums and percussion. The only song used from those early Crimpshrine days on their later recordings was Tomorrow, which was originally an instrumental but eventually had words. In late 1984, Aaron was able to get a real drum set, and it was decided that Jeff would sing. The original plan was to have a female vocalist but that never happened. After going through 6 bassists (Ron, Chalky, Lint, and later Dave Ed, Spider, Suzie, David, Chris, Ben Weasel, and John J.) and one and a half years of confusion, Crimpshrine played their first show. However, their bassist decided to quit right before the show, so they had to get a replacement bassist learn 3 of their songs in 5 minutes. Pete Rypins joined the band in October of 1986 as the bassist and Crimpshrine finally began to play some real shows instead of playing in Jeff's basement most of the time. Their first demo was recorded in February of 1987. Then, they did 2 songs, Another Day and Rearranged, for the Turn It Around compilation. Their first EP, "Sleep, What's That?" was recorded in September of 1987 and released in January 1988 on Lookout Records.
They gained a second guitarist, Idon Bryant, prior to Sleep, What's That's release. He was not included on that album, but played on their second full-length, "Lame Gig Contest." It was rejected by Lookout Records, but put out by Musical Tragedies, a German label, with the lyrics translated from English to German in the sleeve. This is a very rare album to come across, however much of it was released in other Crimpshrine albums, such as Duct Tape Soup and The Sound of a New World Being Born.
The band was in various newspaper articles in their time, some describing them, others for their way of publicizing themselves. They would write "Crimpshrine" (which was a name they gave to a girl they knew with crimped hair) all over Berkeley High School's walls, as well as purple dots and other grafitti. Their principal actually supported the grafitti! One of their best articles was from in the Oakland Tribune, who went to BHS wanting to interview a band. They were interviewed by Maximum Rock N' Roll in 1988 as well.
After Lame Gig Contest came another EP, "Quit Talkin' Claude." Quit Talkin' Claude was released Claude was a renowned Berkeley scenester who was said to never shut up. Idon Bryant and Pete Rypins had left the band by that time. Pete was replaced by Paul Curran on bass. When Paul joined the band in 1988, Crimpshrine toured for awhile. His brother, Jack, was a roadie. Paul drove the Pinto they toured in. Jake was a roadie from time to time as well. He sang on one of their songs. Zak and Dennis were also roadies.
The 1989 release of Quit Talkin' Claude on Lookout Records was their farewell record, as they had split up. Quit Talkin' Claude was recorded in January of 1989 with Kevin Army, who worked with Operation Ivy and many other bands. After this release Crimpshrine was on some other compilations. Lookout released two retrospectives, containing some unreleased and hard-to-find Crimpshrine songs, The Sound of a New World Being Born and Duct Tape Soup. They made a split EP in 1988 with Boneyard and A Priori called Caution. It was released on Skene Records. They appeared on "The World's In Shreds" with the song Pretty Mess. It was an EP released in 1989 on the record label Shredder. Jawbreaker, Moral Crux, and A Priori appeared on this album as well. They appeared in 1993's "Benicia..." compilation put out by Take A Day on cassette. The song "Going Home" by Crimpshrine on that compilation is not known to be released on any other album. Other bands on it were Pinhead Gunpowder (Aaron's drumming) and Monsula. Crimpshrine were on some Lookout compilations. One of the obvious ones was The Thing that Ate Floyd, which contained many other of the Gilman era bands. They appeared with the song "Sanctuary" on Lookout's 1998 compilation Forward Till Death. They did a split with Mutley Chix in the No Idea Fanzine (issue 7). The Crimpshrine songs were Closed Doors Closed Minds, Caught Up, and Fucked Up Kid. Mutley Chix did Small Town, Big Hell and Lamp. Their real farewell album was a split single released in 1990 on the record label No Reality. It was called the Burning Bridges EP on their side. On the other side was Angel... Your Hair Looks Good! by G-Whiz. The two songs by Crimpshrine on their farewell album were Over the Years and The Direction of Things to Come. Over the Years was taken from their first demo which was recorded with Brian Edge at Gilman in January of 1987. It was recorded with Pete but not with Idon. The Direction of Things to Come was taken from their last studio recording session in January of 1989. It was recorded by Kevin Army. It featured Paul, Jeff, and Aaron.
Crimpshrine fell apart in 1989 and the members went their separate ways. Jeff went into Fifteen, Aaron got involved with countless bands such as Pinhead Gunpowder (with Billie Joe Armstrong) and Astrid Oto. Paul was in Go Sailor and Shotwell Coho, and also did a stint with Sweet Baby; he now plays bass and sings in both Surrender and Onion Flavored Rings. Idon has been in a fairly popular East Bay hardcore punk, Strychine. Pete resurfaced in Tilt, and has been playing with The Tantrums for over 10 years. Check them out at their homepage or at their Myspace page. Crimpshrine, the heart and soul of the East Bay, lives on through the other members projects and through the people that still listen to them and are inspired by them today.
