Kung Fu
Curtis Mayfield Lyrics
Our days of comfort, days of night
Don't put yourself in solitude
Who can I trust with my life
When people tend to be so rude
My mama borned me in a ghetto
There was no mattress for my head
But, no, she couldn't call me Jesus
I wasn't white enough, she said
Don't have to explain it, no, Kung Fu
Don't know how you'll take it, Kung Fu
I'm just trying to make it, Kung Fu
I've got some babys and some sisters
My brother worked for Uncle Sam
It's just a shame, ain't it, Mister
We being brothers of the damned
Keep your head high, Kung Fu
I will til I die, yeah, Kung Fu
Don't be too intense, no, Kung Fu
Keep your common sense, yeah, Kung Fu
Don't mistake life for a secret
There is no secret part of you
You bet your life if you think wicked
Someone else is thinking wicked too
My mama borned me in a ghetto
There was no mattress for my head
But, no, she couldn't name me Jesus
I wasn't white enough, she said
And then she named me, Kung Fu
Don't have to explain it, no, Kung Fu
Don't know how you'll take it, Kung Fu
I'm just trying to make it, Kung Fu
Lyrics © Warner Chappell Music, Inc.
Written by: CURTIS MAYFIELD
Lyrics Licensed & Provided by LyricFind
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Curtis Mayfield (June 3, 1942 – December 26, 1999) was an American soul, funk and rhythm and blues, singer-songwriter and guitarist from Chicago, Illinois.
Mayfield is probably best known for his anthemic music with The Impressions and for the soundtrack to the blaxploitation film Superfly.
Perhaps because he didn't cross over to the pop audience as heavily as Motown's stars, it may be that the scope of Curtis Mayfield's talents and contributions have yet to be fully recognized. Read Full BioCurtis Mayfield (June 3, 1942 – December 26, 1999) was an American soul, funk and rhythm and blues, singer-songwriter and guitarist from Chicago, Illinois.
Mayfield is probably best known for his anthemic music with The Impressions and for the soundtrack to the blaxploitation film Superfly.
Perhaps because he didn't cross over to the pop audience as heavily as Motown's stars, it may be that the scope of Curtis Mayfield's talents and contributions have yet to be fully recognized. Judged merely by his records alone, the man's legacy is enormous. As the leader of the Impressions, he recorded some of the finest soul vocal group music of the 1960s. As a solo artist in the 1970s, he helped pioneer funk and helped introduce hard-hitting urban commentary into soul music. "Gypsy Woman," "It's All Right," "People Get Ready," "Freddie's Dead," and "Superfly" are merely the most famous of his many hit records.
But Curtis Mayfield wasn't just a singer. Born in in Chicago, IL, he wrote most of his material at a time when that was not the norm for soul performers. He was among the first -- if not the very first -- to speak openly about African-American pride and community struggle in his compositions. As a songwriter and a producer, he was a key architect of Chicago Soul, penning material and working on sessions by notable Windy City soulsters like Gene Chandler, Jerry Butler, Major Lance, and Billy Butler. In this sense, he can be compared to Smokey Robinson, who also managed to find time to write and produce many classics for other soul stars. Mayfield was also an excellent guitarist, and his rolling, Latin-influenced lines were highlights of the Impressions' recordings in the '60s. During the next decade, he would toughen up his guitar work and production, incorporating some of the best features of psychedelic rock and funk.
Mayfield began his career as an associate of Jerry Butler, with whom he formed the Impressions in the late '50s. After the Impressions had a big hit in 1958 with "For Your Precious Love," Butler, who had sung lead on the record, split to start a solo career. Mayfield, while keeping the Impressions together, continued to write for and tour with Butler before the Impressions got their first Top 20 hit in 1961, "Gypsy Woman."
Mayfield was heavily steeped in gospel music before he entered the pop arena, and gospel, as well as doo wop, influences would figure prominently in most of his '60s work. Mayfield wasn't a staunch traditionalist, however. He and the Impressions may have often worked the call-and-response gospel style, but his songs (romantic and otherwise) were often veiled or unveiled messages of black pride, reflecting the increased confidence and self-determination of the African-American community. Musically he was an innovator as well, using arrangements that employed the punchy, blaring horns and Latin-influenced rhythms that came to be trademark flourishes of Chicago soul. As the staff producer for the OKeh label, Mayfield was also instrumental in lending his talents to the work of other Chi-town soul singers who went on to national success. With Mayfield singing lead and playing guitar, the Impressions had 14 Top 40 hits in the 1960s (five made the Top 20 in 1964 alone), and released some above-average albums during that period as well.
