Their first album, Broadcast, released in 1986, was the first U.S. number one album for Richard Branson's Virgin Records. It included "(I Just) Died in Your Arms", their most popular single, which reached number one in the U.S., and number four in the UK; the album also yielded an additional U.S. top-ten hit with "I've Been in Love Before". The band received a Grammy nomination in 1987, for "Best New Artist".
After the band broke up in 1993, guitarist Kevin MacMichael joined forces with Robert Plant, and played on his critically acclaimed Fate of Nations album. MacMichael died of lung cancer on New Year's Eve 2002, at his home in Nova Scotia, at the age of 51.
The band was reformed in 2006 by Nick Van Eede, with a completely new line-up. They have released one album, Grinning Souls, in February 2006 on the Hypertension record label. The new band toured Germany early the same year and are currently planning tours in the UK and Denmark.
SAHARA
Cutting Crew Lyrics
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It's been fine up to now
Sahara, I just walked into your world
Sahara, don't walk out on me now
Don't let time tie you down
It's been fine up to now
Sahara, there is life in the desert
But in my heart and in my head
I know that she'll wait for me
Sahara brings me down
She will take up all your time
Then she'll laugh and cut you down
Do you still hold a light for ... for me?
Don't let fires burn too low
Wild-eyed winds they still blow
Sahara, I just walked into your world
Sahara, don't walk out on me now
But in my heart...
The lyrics to Cutting Crew's song Sahara speak to the powerful and unpredictable nature of love. The lines "Don't let love let you down / It's been fine up to now" suggest that the singer has been enjoying a positive relationship so far, but recognizes that love can be fickle and may not always stay that way. The repeated use of the word "Sahara" creates a metaphor for the treacherousness of love, as the desert can be both beautiful and deadly. The singer acknowledges that entering this world was a choice, but pleads with their lover not to leave them now that they are invested.
As the song continues, the lyrics suggest that time can also be unpredictable and potentially destructive. The line "Don't let time tie you down / It's been fine up to now" speaks to the idea that the passage of time can bring changes that we may not want or expect, and we must learn to adapt in order to survive. The chorus repeats the refrain "Sahara, let the sands run away," as if to say that we must let go of control and allow time to do its work.
The lyrics continue with the singer expressing both love and fear for their partner, questioning whether they still hold a light for them despite the difficulties they face. The image of fires burning too low and wild-eyed winds suggests that danger is always present in the Sahara, just as it is in love. The final plea for the lover not to walk out on the singer takes on a desperate tone, as if acknowledging that they are not truly in control of what happens next.
Overall, the lyrics to Sahara paint a picture of a passionate but potentially destructive love, in which the lovers must learn to navigate the harsh environment in order to survive.
Line by Line Meaning
Don't let love let you down
Don't allow the feeling of love to disappoint or discourage you
It's been fine up to now
Everything has been going well so far
Sahara, I just walked into your world
The singer is acknowledging that he has entered the world of the person he's singing to named Sahara
Sahara, don't walk out on me now
The singer is pleading with the person named Sahara to not leave him at this moment
Don't let time tie you down
Don't allow the concept of time to hold you back or limit you
It's been fine up to now
Once again, everything has been going well so far
Sahara, there is life in the desert
The singer is stating that there is meaning and existence even in difficult situations, using the desert as a metaphor
Sahara, let the sands run away
The singer is telling Sahara to let go of the obstacles they face and allow the problems to fade away, also using a metaphor of the desert sands
But in my heart and in my head
The singer is admitting that he's emotionally connected to Sahara, using a cliche of mind and heart
I know that she'll wait for me
The singer believes that Sahara will stay committed to him and await his return
Sahara brings me down
The singer asserts that the challenges they face together are bringing him down emotionally
She will take up all your time
The person named Sahara consumes a lot of the singer's time and energy
Then she'll laugh and cut you down
The singer is cautioning that Sahara may end up betraying him or causing him pain, using the metaphor of laughter followed by cutting, which indicates hurting someone
Do you still hold a light for ... for me?
The singer is asking if Sahara still has strong feelings for him despite the challenges they face
Don't let fires burn too low
The singer is telling Sahara to not let their passion for one another fade away or diminish
Wild-eyed winds they still blow
The singer is acknowledging that there are uncontrollable factors and circumstances that could cause trouble, and using the metaphor of wild eyes of a storm
Sahara, I just walked into your world
Again, the singer is acknowledging that he has entered Sahara's world, which may be different from his own
Sahara, don't walk out on me now
The singer pleads once again for Sahara to not leave him behind when things are tough
But in my heart...
This phrase is incomplete and doesn't give any new insight, so it was left out
Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC
Written by: BOORER, EEDE
Lyrics Licensed & Provided by LyricFind