Butterflies
Crimpshrine Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
But now I look around and realize
That there are no butterflies around here anymore.
Now there's more people everywhere
And on ground that once was bare
They've built condos and shopping malls
And on streets I walked where the sun shined
Shadows grow as buildings climb
The concrete stretches for miles
They put it up in different styles
But it still looks pretty ugly to me...
What a pity
They've fucked up this city
Where I grew up
Now it's grown too big
And there's no room left for me
Maybe it was just cuz I was younger
But people here seemed friendlier
And life was so much simpler
When I was growing up
People closed up as a defense
Protecting what little space they had left
And now everyone's uptight and tense
The city's bleakness makes people numb
Sounds and lights and escape
From having to deal with anyone
I want to live in a place where
I can see a smile on the face
Of someone passing by and say "hi"...
Now I need to find a place
Where I can grow and climb
And I can chase
Butterflies again
The lyrics to Crimpshrine's song "Butterflies" explore the theme of change and how it affects the world around us. The song opens up with the nostalgic memory of chasing butterflies as a child, and as the singer looks around, he comes to the realization that there are no butterflies around anymore. The urbanization and overpopulation of the city has destroyed what once was a peaceful and free place.
The lyrics further depict the impact of commercialization and modernization on urban landscapes through the construction of shopping malls, condos, and buildings. The changes have created a cold and impersonal environment where people are more defensive and isolated. The singer laments that he wants to live in a place where he can see a smile on someone's face and say "hi" as he chases butterflies again.
The song's closing lines emphasize the desire for change and finding a place to grow and live freely. The lyrics illustrate how the rapid development of our cities and communities can ultimately lead to the loss of something precious, both tangible or not. As such, there is an underlying message that urges people to take action and prevent further destruction and loss of natural beauty.
Line by Line Meaning
When I was younger I chased butterflies
In my youth, I had the freedom to explore nature and marvel at its beauty without any restrictions or distractions.
But now I look around and realize
As I grew up, I started to notice the changes around me and understand how human activities and development have impacted the environment.
That there are no butterflies around here anymore.
The destruction caused by urbanization and commercialization has wiped out the delicate species and destroyed the natural habitats of various animals.
Now there's more people everywhere
The burgeoning population has put enormous pressure on our resources, infrastructure, and services, creating chaos and congestion in urban areas.
And on ground that once was bare
The greedy developers have bulldozed the forests, fields, and meadows to construct mammoth structures, depleting the green cover and altering the ecology of the region.
They've built condos and shopping malls
The relentless pursuit of profit has led to the commercialization of every available space, turning cities into concrete jungles of branded stores, multiplexes, and restaurants.
And on streets I walked where the sun shined
In the past, I roamed on streets that felt free and open, where the natural light filtered in and the air was fresh and clean.
Shadows grow as buildings climb
As more buildings rise higher and higher, they cast shadows on the streets, blocking out the sunlight and making the surroundings gloomy and dark.
And I get older getting colder everyday
The passage of time has made me realize how the city's harshness has affected me, eroding my warmth, innocence, and joy bit by bit.
The concrete stretches for miles
The omnipresent concrete landscape, with its tall buildings, wide roads, and vast parking lots, has replaced the natural contours of the land and left no breathing space.
They put it up in different styles
Though the architects and builders try to create unique designs and shapes, the overall effect remains the same, monotonous and uninspiring, lacking any character or soul.
But it still looks pretty ugly to me...
Despite all the cosmetic upgrades and facades, the city's inner ugliness, its pollution, noise, and congestion, continues to haunt me and make me feel detached and disillusioned.
What a pity
It is unfortunate and disappointing that the city of my childhood dreams has turned into a soulless and uninviting place.
They've fucked up this city
The greed, corruption, and apathy of the authorities and the developers have ruined the city, destroying its natural and cultural heritage and creating a mess of chaos and ugliness.
Where I grew up
This city used to be my home, my sanctuary, my Eden, where I could frolic and explore without fear or inhibition.
Now it's grown too big
The size and complexity of the city has outgrown me, overtaken me, and marginalized me, making me feel small and insignificant.
And there's no room left for me
The city's expansion and overcrowding have left me with no space, no place, and no sense of belonging, making me feel like an outsider in my own hometown.
Maybe it was just cuz I was younger
In hindsight, I realize that my nostalgia and fondness for the past may be influenced by my youthful ignorance and idealism that made me see things through rose-tinted glasses.
But people here seemed friendlier
Despite the harsh realities of life in the city, I remember a time when the people here were more open, kind, and compassionate, forming deep and lasting bonds with each other.
And life was so much simpler
Back then, life was less complex, less materialistic, and less stressful, allowing us to enjoy the simple pleasures of nature, friendships, and community life.
When I was growing up
Those formative years of my life, filled with innocence, curiosity, and wonder, were spent in this city, which has now changed beyond recognition.