Given Mayfield's prodigious talents, it was perhaps inevitable that he would eventually leave the Impressions to begin a solo career, as he did in 1970. His first few singles boasted a harder, more funk-driven sound; singles like "(Don't Worry) If There's a Hell Below, We're All Gonna Go" found him confronting ghetto life with a realism that had rarely been heard on record. He really didn't hit his artistic or commercial stride as a solo artist, though, until Superfly, his soundtrack to a 1972 blaxploitation film. Drug deals, ghetto shootings, the death of young black men before their time: all were described in penetrating detail. Yet Mayfield's irrepressible falsetto vocals, uplifting melodies, and fabulous funk pop arrangements gave the oft-moralizing material a graceful strength that few others could have achieved. For all the glory of his past work, Superfly stands as his crowning achievement, not to mention a much-needed counterpoint to the sensationalistic portrayals of the film itself.
At this point Mayfield, along with Stevie Wonder and Marvin Gaye, was the foremost exponent of a new level of compelling auteurism in soul. His failure to maintain the standards of Superfly qualifies as one of the great disappointments in the history of black popular music. Perhaps he'd simply reached his peak after a long climb, but the rest of his '70s work didn't match the musical brilliance and lyrical subtleties of Superfly, although he had a few large R&B hits in a much more conventional vein, such as "Kung Fu," "So in Love," and "Only You Babe."
Mayfield had a couple of hits in the early '80s, but the decade generally found his commercial fortunes in a steady downward spiral, despite some intermittent albums.
On August 14, 1990, he became paralyzed from the neck down when a lighting rig fell on top of him at a concert in Brooklyn, NY. In 1993, three years after the accident which caused Mayfield's paralysis, Shanachie records released the album People Get Ready: A Tribute to Curtis Mayfield featuring a.o. Jerry Butler, Don Covay and Steve Cropper.
Mayfield received the Grammy Lifetime Achievement Award in 1995.
Curtis Mayfield died December 26, 1999 at the North Fulton Regional Hospital in Roswell, Georgia.
Mayfield is probably best known for his anthemic music with The Impressions and for the soundtrack to the blaxploitation film Superfly.
Perhaps because he didn't cross over to the pop audience as heavily as Motown's stars, it may be that the scope of Curtis Mayfield's talents and contributions have yet to be fully recognized. Read Full BioCurtis Mayfield (June 3, 1942 – December 26, 1999) was an American soul, funk and rhythm and blues, singer-songwriter and guitarist from Chicago, Illinois.
Mayfield is probably best known for his anthemic music with The Impressions and for the soundtrack to the blaxploitation film Superfly.
Perhaps because he didn't cross over to the pop audience as heavily as Motown's stars, it may be that the scope of Curtis Mayfield's talents and contributions have yet to be fully recognized. Judged merely by his records alone, the man's legacy is enormous. As the leader of the Impressions, he recorded some of the finest soul vocal group music of the 1960s. As a solo artist in the 1970s, he helped pioneer funk and helped introduce hard-hitting urban commentary into soul music. "Gypsy Woman," "It's All Right," "People Get Ready," "Freddie's Dead," and "Superfly" are merely the most famous of his many hit records.
But Curtis Mayfield wasn't just a singer. Born in in Chicago, IL, he wrote most of his material at a time when that was not the norm for soul performers. He was among the first -- if not the very first -- to speak openly about African-American pride and community struggle in his compositions. As a songwriter and a producer, he was a key architect of Chicago Soul, penning material and working on sessions by notable Windy City soulsters like Gene Chandler, Jerry Butler, Major Lance, and Billy Butler. In this sense, he can be compared to Smokey Robinson, who also managed to find time to write and produce many classics for other soul stars. Mayfield was also an excellent guitarist, and his rolling, Latin-influenced lines were highlights of the Impressions' recordings in the '60s. During the next decade, he would toughen up his guitar work and production, incorporating some of the best features of psychedelic rock and funk.
Mayfield began his career as an associate of Jerry Butler, with whom he formed the Impressions in the late '50s. After the Impressions had a big hit in 1958 with "For Your Precious Love," Butler, who had sung lead on the record, split to start a solo career. Mayfield, while keeping the Impressions together, continued to write for and tour with Butler before the Impressions got their first Top 20 hit in 1961, "Gypsy Woman."
Mayfield was heavily steeped in gospel music before he entered the pop arena, and gospel, as well as doo wop, influences would figure prominently in most of his '60s work. Mayfield wasn't a staunch traditionalist, however. He and the Impressions may have often worked the call-and-response gospel style, but his songs (romantic and otherwise) were often veiled or unveiled messages of black pride, reflecting the increased confidence and self-determination of the African-American community. Musically he was an innovator as well, using arrangements that employed the punchy, blaring horns and Latin-influenced rhythms that came to be trademark flourishes of Chicago soul. As the staff producer for the OKeh label, Mayfield was also instrumental in lending his talents to the work of other Chi-town soul singers who went on to national success. With Mayfield singing lead and playing guitar, the Impressions had 14 Top 40 hits in the 1960s (five made the Top 20 in 1964 alone), and released some above-average albums during that period as well.