People closed up as a defense
The city's harshness has made people defensive, guarded, and aloof, protecting themselves from the onslaught of strangers, dangers, and disappointments.
Protecting what little space they had left
Given the scarcity of resources, opportunities, and spaces in the city, people have to guard their physical and emotional boundaries and protect their interests and assets.
And now everyone's uptight and tense
The collective stress, anxiety, and pressure of urban living have transformed the people into a neurotic, paranoid, and agitated mass, craving for escape and relief.
The city's bleakness makes people numb
The city's oppressive atmosphere, with its pollution, noise, and monotony, has desensitized the people, making them indifferent, apathetic, and robotic.
Sounds and lights and escape
The people seek refuge and entertainment in the city's music, movies, and clubs, trying to escape the drudgery and boredom of their daily lives.
From having to deal with anyone
In the city, people have to interact with strangers, acquaintances, and clients all the time, often with ulterior motives, hidden agendas, or rude behavior, which can be exhausting and frustrating.
I want to live in a place where
My ideal city is a place where I can find peace, beauty, and harmony, where I can live in sync with nature, culture, and my own values and passions.
I can see a smile on the face
The people in my ideal city are friendly, open, and happy, radiating joy, warmth, and kindness, making me feel safe, welcome, and loved.
Of someone passing by and say "hi"...
The simple act of greeting, acknowledging, and connecting with fellow citizens can create a sense of community, belonging, and trust, which can enrich and enliven our lives in the city.
Now I need to find a place
My quest for the ideal city has become a necessity, a goal, and a dream that drives me to explore, learn, and grow as a person and as a citizen.
Where I can grow and climb
In my ideal city, I can find opportunities to learn, innovate, and succeed, utilizing my talents and skills to their full potential, and taking on new challenges and adventures.
And I can chase
My ideal city allows me to pursue my passions, hobbies, and interests, whether it's chasing butterflies, writing poetry, or playing a musical instrument, without any fear, shame, or judgment.
Butterflies again
The metaphoric butterflies signify the beauty, grace, and fragility of nature, which need to be respected, preserved, and celebrated in our cities, rather than being replaced by cold, artificial, and ugly structures.
Contributed by Eliana C. Suggest a correction in the comments below.
Kyle
When I was younger I chased butterflies
But now I look around and realize
That there are no butterflies around here anymore.
Now there's more people everywhere
And on ground that once was bare
They've built condos and shopping malls
And on streets I walked where the sun shined
Shadows grow as buildings climb
And I get older getting colder everyday
The concrete stretches for miles
They put it up in different styles
But it still looks pretty ugly to me...
What a pity
They've fucked up this city
Where I grew up
Now it's grown too big
And there's no room left for me
Maybe it was just cuz I was younger
But people here seemed friendlier
And life was so much simpler
When I was growing up
People closed up as a defense
Protecting what little space they had left
And now everyone's uptight and tense
The city's bleakness makes people numb
Sounds and lights and escape
From having to deal with anyone
I want to live in a place where
I can see a smile on the face
Of someone passing by and say "hi"...
Now I need to find a place
Where I can grow and climb
And I can chase
Butterflies again
gigi puig
My favorite Crimpshrine song!! On my top ten of all time!
Jeff Addis
beautiful song that stands the test of time
Oliver Landfried
LOVE this song!!!
Skunksixtynine x
Favorite song by them. Still have the vinyl and the disintegrating t-shirt with the mom and kid on a swing set??!?!? If I wash the thing it will dissolve into nothingness.. Good times!!
Cyp3
Met Aaron as a kid, the guy was who introduced me to zines and DIY and a whole world outside the echo chamber of Longview. It might have very well saved my life, totally ended up changing the direction of it.
Hifidelics
I still have this on vinyl...
Kyle
When I was younger I chased butterflies
But now I look around and realize
That there are no butterflies around here anymore.
Now there's more people everywhere
And on ground that once was bare
They've built condos and shopping malls
And on streets I walked where the sun shined
Shadows grow as buildings climb
And I get older getting colder everyday
The concrete stretches for miles
They put it up in different styles
But it still looks pretty ugly to me...
What a pity
They've fucked up this city
Where I grew up
Now it's grown too big
And there's no room left for me
Maybe it was just cuz I was younger
But people here seemed friendlier
And life was so much simpler
When I was growing up
People closed up as a defense
Protecting what little space they had left
And now everyone's uptight and tense
The city's bleakness makes people numb
Sounds and lights and escape
From having to deal with anyone
I want to live in a place where
I can see a smile on the face
Of someone passing by and say "hi"...
Now I need to find a place
Where I can grow and climb
And I can chase
Butterflies again
Matthew Cooper
Sounds good I 👍🏿
Addiction - Nixon
I fucking LOVE this song!
Gregory Kissel
fuck yeah! what a great band.....PUNK!