Given Mayfield's prodigious talents, it was perhaps inevitable that he would eventually leave the Impressions to begin a solo career, as he did in 1970. His first few singles boasted a harder, more funk-driven sound; singles like "(Don't Worry) If There's a Hell Below, We're All Gonna Go" found him confronting ghetto life with a realism that had rarely been heard on record. He really didn't hit his artistic or commercial stride as a solo artist, though, until Superfly, his soundtrack to a 1972 blaxploitation film. Drug deals, ghetto shootings, the death of young black men before their time: all were described in penetrating detail. Yet Mayfield's irrepressible falsetto vocals, uplifting melodies, and fabulous funk pop arrangements gave the oft-moralizing material a graceful strength that few others could have achieved. For all the glory of his past work, Superfly stands as his crowning achievement, not to mention a much-needed counterpoint to the sensationalistic portrayals of the film itself.
At this point Mayfield, along with Stevie Wonder and Marvin Gaye, was the foremost exponent of a new level of compelling auteurism in soul. His failure to maintain the standards of Superfly qualifies as one of the great disappointments in the history of black popular music. Perhaps he'd simply reached his peak after a long climb, but the rest of his '70s work didn't match the musical brilliance and lyrical subtleties of Superfly, although he had a few large R&B hits in a much more conventional vein, such as "Kung Fu," "So in Love," and "Only You Babe."
Mayfield had a couple of hits in the early '80s, but the decade generally found his commercial fortunes in a steady downward spiral, despite some intermittent albums.
On August 14, 1990, he became paralyzed from the neck down when a lighting rig fell on top of him at a concert in Brooklyn, NY. In 1993, three years after the accident which caused Mayfield's paralysis, Shanachie records released the album People Get Ready: A Tribute to Curtis Mayfield featuring a.o. Jerry Butler, Don Covay and Steve Cropper.
Mayfield received the Grammy Lifetime Achievement Award in 1995.
Curtis Mayfield died December 26, 1999 at the North Fulton Regional Hospital in Roswell, Georgia.
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slint69
Our days of comfort, days of night
Don't put yourself in solitude
Who can I trust with my life
When people tend to be so rude?
My mama borned me in a ghetto
There was no mattress for my head
But, no, she couldn't call me Jesus
I wasn't white enough, she said
And then she named me, (y'all), Kung Fu
Don't have to explain it, no, Kung Fu
Don't know how you'll take it, (here), Kung Fu
I'm just trying to make it, (love), Kung Fu
I've got some babies and some sisters
My brother worked for Uncle Sam
It's just a shame, ain't it, Mister?
We being brothers of the damned
But loving brings about a difference
You are my love...I do believe
Shall we join hands for tomorrow?
Don't carry nothin' up your sleeve
Keep your head high, Kung Fu
I will 'til I die, yeah, Kung Fu
Don't be too intense, no, Kung Fu
Keep your common sense, yeah, Kung Fu
Don't be mistaken for a secret
There is no secret part of you
You bet your life if you think wicked (don't think wicked child)
Someone else is thinking wicked, too
Keep your head high, Kung Fu
I will 'til I die, yeah, Kung Fu
Don't be too intense, no, Kung Fu
Keep your common sense, yeah, Kung Fu
Our days of comfort, days of night
Don't put yourself in solitude
Who can I trust with my life
When people tend to be so rude?
My mama borned me in a ghetto
There was no mattress for my head
But, no, she couldn't name me Jesus
I wasn't white enough, she said
And then she named me, (y'all), Kung Fu
Don't have to explain it, no, Kung Fu
Don't know how you'll take it, (here), Kung Fu
I'm just trying to make it, (love), Kung Fu
(y'all), Kung Fu
Yeah, Kung Fu
I YAM WHITE
Growin up in the hood
Yee meeyin 1984
A little black kid came of age
Popo joggin
Eager to peel a cat
I put ya quick to a nat
Its the same old story
Moms walk in to collect my woopin
Livin fast on the wrong
Side of the law
Growing up in the hood
Life aimed at nothing
Drug bindgin and money
Wear a hat if you're cold and hoarse
Life
Aimed
Bindgin and money
MCH8
CheckMate657879
The entire song is a movie score - intensity, drama, suspense - Curtis Mayfield was truly, truly gifted. He's sorely missed.
luis ramirez
Sure sounds like my man Curtis made a heavy impression on Prince , and that is the power of the 70's all over again . both of these great artist living forever with their music !
Chad Kelham
That drum break @ 5:05...so golden.
Larryj Williams
Curtis was inducted into the Rock and Roll Hall of Fame twice. First as member of the Impressions in 1991, then as a solo artist in 1999.
MrVb66
👍👍👍👍
Grip Wilson
@Apprentess Gooden thought they was from philly...
Dog
The bassline is so good!
Santana Jackson
Yeah that bassline is pretty damn serious
D M
Yes it is
Signalsoldier
Simple. Showing you dont have to cram as many notes in a bar as fast as possible to be funky. Slow, low and well placed.